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Der Solist

Originaltitel: The Soloist
  • 2009
  • 12
  • 1 Std. 57 Min.
IMDb-BEWERTUNG
6,7/10
56.213
IHRE BEWERTUNG
Robert Downey Jr. and Jamie Foxx in Der Solist (2009)
This is the theatrical trailer for The Soloist, directed by Joe Wright and starring Jamie Foxx and Robert Downey Jr.
trailer wiedergeben2:32
15 Videos
87 Fotos
BiographyDramaMusic

Ein Zeitungsjournalist entdeckt ein obdachloses Musikgenie und versucht, seine Situation zu verbessern.Ein Zeitungsjournalist entdeckt ein obdachloses Musikgenie und versucht, seine Situation zu verbessern.Ein Zeitungsjournalist entdeckt ein obdachloses Musikgenie und versucht, seine Situation zu verbessern.

  • Regie
    • Joe Wright
  • Drehbuch
    • Susannah Grant
    • Steve Lopez
  • Hauptbesetzung
    • Jamie Foxx
    • Robert Downey Jr.
    • Catherine Keener
  • Siehe Produktionsinformationen bei IMDbPro
  • IMDb-BEWERTUNG
    6,7/10
    56.213
    IHRE BEWERTUNG
    • Regie
      • Joe Wright
    • Drehbuch
      • Susannah Grant
      • Steve Lopez
    • Hauptbesetzung
      • Jamie Foxx
      • Robert Downey Jr.
      • Catherine Keener
    • 171Benutzerrezensionen
    • 206Kritische Rezensionen
    • 61Metascore
  • Siehe Produktionsinformationen bei IMDbPro
    • Auszeichnungen
      • 1 Gewinn & 3 Nominierungen insgesamt

    Videos15

    The Soloist: Trailer
    Trailer 2:32
    The Soloist: Trailer
    The Soloist: "Steve Meets Nathaniel"
    Clip 0:59
    The Soloist: "Steve Meets Nathaniel"
    The Soloist: "Steve Meets Nathaniel"
    Clip 0:59
    The Soloist: "Steve Meets Nathaniel"
    The Soloist: "I Want You to Help Him"
    Clip 1:02
    The Soloist: "I Want You to Help Him"
    The Soloist: "Dinner at Awards Show"
    Clip 0:39
    The Soloist: "Dinner at Awards Show"
    The Soloist: Help Him
    Clip 1:02
    The Soloist: Help Him
    The Soloist: Dinner
    Clip 0:39
    The Soloist: Dinner

    Fotos87

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    Poster ansehen
    Poster ansehen
    Poster ansehen
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    + 79
    Poster ansehen

    Topbesetzung99+

    Ändern
    Jamie Foxx
    Jamie Foxx
    • Nathaniel Ayers
    Robert Downey Jr.
    Robert Downey Jr.
    • Steve Lopez
    Catherine Keener
    Catherine Keener
    • Mary Weston
    Tom Hollander
    Tom Hollander
    • Graham Claydon
    LisaGay Hamilton
    LisaGay Hamilton
    • Jennifer Ayers
    • (as Lisagay Hamilton)
    Nelsan Ellis
    Nelsan Ellis
    • David Carter
    Rachael Harris
    Rachael Harris
    • Leslie Bloom
    Stephen Root
    Stephen Root
    • Curt Reynolds
    Lorraine Toussaint
    Lorraine Toussaint
    • Flo Ayers
    Justin Martin
    Justin Martin
    • Young Nathaniel
    Kokayi Ampah
    Kokayi Ampah
    • Bernie Carpenter
    Patrick Tatten
    Patrick Tatten
    • Paul Jr.
    Susane Lee
    Susane Lee
    • Marisa
    • (as Susane E. Lee)
    Marcos De Silvas
    Marcos De Silvas
    • Mayor Villaraigosa
    Ilia Volok
    Ilia Volok
    • Harry Barnoff
    Michael Bunin
    Michael Bunin
    • Adam Crane
    Mike Nowak
    • Julliard Conductor
    • (as Michael Nowak)
    Jena Malone
    Jena Malone
    • Cheery Lab Tech
    • Regie
      • Joe Wright
    • Drehbuch
      • Susannah Grant
      • Steve Lopez
    • Komplette Besetzung und alle Crew-Mitglieder
    • Produktion, Einspielergebnisse & mehr bei IMDbPro

    Benutzerrezensionen171

    6,756.2K
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    Empfohlene Bewertungen

    8zetes

    Wright, Downey and Foxx are good enough artists to lift this above its Oscar bait plot

    This film was supposed to be a major competitor for the Oscars last year, but Paramount bumped it to a few months later. Despite the mixed reviews the film has received, I believe it would have been a major contender. I honestly think Paramount's decision not only ruined its chances for Oscars, it gave the impression that there was something wrong with the picture. There isn't, really. The subject matter does scream "Oscar Bait", with Robert Downey Jr. playing a newspaper columnist who writes about a schizophrenic genius musician (Jamie Foxx) who is homeless on the streets of L.A. We all remember Shine. Shine was pretty good (if entirely made up, as we later discovered). The Soloist is probably a little better. I think it's stronger because of its exploration of the relationship between the two central characters. Both Downey and Foxx are extremely good; both are award-worthy. This material could easily have been cheesy Oscar bait, but director Joe Wright (Pride and Prejudice and Atonement) is a virtuoso himself. The way he uses image and sound move the story along beautifully, not allowing the clichés to clog up the film.
    6TheLittleSongbird

    Going solo

    With an interesting subject matter, two talented actors starring, Beethoven (one of my favourite composers) featuring heavily in the soundtrack and an impressive trailer, 'The Soloist' had enough to make me want to see it.

