IMDb-BEWERTUNG
5,1/10
1295
IHRE BEWERTUNG
Füge eine Handlung in deiner Sprache hinzuA modern day Bonnie and Clyde - with a twist - that follows two lovers down a path of destruction, mayhem, and murder as they live in a world where it is acceptable to take whatever they wan... Alles lesenA modern day Bonnie and Clyde - with a twist - that follows two lovers down a path of destruction, mayhem, and murder as they live in a world where it is acceptable to take whatever they want with murderous consequences.A modern day Bonnie and Clyde - with a twist - that follows two lovers down a path of destruction, mayhem, and murder as they live in a world where it is acceptable to take whatever they want with murderous consequences.
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I can understand what director K C Bascome was trying to create, but it didn't quite hit the target, at least for me.
All the characters were very well delivered, the acting was excellent in that context . . . but the character development was overdone, and at a certain point it just became laboriously slow and plodding.
It's unfortunate, because with tighter directing and more overall plot cohesion, this could have been a fine piece of work, but the film doesn't quite get there.
The ending in particular seems to be uncoordinated, almost as if thrown together ad lib during the final editing. Perhaps the original script / screen play had elements that weren't effectively communicated.
In summary, great concept, excellent acting . . . but overall, the film itself just didn't deliver the potential that this film could have been.
For any Hide fans out there, sorry folks, that's my honest opinion.
All the characters were very well delivered, the acting was excellent in that context . . . but the character development was overdone, and at a certain point it just became laboriously slow and plodding.
It's unfortunate, because with tighter directing and more overall plot cohesion, this could have been a fine piece of work, but the film doesn't quite get there.
The ending in particular seems to be uncoordinated, almost as if thrown together ad lib during the final editing. Perhaps the original script / screen play had elements that weren't effectively communicated.
In summary, great concept, excellent acting . . . but overall, the film itself just didn't deliver the potential that this film could have been.
For any Hide fans out there, sorry folks, that's my honest opinion.
In 1994, while working as a waiter in a trendy Hollywood restaurant, aspiring filmmaker K.C. Bascombe was retrieving a frozen dish from the walk-in freezer, when the place was raided and shut down by the city of Los Angeles, after apparently making the mistake of serving Barbara Streisand her main entrée before she was finished with the teaser. (Babs hates that.)
Accidentally locked in the freezer, he's trapped in a state of suspended animation for fourteen long years. Miraculously, when K.C. is thawed out, he's still alive and full of movie ideas.
After a quickie lawsuit against the city, he obtains the funds to finance the quintessential early-nineties independent film, the story of a murderous, philosophical dirt-bag who take off in his 1960's convertible, on a nicotine fueled crime-spree across the truck-stops and greasy-spoon diners of the southwest, with his loud, over-sexed hick girlfriend, who likes to shout, "You sweet on me!" to greasy, fat rednecks before flipping out and offing them.
The problem with KC's script was that time had passed him bye. His ideas, that were once so hip and fresh, had been squeezed of all their potential in the years that he'd been away.
At his wits end, he summoned the help of others, writers more experienced in the modern ways of screen-writing. Those men helped KC a lot, introducing new concepts to the hopelessly behind-the-times filmmaker, modern concepts like having no real action or suspense in the film and adding mindless torture in order to give pimply-faced geeks a chubby.
With the screenplay finished, KC was quite excited. He immediately suggested to the casting director that the two leads should be filled by Woody Harrelson (that funny guy from "Cheers") and Juliette Lewis (whom he loved in Kalifornia), only to be nervously told that those two already made a film together and besides, they're both a bit too old these days. After all, it's been fourteen years!
KC then suggested Christian Slater and Patricia Arquette, prompting the casting director to quit.
With no famous actors in the leading roles, KC soldiered forward with an actor and actress who mimicked Woody and Juliette quite nicely, filming his movie, which he called Hide, and eventually releasing it on DVD.
"What's a DVB?", asked KC, who's last memories of home video were of 1994, videocassettes, and Blockbuster Video.
"It's called a DV-D.", replied the distributor. "It's like a tiny laser-disc!"
