Sügisball

My absolutely favorite Estonian film today and ever! It's about happiness and love (characters live life without love, very depressing and empty life). "Sügisball" is based on beautiful book by Mati Unt. Director said this film is for people with gentle soul and weak liver. Characters in this film are so real, they give foreign viewer very good idea about Estonia in post-Soviet timing. Beautiful music score, 10 star cinematography, final results strong and sophisticated. Best of all characters is probably architect Maurer (and not because I like him!) But all others are also deep and well-designed. May be director can be called Estonian Altman? I think so.

Autumn Ball (Sügisball) is first feature length film by young and talented film director Veiko Õunpuu. Autumn Ball is very surrealistically real. Pasteltones and sleepiness and soundtrack that created the mood and atmosphere. Autumn Ball is talking about different people who are all lost something and now trying to find it. It's full of complex characters.

Autumn Ball is full of great cast also who make this all possible. Rain Tolk is definitely one of the most talented young male actors in Estonia at the moment.

I can't wait Veiko Õunpuu's next film. He showed his talent in Autumn Ball. Let's hope he'll do it again.

Sugisball (2007)

For an American, this is a great insight into ordinary life in Estonia, which is one of three small countries on the western rim of the Soviet Empire, and just south of Finland on the Baltic Sea. The paths of several ordinary people, mostly young people, are interwoven in a set of vignettes that complicate as these people live very contemporary and European style lives, but with a palpable sense of oppression. It's fascinating. It's supposed to be a Soviet era apartment complex, and has the trappings of the dystopia that represents, but the people are individualistic and expressive without a feeling of repression.

What presides more clearly is a feeling of sadness and depression. Sometimes there is distrust, other times downright abuse and brutality. There is very little joy, and very little love, at least in the open way we think of it. And so because of all this the movie bristles with irritations and perceptions about the normal world. It's a slice of life, done with sensitivity. It actually reminded me of some Scandinavian films I've seen in the last decade. Another review remarks that it has a Finnish echo (I just read this after making my own point), so maybe there is something to the film industry on the fringe of Europe, not overwhelmed by American/British movies, and perhaps feeling the oppression of the Soviet era in its art scene. And there is an echo of climate and light.

A key scene, certainly, toward the end, has a submissive coatcheck man release his pent up frustrations against a highrolling patron, who happens (with a bit of irony, I'm sure) to be a director. What does he direct? "Relationship comedies." And this (because it's so impossible an idea for this world, maybe?) sends the coatchecker into a rage. It's overdone, but it's followed by an older man laughing hysterically, all by himself on his bed, and it gives a little depth to the whole enterprise.

"Sugisball" (which means Autumn Ball) doesn't really make a case for why it's valuable, or special. I mean, besides being heartfelt and nicely penetrating, and focused on something that will someday soon seem historical, there is no terrific larger point, larger than its own subject. Maybe this is enough. It's totally absorbing, with a large array of actors, most of them very convincing. There are some touching scenes, some frankly sexual ones, and everything is very everyday. It may not be transforming, but it's superb in its own way. Take it for what it is.

SUGISBALL(Autumn Ball) (dir. Veiko Ounpuu) The film is a series of interconnected stories of disparate characters who live in a dreary housing complex in Tallinn, Estonia where the ugly environs amplify the emotional separation. The film's tone is one of deadpan 'Black Comedy' that communicates histrionic sadness and pent-up romantic longing that at times comes across as mildly amusing. One extremely funny segment (that had nothing to do with the movie) was where an overweight, assistant doorman impersonates Michael Jackson's music video,'Beat It'. This can only be seen to be believed and is nothing short of hysterical. Overall, the film provides very little resolution, but the film's attitude and spirit are somewhat reminiscent of Baltic directors Ingmar Bergman and Krzysztof Kieslowski.

Veiko Õunpuu's Sügisball is a quiet and thoughtful film about loneliness, emotional numbness, and the everyday lives of people in post-Soviet Estonia. Set in a grey apartment complex in Tallinn, the movie follows several characters whose lives overlap in sad and subtle ways. Even though the setting feels cold and harsh, there's something deeply human and relatable in the stories it tells.

The film moves slowly and focuses more on mood than on action. It feels more like a poem than a traditional story, showing how each person struggles with isolation and their desire for connection. The characters feel real-not exaggerated or overly dramatic-but each of them is dealing with a kind of quiet pain. The dark humour and occasional odd moments only highlight how bleak their lives really are.

One of the funniest, yet most surreal moments is a doorman dancing like Michael Jackson. It's strange and unexpected, but it somehow fits. Later, a coat-check worker explodes in frustration at a film director who makes romantic comedies-a moment that's both intense and a little sad. It's followed by a strange and moving scene of an old man laughing alone, which perfectly sums up the film's mix of sadness and absurdity.

Sügisball isn't flashy or fast-paced, but it's powerful in its own quiet way. It's a film that captures the beauty and sadness of everyday life, showing how hard it can be to feel close to others-even when they live just next door.