    Joe Wright is somewhat hit and miss for me. 'Atonement' and 'Hanna' especially of his films are great, also liked 'Pride and Prejudice' and 'Darkest Hour'. 'Anna Karenina' didn't do it for me though and 'Pan' was a big misfire. 'The Soloist's' mixed reception admittedly created some uncertainty on my part, but the interest points mentioned in the first paragraph were enough to check it out anyway. Seeing it, 'The Soloist' is somewhere in the middle of Wright's films in ranking.

    Not one of his best, not one of his worst either. Better than reputed, but considering the potential a better film was in there somewhere that didn't quite materialise.

    'The Soloist's' biggest strength is the two leads. Robert Downey Jnr. especially is riveting in a performance full of vigour and heart. Jamie Foxx had the more challenging role, and while not as subtle as Downey his acting is incredibly emotionally committed and touching. Catherine Keener also fares well.

    It's a good looking film too, polished, gritty and elegant. The music is magnificent as one would hope. 'The Soloist' does have its fair share of powerful, poignant and uplifting moments, the chemistry between the two leads strikes all the right notes and the scenes and portrayal of the homeless have a lot of power. The portrayal of schizophrenia, a very complex condition that has been prone to a lot of misconceptions and misinterpretations, is not too inaccurate.

    However, Wright's direction is fairly unimaginative and sometimes chaotic. While there is nothing amateurish about his images (apart from some over-eager/clever editing) not all of them serve much of a purpose. The script does tend to ramble, even in Foxx's dialogue which is at times slightly annoying, and be too ham-fisted.

    Similarly, the story is somewhat too thin and tries to cover too many themes and ideas without exploring some of them enough. Consequently, some of the film gets unfocused and over-crowded with a tendency to get melodramatic and be erratically paced. The rest of the acting barely registers, which is a shame because the two leads are so good.

    Overall, not a bad film but could have been more. 6/10 Bethany Cox
    imdbbl

    Lacked development....

    Steve Lopez is a Los Angeles Times columnist in need of a decent story.One day he encounters,by chance, Nathaniel Ayers, a homeless schizophrenic street musician with an abundance of talent.Lopez writes a series of articles about Nathaniel and tries to help him, to improve his conditions of living and gives him a chance to showcase his talent however Nathaniel's disease has created demons that he can't ignore and Lopez sees most of his efforts frustrated...To be honest I was expecting a way better movie, I saw the trailer months ago and it got me excited, the movie seemed to have all the ingredients to be a success,plus two amazing actors, Robert Downey Jr as Lopez and Jammie Foxx as Nathaniel.However, I felt disappointed.Lopez struggle to reach to Nathaniel and his constant efforts to help him were interesting to watch but that is pretty much everything that happens in the movie.In the end almost everything looks the same as in the beginning and not much has happened.Sure, Lopez had a small yet positive impact on Nathaniel's life and he,himself, might have gained a little something from that relationship too but I was expecting a wider range of events so to speak...I'm not saying that he should have been cured by the end of the film, as much as Hollywood loves happy endings that would be unrealistic but I did expect something to happen...some kind of development that would make this story worth telling.It never came. Maybe this story(based on real events) just doesn't translate very well to the big screen.I think the film aspired to be great but felt short.On a more positive note, Jamie Foxx's performance was great and felt very authentic.

    6/10
    7Lechuguilla

    A True Story About Urban Homelessness

    What makes this film watchable is that it is based on a true story. A caring Los Angeles reporter named Steve Lopez (Robert Downey, Jr.) tries to help a homeless man named Nathaniel Anthony Ayers (Jamie Foxx).

    Ayers suffers from paranoid schizophrenia. But he once attended Julliard, and he still lives and breathes the music of Beethoven. Ayers, with his shopping cart of possessions, walks the streets, playing his violin amid the noise of the freeway. He's content, in his own world.

    That unusual behavior grabs the attention of Lopez, no doubt as a human interest story for his own column. But as Lopez gradually becomes more genuinely concerned about Ayers, their relationship encounters frustration, anger, and emotional pain.

    It's a poignant, gritty story, full of realism. The film manages to be compassionate without being patronizing. The film does a terrific job in portraying the harsh, depressing reality of the boarders who live at a large shelter where Ayers goes, at the insistence of Lopez.

    Technical elements of the film are good. The visuals are thematically impressive. Production design and costumes are detailed and realistic. Acting is credible. Robert Downey, Jr. gives a fine performance.

