The Devil's Chair

I am a big fan of English film and have been excited by recent films like The Descent, and Dead Mans Shoes in the horror genre; and I hope that filmmakers with the sort of vision that makes these films possible get all the accolades and funding that they require to continue taking English film forward.

however, this film and its director Adam 'I'm a t**t' mason, makes me embarrassed to have been born in the same country. To say this film is conceited would be a massive compliment, it attempts the self aware horror take a la 'Man Bites Dog' where the protagonist psycho talks to the audience and even at one point says 'is this what you want, this badly written, terribly acted horror movie' or something of the sort and I agree whole heartedly. The acting is shallow, the 'big plot twists' are tedious and I found it difficult to care about the characters at all.

I implore that you do not watch this movie unless you are staving off suicide with terrible self involved movies

I do appreciate the effort but a pair of suspenders have more suspense than this rotten egg of death. The story evolves around an evil chair adorned with a skull and placed conveniently (probably by some deranged carpenter) in a desolate building, a former asylum. To top it off the main character - a mental patient - continuously delivers a voice-over with a lisp which I believe he suffers from, listening to which is as thrilling as a boat ride on dry land.

Believe me you've seen it done before and better (Session 9 anyone?), don't punish yourself by watching the "Chair". I dosed off countless times which was about the most refreshing thing about the whole experience.

I recently watched the UK film 🇬🇧 The Devil's Chair (2007) on Tubi. The storyline follows a couple who, on a date, stumble upon an abandoned asylum they think would make the perfect spot for a sexual escapade. When the woman sits in a mysterious chair, things take a horrifying turn, and blood ends up everywhere. The man is soon imprisoned, accused of her murder. Years later, a researcher receives permission to take him back to the crime scene so he can recount his story. Once they return to the asylum, it doesn't take long for trouble to arise.

Directed by Adam Mason (Blood River), the film stars Andrew Howard (Taken 3), Pollyanna Rose (Turistas), Elize du Toit (Skyfall), Louise Griffiths (Chastity Bites), and Matt Berry (Snow White and the Huntsman).

This is definitely an uneven movie, but there's a lot to like. The main character can be a bit over-the-top and his acting inconsistent, which might get annoying, but his narration isn't awful. The dialogue and acting feel a bit low-budget, and the circumstances can be a stretch at times. However, the "monster" is surprisingly well-executed, and the kills are better than expected, with plenty of blood splatter. The film also delivers a strong twist, making the ending far more satisfying than expected.

In conclusion, The Devil's Chair is far from perfect, but horror enthusiasts looking for something different may enjoy it. I'd score it a 5-5.5/10 and recommend watching it once.

Nick West (Andrew Howard) is a troubled soul. He's spent the last four years in a mental institution for a horrific murder that he says he can't remember committing. Dr. Willard (David Grant) decides that it's a good idea to take Nick, along with three college students, back to the scene of the crime. Willard believes they can figure out what really took place. So, the group sets up for a long weekend in the huge, abandoned building in question.

All is well until the titular chair enters the picture. Weirdness escalates into nightmare and ultimate doom. All hell breaks loose, resulting in madness and inescapable death.

Sound like fun?

THE DEVIL'S CHAIR is Director Adam Mason's grimy, foul follow-up to BROKEN. Mason seems dead-set on making movies that extinguish all hope. This film has a tricky, pseudo supernatural thing going on, that twists the plot, leading to a confoundingly unsettling finale. After watching this one, the viewer may feel compelled to watch a Disney film or romcom, just to reset the mind...

This British horror film is unusual in a few aspects. It starts by showing the end (or is it?) of the story. It has the main character, Nick, as a narrator, who's more often a commentator who hits the pause button (freeze-frame) when he makes a comment. Nick is considered criminally insane because of the way his lover died 4 years ago in an abandoned asylum, but Nick insists it was due to supernatural causes (involving a weird chair). Early in the film, Nick admits he can be the only one who did it although he doesn't remember doing it. An old professor, his assistant and two students have the "genius" idea to bring back the supposedly criminally insane Nick to the asylum where the murder was committed, to study him. Right there, I had a problem believing such a dumb idea could actually happen.

The "devil's chair" in the abandoned asylum is a sinister-looking chair with a skull, initially inoffensive, which "probes" people (creepiest effects of the movie) before shunting them off to another version of the asylum with a demon-skulled tentacled monster roaming. I thought sometimes it looked freakish, sometimes amateurish. The acting was unequal, but I think it might have been intentional. The pompous old professor was atrocious in his line delivery. The main character/narrator was actually good playing it serious, troubled, intense, sometimes mean, channelling Jason Statham. The others were OK, except the brown-haired assistant that was also bad, but nowhere near the level of the professor. There were jarring changes in the tone of the movie with the main character actually admonishing the viewer once. The "normal" version of the asylum was undermined by the irrational, sometimes corny, behaviour of the characters, which in a way got eventually explained. The "other" version of the asylum was sometimes unnerving with interesting cinematography.

However, it's the last act (last 20 minutes or so) that was really horrifying with its final twist that I liked but that might frustrate others. For low-budget horror, it does try to be somewhat different but ends up a mixed-bag. I wondered what messages the creators were trying to convey if anything. One of them might be that the true horror doesn't lie in supernatural shenanigans but in the human psyche. Another might be simply what the main character spews out angrily at the viewer near the end. I don't think I particularly liked this movie, but I found it positively peculiar nevertheless.

Rating: 6 out of 10 (Good)