Kommissarin Lund

I've seen The Killing I / Forbrydelsen I, and I liked it a lot. Good script, good filming and excellent acting, especially by Sarah Lund, the main character, and by the mother of the murdered girl the story begins with - she really performs brilliantly! There are many characters in the movie, and that was about the only thing I didn't like much - I sometimes had to think hard where I'd seen him or her before...

In the Killing II / Forbrydelsen II that is no problem: there are still a lot of characters, but not as many as in the first movie and as they all logically fit into the story there's no problem there. I think number II is even better than number I: a bit more action, a little more speed, still very fine acting, an even better script and more tension make it a great movie to watch! Basically all you want to do after the first episode is to watch the other 9....

This is the most incredible series - i am on ep 13 awaiting the rest, but the script is sensational. So clever and completely absorbing. The direction and acting is also sublime, as is the art direction. I don't believe you will get better TV than this series. I have watched so many box kits of Sopranos, Dexter, In Treatment, Mad Men etc.. yet this series tops them all. I am overwhelmed by the quality and as someone who works in theatre and film i can highly recommend this to anyone who just wants to see how it is done best!

The way the series covers both the police investigation and the victim's family's turmoil is unique in crime dramas, the nature of grief and its effects on families, the emerging information in its many guises, ie things the family discover that were kept secret, and the slow and intelligent police case, coupled with subtle insights into all of the relationships. A show that never falls into cliché or stereotypes, and is shot with such beautiful lighting and moodiness that it is visually arresting. You are completely taken on a journey, cannot live in the real world while this world unfolds, and i dare you to watch one ep and not watch another - i think that would be virtually impossible.

After finishing watching The Killing (US version) several years ago, of which my review is available, I happened to notice from some of the reviews that it was based on the original Danish series Forbrydelsen and how much the original version was way better and honestly recommended.

I had my doubts, thinking how could a series (even in its original version) be better than The Killing (US) and outshine it, until I happened to watch the first season of Forbrydelsen in its span of 20 episodes (each over 55 minutes long to my true pleasure) and already half-way through understood why it is so much better and why it can be compared to a blindingly brilliant gem.

• The script, storylines, plot and sub-plots_ are awesomely developed, unfolded, without rush, meticulously and with brilliance.
• The atmosphere is very well set, in each episode, depicting the thrilling events and various feelings that every protagonist is going through.
• The series has depth and complexity in the most superb form. Again, without any rush while slowly unfolding, at the same time, digging deeper and deeper. The ~one-hour-long episodes were such a joy that I cannot describe it. That's how it should be done, without doubt and hesitation.
• The cast. Oh the cast! Never have I seen such a stellar cast, altogether in a series. Everybody shines and I mean it. The parents do a wonderful job with gripping and realistic emotions, both passive and active, that get hold of your throat. Troels Hartmann (the mayor candidate) is a stellar actor with such a strong presence and charisma that few ever surpassed it in series and movies. And last but not least,Sofie Gråbøl (Sarah Lund), the main detective protagonist in the case, does such a job that words come short of describing it; her acting, emotions, stubbornness (oh my goodness), wittiness completed with such a belief in her intuitions, create so much magic that viewers cannot help but be riveted to the screen and keep following her quest for the truth. In some scenes, she brought tears into my eyes and made me gasp in awe by her superb and timely actions, her unparalleled stubborn strength and her shiny green eyes discovering part of the truth. At times, she reminded me of Jack Bauer and believe me, that's not a light thing to say! Kudos, Kudos to her and to the producers for casting her.
• The soundtrack and music were so good, gripping and timely that this section alone deserves tons of awards. The upbeat music accompanying emotionally intense scenes depicting various protagonists' actions and feelings at the end of each episode is the most suspenseful and fitting one that I have ever listened to in any motion picture / series.

A brilliancy to fully appreciate and understand, only by watching it and getting immersed and drowned in its deep, multi-layered and suspenseful storyline. Highly-recommended to all lovers of the genre.

It will change your views on thrillers forever.

