IMDb-BEWERTUNG
5,4/10
6603
IHRE BEWERTUNG
Füge eine Handlung in deiner Sprache hinzuEmbarking on a journey to fulfill her dreams as a dancer, a young girl discovers a new style of dance that will prove to be the source of both conflict and self-discovery.Embarking on a journey to fulfill her dreams as a dancer, a young girl discovers a new style of dance that will prove to be the source of both conflict and self-discovery.Embarking on a journey to fulfill her dreams as a dancer, a young girl discovers a new style of dance that will prove to be the source of both conflict and self-discovery.
- Auszeichnungen
- 1 wins total
Christina Grace
- Female Dancer - Auditions
- (as Christina Grace SY)
Empfohlene Bewertungen
It;s got it's flaws, but I had fun watching it. Mary Elizabeth WInstead is great in this film and the dance scenes were amazing. So if you just watch to see a dumb fun movie, I say give this film a watch.
Greetings from the other side. You will get serious deja vu watching this movie.
Girl goes to dance try-out but doesn't make it, so she tries her hand at burlesque. You get the standard montage of trying on clothes, along with many other cliches, such as:
Hot DJ guy asks her out.
Evil dancer is jealous of her Says she can't dance like that, but after a rough start, she is amazing!
Her brother catches her doing burlesque, and is very upset and runs off in a huff, while she chases him to explain.
And many, many more.
A part that made me laugh was when she takes the stage for the first time, but has problems dancing to a slow song for no reason (people grumbling and shaking their heads at her dancing), so her DJ boyfriend changes the music to a fast beat song, and suddenly she is incredible! (And the crownd starts cheering and smiling).
This movie is watchable just once because Mary Elizabeth Winstead is in it, and she is just gorgeous, and talented. However, I didn't believe her kissing and make-out scenes. There didn't seem to be any chemistry with her boyfriend. Plus you have seen this all before in movies like Coyote Ugly, or Bulesque, and they did it better.
Girl goes to dance try-out but doesn't make it, so she tries her hand at burlesque. You get the standard montage of trying on clothes, along with many other cliches, such as:
Hot DJ guy asks her out.
Evil dancer is jealous of her Says she can't dance like that, but after a rough start, she is amazing!
Her brother catches her doing burlesque, and is very upset and runs off in a huff, while she chases him to explain.
And many, many more.
A part that made me laugh was when she takes the stage for the first time, but has problems dancing to a slow song for no reason (people grumbling and shaking their heads at her dancing), so her DJ boyfriend changes the music to a fast beat song, and suddenly she is incredible! (And the crownd starts cheering and smiling).
This movie is watchable just once because Mary Elizabeth Winstead is in it, and she is just gorgeous, and talented. However, I didn't believe her kissing and make-out scenes. There didn't seem to be any chemistry with her boyfriend. Plus you have seen this all before in movies like Coyote Ugly, or Bulesque, and they did it better.
Lauryn Kirk (Mary Elizabeth Winstead) from a small Indiana town goes to audition for the Chicago School of Music and Dance. They want real emotions and reject her. Her car gets towed and she is unwilling to admit defeat to her brother. She gets a place to stay from Dana (Tessa Thompson) who helps get her a bookkeeping job at the burlesque club Ruby's. Dana is one of the dancers and Russ (Riley Smith) is the music director.
This is a worn-out formula. The plot is a copy of every other one of these dance movies. This has to distinguish itself with great dancing but there is nothing exceptional here. Winstead is not a big enough star to carry this although she does have that wide-eyed innocent quality. She's tall and lanky. She fits the character but the movie is not special.
This is a worn-out formula. The plot is a copy of every other one of these dance movies. This has to distinguish itself with great dancing but there is nothing exceptional here. Winstead is not a big enough star to carry this although she does have that wide-eyed innocent quality. She's tall and lanky. She fits the character but the movie is not special.
This film is about a young woman who works against all odds towards achieving her dream as a dancer.
"Make It Happen" is a predictable feel good movie. It has got all the ingredients to be a cheesy film. It has trendy danceable music, cool dance moves, great looking people, the jealous enemy; even the obligatory shopping scenes! As for the plot, there is no beating around the bush. Just six minutes into the film, there is already a dance audition. The pacing is fast, but it does not feel rushed. The dance moves are energetic and vibrant, which makes it a joy to watch.
"Make It Happen" gives the right youthful energy which makes viewers feel good. It is a great popcorn flick to turn your brain off. Just forget all the clichés, sit back and enjoy it.
"Make It Happen" is a predictable feel good movie. It has got all the ingredients to be a cheesy film. It has trendy danceable music, cool dance moves, great looking people, the jealous enemy; even the obligatory shopping scenes! As for the plot, there is no beating around the bush. Just six minutes into the film, there is already a dance audition. The pacing is fast, but it does not feel rushed. The dance moves are energetic and vibrant, which makes it a joy to watch.
"Make It Happen" gives the right youthful energy which makes viewers feel good. It is a great popcorn flick to turn your brain off. Just forget all the clichés, sit back and enjoy it.
It was no surprise that, throughout Make It Happen's 80-minutes duration, one would find this latest dance flick (helmed by occasional music director, Darren Grant) riddled with the most tiresome and obnoxious clichés that the genre could offer across its existence. Yes, to be fair, the film seems to be borrowing each scene from similarly plotted features. Yet, in one way or another, Make It Happen seems to present all of them just that better.
One of the flick's greatest and most undeniable asset would be lead Mary Elizabeth Winstead, who displays some of her best work here. It's hard not to swoon for Winstead, who switches from ferocious, limb-swinging urban dancer to ingénue, down-to-earth, corn-fed small town girl with impressive and flawless flair. She seems born for the role, radiating an unbelievable amount of charm, and drawing life into a well-written character. Despite having been supplied with a prosaic script, Winstead performs admirably well, both on and offstage.