    The main problem is the plot. Too much time is spent on Lopez and his trivialities. Somehow, the compelling Ayers story morphs into a weighty examination of Lopez and his distress in dealing with Ayers. The script is to blame here. I think if the main character had been Ayers, instead of Lopez, the film could have been quite inspiring.

    Even so, the film clearly calls attention to the plight of the urban homeless. As such, the film deserves viewer support.
    8MalcolmJTaylor

    A solid drama on a human scale

    After catching snippets of the lackluster reviews (two-stars in the Globe and Mail) I was dis-heartened. It's been a few months since I'd been moved by the trailer. However, the film never came out. I thought it might have been shelved.

    I was glad to see it was indeed playing. In spite of the reviews, I persevered on the strength of the trailer. It seemed to me there was too much talent and pedigree involved for it to actually suck. And you know what? it's a terrific film with a poignant story. Perhaps lower expectations propped up my perceptions of it, however, it still stands as time well spent.

    The film is based on a true story involving a top columnist at the LA Times, Steve Lopez, played with grace by Robert Downey Jr., who becomes invested in one of his more colourful subjects, Nathaniel Ayers, an accomplished musician overcome by mental illness, now living on the streets of LA portrayed by Jamie Foxx, who rambles his way to a convincing performance.

    The film is a satisfying adult drama that doesn't lose it's direction. It doesn't pander to it's audience. There is no random violence, no guns, but indeed simply good story telling with great characterizations. It's a decent film that deserves better treatment in the press. It has a noble heart that succeeds in telling a great human story.

    It resonates and strikes a chord.

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    Handlung

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    Wusstest du schon

    Ändern
    • Wissenswertes
      Jamie Foxx (who was already a classically trained pianist) learned to play the cello for the film.
    • Patzer
      In the movie, Steve takes Nathaniel to listen to Beethoven's Third Symphony. In the DVD bonus material an interview with the real Nathaniel and Steve confirms that this took place, and that it was the Third Symphony. Reminiscing, the real Nathaniel then plays Steve an excerpt on his cello...except that he actually plays the second movement of Beethoven's better known Fifth Symphony - not the Third.
    • Zitate

      [last lines]

      Steve Lopez: "Points West" by Steve Lopez. A year ago, I met a man who was down on his luck and thought I might be able to help him. I don't know that I have. Yes, my friend Mr. Ayers now sleeps inside. He has a key. He has a bed. But his mental state and his well-being, are as precarious now as they were the day we met. There are people who tell me I've helped him. Mental health experts who say that the simple act of being someone's friend can change his brain chemistry, improve his functioning in the world. I can't speak for Mr. Ayers in that regard. Maybe our friendship has helped him. But maybe not. I can, however, speak for myself. I can tell you that by witnessing Mr. Ayers's courage, his humility, his faith in the power of his art, I've learned the dignity of being loyal to something you believe in, of holding onto it. Above all else, of believing, without question, that it will carry you home.

    • Crazy Credits
      At the end of the credits, the music concludes with the sound of a cassette tape grinding to a stop, referencing Lopez's omnipresent recorder.
    • Verbindungen
      Edited into The Rotten Tomatoes Show: 17 Again/State of Play/Crank High Voltage (2009)
    • Soundtracks
      Me Despido
      Written by Ernie Salgado

      Performed by Michael Salgado

      Courtesy of Freddie Records

    Top-Auswahl

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    FAQ28

    • How long is The Soloist?Powered by Alexa
    • Is "The Soloist" based on a book?
    • Who is Nathaniel Anthony Ayers?
    • What is the significance of the burning car Nathaniel sees passing in front of his window?

    Details

    Ändern
    • Erscheinungsdatum
      • 10. Dezember 2009 (Deutschland)
    • Herkunftsländer
      • Vereinigtes Königreich
      • Frankreich
      • Vereinigte Staaten
    • Offizielle Standorte
      • Official site (France)
      • Official site (Japan)
    • Sprache
      • Englisch
    • Auch bekannt als
      • The Soloist
    • Drehorte
      • Walt Disney Concert Hall - 111 S. Grand Avenue, Downtown, Los Angeles, Kalifornien, USA
    • Produktionsfirmen
      • Dreamworks Pictures
      • Universal Pictures
      • StudioCanal
    • Weitere beteiligte Unternehmen bei IMDbPro anzeigen

    Box Office

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    • Budget
      • 60.000.000 $ (geschätzt)
    • Bruttoertrag in den USA und Kanada
      • 31.720.158 $
    • Eröffnungswochenende in den USA und in Kanada
      • 9.716.458 $
      • 26. Apr. 2009
    • Weltweiter Bruttoertrag
      • 38.332.994 $
    Weitere Informationen zur Box Office finden Sie auf IMDbPro.

    Technische Daten

    Ändern
    • Laufzeit
      1 Stunde 57 Minuten
    • Sound-Mix
      • Dolby Digital
      • SDDS
      • DTS
    • Seitenverhältnis
      • 2.35 : 1

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