I've just finished watching all the episodes and I've not been so engrossed in a series since 24 (the original series) was on TV many years ago. In many respects it does remind me of 24.. 20 episodes spread over 20 days, many twists and turns, the main characters stumble from one wrong turn to another until the final denouement.

But that isn't its main appeal, I'd even go so far to say that it detracted slightly from the series as a whole. The absolute best part of this is just the sublime acting. The whole thing is about characters wrapped up in a mild cliffhanger plot, its how they react to each other and developments that really makes the difference from what we usually get on TV.

The filming is very good, and little touches abound in it - my favourite is still how Sarah Lund can breeze along with her eyes shut, yet Jan Meyer cannot follow behind her without stepping in something. That's a double act that Hollywood will never be able to match.

There are faults with it though. Unless the Danish police are really well funded I found forensics turning up at a snap of Sarah's fingers in the middle of the night to be somewhat unrealistic (they must have good overtime payments in Denmark), similarly a DNA sample would be tested and the results back in less than an hour, and its nearly always dark too - maybe they all sleep during the day. Either way, these are things you just live with as its a TV show and reality has to be strained.

In short - watch it, even with subtitles, you won't miss the developing characters and their reactions to their changing lives.

I don't watch a lot of TV, but I'm quite partial to Danish thriller productions which I generally rate more highly than British, and even others well known for quality work - for example, Swedish, German and French.

This multilayered narrative, with three interwoven stories: the investigation of a grisly murder; a tough female police detective in the midst of marital problems; and the shenanigans of a local mayoral election - all merge, in different ways, in the process of discovering the identity of the murderer.

It's a long process, however, covering twenty episodes (which I saw on SBS TV). Viewer's interest is captured from the outset with the circumstances surrounding the murder crime scene which opens up the mystery. From my perspective, though, one of the most interesting aspects of the entire series is the slow, plodding work so well portrayed by the script, actors and director. To some extent, it reminded me of the excellent work the British did do with the series from mid-1960s to mid-1970s, called Softly, Softly, still one of the best TV cop shows ever made.

It's the unrelenting search for the killer by Sarah Lund (Sofie Grabol) - despite internal police politics - that kept this viewer hooked, initially. That alone, in a lesser quality production, is often not sufficient, however. In The Killing, though, that initial hook just dug deeper into my psyche - with an imaginative and believable script that managed to shift suspicion from one character to another, week by week: a local school teacher, a mayoral candidate, a local political lobbyist, a small time criminal, among others - but all the while keeping the viewer guessing. Additional murders occur as the story unfolds, further muddying the waters.

If you are familiar with Danish productions, then you'll know that you won't be disappointed in the production standards, the acting, directing and photography; and the sound track, particularly, is appropriately haunting. My only criticism is that the good detective's marital problems, although a necessary plot device, are just a mite intrusive for my liking. However, without those complications, Sarah would not have stayed on the case. And, just as well...

As all good narratives should, the beginning foreshadows the ending, with sufficient - although oblique and ephemeral - clues along the way to point the viewer in the right direction. So, when watching this series, you really can't afford to miss one frame if you want to play detective - and get it right. While I vacillated between suspects, my choice for "the bad guy" (which I should not reveal, of course) ultimately proved correct. Overall, the story is an engaging, intelligent and all-too-believable mystery that will not disappoint.

And, to that extent, The Killing is equal to my personal favorite in TV whodunits: The Singing Detective (1986) which, although somewhat spoofy, is nevertheless a fascinating personal mystery and the most imaginative use of music in drama I've yet seen.

As a final note, I read recently that The Killing has been redone for American TV. One can only hope that the production is equal to the Danish.

(Update March, 2018: Recently, I re-watched this first series and found an interesting connection. In Episode 12 of The Killing, there appears Lars Simonsen - as Peter Larsen, a briefly potential suspect in the killing, but cleared. In Episode 18, Kim Bodnia - as Bulow, Internal Affairs Investigator - enters the scene, hounding Sarah Lund. Both men appear as major characters in The Bridge, Series 1.)