And so it was released, prompting sarcastic a--holes like myself much merriment, as it was just too derivative of about a million other movies (Wild At Heart, Kalifornia, True Romance, Pulp Fiction, Natural Born Killers, The Road Killers, Love And A .45, Freeway) from the early to mid-nineties.
However, it's mindless scenes of torture, as well as it's excessive heavy-petting, did give pimply-faced geeks across America plenty of Chubbies!
THE END
Accidentally locked in the freezer, he's trapped in a state of suspended animation for fourteen long years. Miraculously, when K.C. is thawed out, he's still alive and full of movie ideas.
After a quickie lawsuit against the city, he obtains the funds to finance the quintessential early-nineties independent film, the story of a murderous, philosophical dirt-bag who take off in his 1960's convertible, on a nicotine fueled crime-spree across the truck-stops and greasy-spoon diners of the southwest, with his loud, over-sexed hick girlfriend, who likes to shout, "You sweet on me!" to greasy, fat rednecks before flipping out and offing them.
The problem with KC's script was that time had passed him bye. His ideas, that were once so hip and fresh, had been squeezed of all their potential in the years that he'd been away.
At his wits end, he summoned the help of others, writers more experienced in the modern ways of screen-writing. Those men helped KC a lot, introducing new concepts to the hopelessly behind-the-times filmmaker, modern concepts like having no real action or suspense in the film and adding mindless torture in order to give pimply-faced geeks a chubby.
With the screenplay finished, KC was quite excited. He immediately suggested to the casting director that the two leads should be filled by Woody Harrelson (that funny guy from "Cheers") and Juliette Lewis (whom he loved in Kalifornia), only to be nervously told that those two already made a film together and besides, they're both a bit too old these days. After all, it's been fourteen years!
KC then suggested Christian Slater and Patricia Arquette, prompting the casting director to quit.
With no famous actors in the leading roles, KC soldiered forward with an actor and actress who mimicked Woody and Juliette quite nicely, filming his movie, which he called Hide, and eventually releasing it on DVD.
"What's a DVB?", asked KC, who's last memories of home video were of 1994, videocassettes, and Blockbuster Video.
"It's called a DV-D.", replied the distributor. "It's like a tiny laser-disc!"
And so it was released, prompting sarcastic a--holes like myself much merriment, as it was just too derivative of about a million other movies (Wild At Heart, Kalifornia, True Romance, Pulp Fiction, Natural Born Killers, The Road Killers, Love And A .45, Freeway) from the early to mid-nineties.
However, it's mindless scenes of torture, as well as it's excessive heavy-petting, did give pimply-faced geeks across America plenty of Chubbies!
THE END
I just watched it for a second time. Christian is so compelling. Was going to stop before it got to the end but I watched all the way through. Picked up a few things missed the first time. This is very dark compared to what I normally watch but was worth it.
10tcthies
I found this movie intense and riveting. Christian Kane and Rachel Miner brought real talent into this and made characters that came to life. Complex, twisted, woven threads that leave you in suspense until you see where they are connected. I loved it. I will be watching it over and over until I get it all figured out.
If you like sweet, cotton candy fluff, happy endings, Action movies where the good guys always win, then you probably wont like this movie.
But, if you like storylines that pull you in and capture your curiousity, tangled webs, suspense, drama and exvellent acting,This is a movie for you to watch.
If you like sweet, cotton candy fluff, happy endings, Action movies where the good guys always win, then you probably wont like this movie.
But, if you like storylines that pull you in and capture your curiousity, tangled webs, suspense, drama and exvellent acting,This is a movie for you to watch.
Wusstest du schon
- WissenswertesBoth Rachel Miner and Christian Kane appeared on Supernatural, but not in the same episode. Miner played Meg #2 in seasons 5-8, and Kane played Lee Webb in S15 E7 (Last Call).
- PatzerThe brick of money vanishes from the diner table between shots and Billy has no time to move it.
- VerbindungenFeatured in Shooting Hide (2008)
- SoundtracksBOTTLEROCKET
Performed by Buffalo Jump
Top-Auswahl
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Details
- Erscheinungsdatum
- Herkunftsländer
- Offizielle Standorte
- Sprache
- Auch bekannt als
- Hide - Liebe ist die Hölle
- Drehorte
- Produktionsfirma
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- Laufzeit1 Stunde 37 Minuten
- Farbe
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