Regardless of Winstead's poetic beauty, the film lacks a substantial screenplay, and every line feels tacky and uninspired. It's safe to say that the film is no more scripted than it is choreographed. Adler's libretto felt unremarkably familiar, and, with or without hindsight, you could almost tell how the film will unfold before the lights dim down. It was fortunate that the rest of the troops, though never coming close to stealing the show (leave that to Winstead), played their - stereotypical - parts adequately, with the provocative Julissa Bermudez standing out exiguously.
The film's lack of flesh on show is an affront to the cast's sensual, slinky sex appeal, and it is hard to find that the clubgoers are majorly made up of cheering females, rather than drooling guys. However, the dances are already enticing in nature, so more skin would not have been necessary, but simply more effective. Speaking of, the dance sequences are entertainingly beautiful, aided with a catchy soundtrack, and as a whole, undeniably a visual and aural delight - a testament to the eyes and ears.
Make It Happen is not much a film rather than a montage of energetic dance romps, connected solely by filler sequences enlaced with drama and romance. That said, they are good sequences of drama, as Winstead's verisimilar approach to her character enlivens each of the film's dramatic scenes. The same cannot be said for the sequences of romance though. Try as they might, the pairing of Winstead and Smith lacks chemistry, and as a result, the film is forced to present a dull romance that you couldn't care for. It doesn't help that Smith's character is near unlikable - as another critic put it - "a smarmy douche".
All the same, Grant's experience in the music video industry helped a lot here. Stunning cinematography entwine each scene, and the dance sequences are nothing short of being optically magnificent. Although there might not be much to entertain those with a passionate dislike of this variety, it is nevertheless a fine installment into the dance genre. Make It Happen passes as both a short, drama film entwined with great dance sequences, and an overtly long, energetic music video interweaved with filler drama scenes. However you put it, I believe Make It Happen is still a decent film.
Verdict: Darren Grant has crafted an enjoyable popcorn dance flick, an improvement over the recent additions to the genre. There's still much room for improvement, but Winstead's soulful performance atones for much of the flaws. Nevertheless, its feeble screenplay and extremely predictable fade-out could not go off easily unnoticed.
One of the flick's greatest and most undeniable asset would be lead Mary Elizabeth Winstead, who displays some of her best work here. It's hard not to swoon for Winstead, who switches from ferocious, limb-swinging urban dancer to ingénue, down-to-earth, corn-fed small town girl with impressive and flawless flair. She seems born for the role, radiating an unbelievable amount of charm, and drawing life into a well-written character. Despite having been supplied with a prosaic script, Winstead performs admirably well, both on and offstage.
Regardless of Winstead's poetic beauty, the film lacks a substantial screenplay, and every line feels tacky and uninspired. It's safe to say that the film is no more scripted than it is choreographed. Adler's libretto felt unremarkably familiar, and, with or without hindsight, you could almost tell how the film will unfold before the lights dim down. It was fortunate that the rest of the troops, though never coming close to stealing the show (leave that to Winstead), played their - stereotypical - parts adequately, with the provocative Julissa Bermudez standing out exiguously.
The film's lack of flesh on show is an affront to the cast's sensual, slinky sex appeal, and it is hard to find that the clubgoers are majorly made up of cheering females, rather than drooling guys. However, the dances are already enticing in nature, so more skin would not have been necessary, but simply more effective. Speaking of, the dance sequences are entertainingly beautiful, aided with a catchy soundtrack, and as a whole, undeniably a visual and aural delight - a testament to the eyes and ears.
Make It Happen is not much a film rather than a montage of energetic dance romps, connected solely by filler sequences enlaced with drama and romance. That said, they are good sequences of drama, as Winstead's verisimilar approach to her character enlivens each of the film's dramatic scenes. The same cannot be said for the sequences of romance though. Try as they might, the pairing of Winstead and Smith lacks chemistry, and as a result, the film is forced to present a dull romance that you couldn't care for. It doesn't help that Smith's character is near unlikable - as another critic put it - "a smarmy douche".
All the same, Grant's experience in the music video industry helped a lot here. Stunning cinematography entwine each scene, and the dance sequences are nothing short of being optically magnificent. Although there might not be much to entertain those with a passionate dislike of this variety, it is nevertheless a fine installment into the dance genre. Make It Happen passes as both a short, drama film entwined with great dance sequences, and an overtly long, energetic music video interweaved with filler drama scenes. However you put it, I believe Make It Happen is still a decent film.
Verdict: Darren Grant has crafted an enjoyable popcorn dance flick, an improvement over the recent additions to the genre. There's still much room for improvement, but Winstead's soulful performance atones for much of the flaws. Nevertheless, its feeble screenplay and extremely predictable fade-out could not go off easily unnoticed.
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- WissenswertesMary Elizabeth Winstead was shocked and flattered to be offered the role out of the blue and eagerly accepted, as dancing was one of her passions. She's been dancing since she was four years old.
- PatzerWhen Lauryn dances onstage at Ruby's for the first time, as she goes into her starting post, she realizes that she is too far to the left (viewer's left, her right) of the stage and adjusts herself so her silhouette (outline) is right in the middle of the sliding stage door (at the line where the doors meet). But the very next shot shows her silhouette to the right (viewer's right) of the middle/door split.
- VerbindungenReferences Flashdance (1983)
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Details
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- Herkunftsland
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- Auch bekannt als
- Untitled Bille Woodruff Project
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Box Office
- Weltweiter Bruttoertrag
- 10.153.961 $
- Laufzeit
- 1 Std. 30 Min.(90 min)
- Farbe
- Seitenverhältnis
- 2.35 : 1
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