Kenny

The funniest Australian comedy since Muriel's Wedding – I laughed so much it had me in tears. In fact, the most of the audience were laughing. This was brilliantly conceived and executed. It had realism to the extent that the person who saw it with me thought it was an actual documentary. The humour was so good-natured, intelligent, authentic, full of irony and contained different layers of reality. The depictions of family life were terrific – the ex-wife, the miserable father, the intolerant brother (played by the real-life brother and director of the film).

The authenticity was enhanced by being filmed on location at actual events such as the Melbourne Cup and the Cleaners and Pumpers Convention in Nashville, Tennessee. The film is naturally full of toilet humour, but not as we are accustomed to. It was really underplayed in a natural, inoffensive and genuinely funny manner.

I didn't intend seeing this film, thinking it would be just another run-of-the-mill feel-good comedies. I went because I had free tickets, and I'm so glad I did. It is highly original and well worth paying to see this real gem of a film that really encapsulates aspects of Australian humour and culture. Kenny is proof that you don't need a big budget to produce a really entertaining film.

Very funny and very Australian. Kenny has many funny things to say and has a great outlook on life, highly recommended. The sense of humour may be too Australian for some American tastes, but I'm sure that the British will definitely take to the character of Kenny and the other slightly oddball but very realistic characters that inhabit the film. The mockumentary style approach works very well, possibly to the point where if i didn't know it was actors portraying the characters, I wouldn't of been able to tell the difference. The character of Kenny is very much a typical working class man, just going about his business cleaning toilets, but he could be in any profession for all it matters as he is a very identifiable with character. His adventures as chronicled in the film make for interesting viewing, and for a comedy, it has some quite moving and sentimental scenes that help to broaden the potential audience of this gem of a film.

Kenny is the funniest, sweetest and most clever Aussie comedy since Priscilla Queen of the Desert and Muriel's Wedding. It is bitter sweet in t he style of both Priscilla Queen of the Desert and Muriel's Wedding. Want to laugh like hell and feel for the character of Kenny then watch Kenny. My elderly Mother did not realize that Kenny was a mockumentary until near the end of the film. She thought it was a straight documentary - bless her cotton socks. I am a New Zealander and Aussie culture is very near our culture but I am sure if you are American or British or Mongolian you will enjoy Kenny. Really – so go on and watch, fast.

This is a truly wonderful film. The acting, direction and camera-work really give it a realistic and believable feel - I actually forgot that the film was fictional while watching it. I resent a comment posted earlier on this site suggesting that this film should only be released in Australia because they are the only ones who can truly appreciate it. That's exactly the mentality that keeps these types of authentic, quirky movies struggling and big budget airhead movies so comfortable. Being Canadian does not necessarily mean I can only appreciate Canadian film, and Canadian film has no place in the global market - that's ridiculous! "Kenny" is a perfect example of a small film with a very particular focus and a healthy approach to local charm and quirkiness. Whether you've heard any of his hilarious expressions before or not, they will still be adorably funny. The characters are genuine, the story is charming and the artistic vision is strong. Obviously different cultures will appreciate films differently but I really believe that this film merits as much success as it can find. I hate to gush but really, this movie deserves much props.

The mockumentary format, mostly seen on TV in shows like "People Like Us" (though Christopher Guest in "Spinal Tap" pioneered the form in film), is still novel enough to spring a few surprises. Shane Jacobson as Kenny the Melbourne port-a–loo man is both a surprise and a pleasure. Filmed on a shoestring budget, this film's cheeky manner and adroit editing kept me engaged to the end.

No public event is too big for Kenny and his team as they cater for the lavatorial needs of the public at pop concerts, motor races, sports events and in the grand finale, the Melbourne Cup. In the meantime the good-natured Kenny has to cope with an ex-wife meaner than a junkyard dog, a son he needs to see more of, a difficult and demanding elderly father and less than satisfactory employees. One good piece of fortune does come his way when he scores a trip to Nashville, Tennessee, to a grand poo-collector's convention and meets a nice young lady who's actually interested in him. The plot is a bit on the corny side but that doesn't matter – it's the humour that counts.

As with most mockumentaries the narration plays against what the characters are actually doing, but the dissonance sneaks up on you. Kenny however is not deluded like Ricky Gervais' character "David Brent" in the office – he is a realist. He is also immensely likable. Usually with mockumentaries there is a cringe factor as the hapless protagonist blunders from one faux pas to another (witness David Brent), but that's not the case here. Despite his private life Kenny is immensely capable at work and with him around we know things will turn out all right. Whether it's a ring down the toilet, arson-minded speedway fans, or the victim of a buck's night chained to one of his units, we are confident Kenny will sort it out, the fun is in how.

I hate the expression "gem" but that's what this film is. It's a celebration of the Australian working man, with truth as well as humour. Kenny's final revenge-taking on an arrogant motorist who had boxed his truck in seemed a little out of character, but perhaps justified in the circumstances.

P.S. SNOB ALERT: The upper classes are portrayed as having very little charm indeed.