IMDb-BEWERTUNG
6,9/10
1714
IHRE BEWERTUNG
Um ihre Tochter zu schützen, ist eine junge alleinerziehende Mutter gezwungen zu kämpfen, nachdem sie eine mächtige alte Waffe erworben hat.Um ihre Tochter zu schützen, ist eine junge alleinerziehende Mutter gezwungen zu kämpfen, nachdem sie eine mächtige alte Waffe erworben hat.Um ihre Tochter zu schützen, ist eine junge alleinerziehende Mutter gezwungen zu kämpfen, nachdem sie eine mächtige alte Waffe erworben hat.
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As many know, this is based on a not so great comic book and had a terrible movie adaptation followed by a iffy live action show. This anime tops all the other attempts but its still a bit "meh," and there is too much whining. Oh my god the whining over the kid and over moms... One thing I will add is that this reminded me a lot of Go Nagai's Devilman. Sort of had similar opinions of all those. Could have been great, but just not well executed and some questionable artistic decisions that were largely superfluous.
My biggest gripe is that the entire show is dedicated to motherhood and everyone had some sort of mommy complex. There is nothing wrong with this plot and in some ways they tried to make sense of it, but it kept getting hammered over and over and over and I just got tired of it. I get it, everyone loves their momma but come on... its just not interesting and as a result the characters came off childish (though this was on purpose in some cases) and were also not interesting.
But on the upside, the battles were entertaining. The art is actually good. The art style was basically just fan service nudity, which adds absolutely nothing to the show and probably deters some viewers for no good reason. You even had bots with a penis which was just... lame. This is why it reminded me of old Go Nagai work.
Id say above average overall but nothing to write home about.
My biggest gripe is that the entire show is dedicated to motherhood and everyone had some sort of mommy complex. There is nothing wrong with this plot and in some ways they tried to make sense of it, but it kept getting hammered over and over and over and I just got tired of it. I get it, everyone loves their momma but come on... its just not interesting and as a result the characters came off childish (though this was on purpose in some cases) and were also not interesting.
But on the upside, the battles were entertaining. The art is actually good. The art style was basically just fan service nudity, which adds absolutely nothing to the show and probably deters some viewers for no good reason. You even had bots with a penis which was just... lame. This is why it reminded me of old Go Nagai work.
Id say above average overall but nothing to write home about.
*note: I do intend to play the devils advocate here in light of all these positive reviews. I'm just stating how i feel about this series*
A co-production between American comic book company "top Cow" and anime company Gonzo, Witchblade is loosely based on the famous supernatural genre graphic novel series of the same name. In retrospect, "loosely" might be giving this series way too much credit. As a whole, "Witchblade" feels like a completely un-related anime series with the "Witchblade" title slapped on it just because it happened to feature a gauntlet-like object that binds to a woman thus granting her supernatural powers while replacing her clothes with an overly skimpy combat outfit. Other than that, it has absolutely NOTHING ELSE in common with the comic book it is based on.
Whatever intriguing supernatural detective story or down-to-earth characters that are easy to relate to has been thrown out the window and replaced with cliché upon cliché, staple to many science fiction Japanese anime.
Our story is set in future Japan. A couple of years ago, a giant disaster ravaged Tokyo leaving one Masane Amaha and a little girl the only survivors at ground zero. Now Masane and the little girl Rihoko, whom she adopted as her daughter, have returned to Tokyo and get involved in A string of events that culminates in an encounter with a strange and dangerous biomechanical creature leading Masane to discover that the little jewel on her wrist is actually "the witchblade", a legendary artifact. Now Masane has become caught in the middle of a power war between the NSWF organization and the "Douji" group, each with their own bio-engineered super soldiers and each desiring to possess the Witchblade for their own ends.
Though the characters are tried and tested stereotypical anime characters, their interactions come across as very genuine. Masane and Rihoko especially play out their mother/daughter roles very realistically, thanks to an excellent voice cast both in the original Japanese and the English dub tracks. Both are extremely likable even though the whole "mature young kid" and "bumbling but kind hearted immature adult" stereotype is nothing new in the world of anime.
Sadly after a rather promising first few episodes, the series starts to falter. The subsequent characters introduced to the series tend to be rather one dimensional and set firmly in stereotypical roles of "the tough guy protagonist", "sadistic female assassin", "comedy relief gang" etc. The story pacing also takes a nosedive. It feels like a 12 episode story stretched into 24 episodes. There is a bit of Comedy, but comedy is a good thing when played right, not when it is awkwardly written and badly placed.
Awkward also translates to the animation and art style. It would be easy to criticize this show's overly sexualized portrayal of Masane and the other "clone-blade" users. On almost every young adult female character, it is either the butt or the.....chest or both that is disproportionately emphasized. Fanservice is at an all time high with scenes of scantly clad blood-lusting females duking it out with blades and bouncing "melons". Even the "bloodlust" is quite literally a "lust"; all in a bid to titillate the male audience. Characters are drawn off-model sometimes with Masane's body proportions seemingly changing size in-between scenes. The animation also suffers in the long run. Only the still shots and close-ups look passably decent but disappointingly stiff. Action shots and many scenes involving movement cause the level of art detail to drop quite a bit.
The mother/daughter drama between Masane and Rihoko might have been the saving grace of this series but sadly it is also stretched to breaking point over the course of the 24 episodes (again due to horrible pacing). The story gets more and more convoluted as the series passes into its second half while the art and animation sort of settles into a low-to-medium budget look and feel as the production constantly cuts corners by using one too many animation short-cuts.
For all the advertising Funimation and Top Cow did on the Witchblade anime, this series is an utter disappointment. Instead of building on the more original mother/daughter dynamics and character drama, the series decides to play the "sex sells" card and deliver one fan-service laden combat sequence after another, complete with jokes about the main character's over-sized breasts. Lacking even the coherence and cleverness of the original comic books, Witchblade may satisfy those hot blooded young male viewers who love to be teased by anime females in states of semi-nudity. Other than that, it is mediocre fare not worth the time or money, compared to other better series out there.
A co-production between American comic book company "top Cow" and anime company Gonzo, Witchblade is loosely based on the famous supernatural genre graphic novel series of the same name. In retrospect, "loosely" might be giving this series way too much credit. As a whole, "Witchblade" feels like a completely un-related anime series with the "Witchblade" title slapped on it just because it happened to feature a gauntlet-like object that binds to a woman thus granting her supernatural powers while replacing her clothes with an overly skimpy combat outfit. Other than that, it has absolutely NOTHING ELSE in common with the comic book it is based on.
Whatever intriguing supernatural detective story or down-to-earth characters that are easy to relate to has been thrown out the window and replaced with cliché upon cliché, staple to many science fiction Japanese anime.
Our story is set in future Japan. A couple of years ago, a giant disaster ravaged Tokyo leaving one Masane Amaha and a little girl the only survivors at ground zero. Now Masane and the little girl Rihoko, whom she adopted as her daughter, have returned to Tokyo and get involved in A string of events that culminates in an encounter with a strange and dangerous biomechanical creature leading Masane to discover that the little jewel on her wrist is actually "the witchblade", a legendary artifact. Now Masane has become caught in the middle of a power war between the NSWF organization and the "Douji" group, each with their own bio-engineered super soldiers and each desiring to possess the Witchblade for their own ends.
Though the characters are tried and tested stereotypical anime characters, their interactions come across as very genuine. Masane and Rihoko especially play out their mother/daughter roles very realistically, thanks to an excellent voice cast both in the original Japanese and the English dub tracks. Both are extremely likable even though the whole "mature young kid" and "bumbling but kind hearted immature adult" stereotype is nothing new in the world of anime.
Sadly after a rather promising first few episodes, the series starts to falter. The subsequent characters introduced to the series tend to be rather one dimensional and set firmly in stereotypical roles of "the tough guy protagonist", "sadistic female assassin", "comedy relief gang" etc. The story pacing also takes a nosedive. It feels like a 12 episode story stretched into 24 episodes. There is a bit of Comedy, but comedy is a good thing when played right, not when it is awkwardly written and badly placed.
Awkward also translates to the animation and art style. It would be easy to criticize this show's overly sexualized portrayal of Masane and the other "clone-blade" users. On almost every young adult female character, it is either the butt or the.....chest or both that is disproportionately emphasized. Fanservice is at an all time high with scenes of scantly clad blood-lusting females duking it out with blades and bouncing "melons". Even the "bloodlust" is quite literally a "lust"; all in a bid to titillate the male audience. Characters are drawn off-model sometimes with Masane's body proportions seemingly changing size in-between scenes. The animation also suffers in the long run. Only the still shots and close-ups look passably decent but disappointingly stiff. Action shots and many scenes involving movement cause the level of art detail to drop quite a bit.
The mother/daughter drama between Masane and Rihoko might have been the saving grace of this series but sadly it is also stretched to breaking point over the course of the 24 episodes (again due to horrible pacing). The story gets more and more convoluted as the series passes into its second half while the art and animation sort of settles into a low-to-medium budget look and feel as the production constantly cuts corners by using one too many animation short-cuts.
For all the advertising Funimation and Top Cow did on the Witchblade anime, this series is an utter disappointment. Instead of building on the more original mother/daughter dynamics and character drama, the series decides to play the "sex sells" card and deliver one fan-service laden combat sequence after another, complete with jokes about the main character's over-sized breasts. Lacking even the coherence and cleverness of the original comic books, Witchblade may satisfy those hot blooded young male viewers who love to be teased by anime females in states of semi-nudity. Other than that, it is mediocre fare not worth the time or money, compared to other better series out there.
This Japanese anime is loosely based on the American comic book of the same name. The setting is some time in the future in Tokyo, after a large disaster that has left the city in some disarray.
Presumably, Sarah Pezzini of the comic book, and American TV series is long gone, and the Witchblade has chosen a new bearer, Masane Amou. She's a young, scatter-brained, single mother trying to look after her daughter Rihoko. A governmental child welfare agency is after Masane because they claim she is an unfit parent and want to take Rihoko away. They may have more in mind than the welfare of the child, however.
Masane must also learn to control this new force whose origin is unknown to her.
This is an interesting addition to the Witchblade saga and should be well-liked by most fans of action animes.
Presumably, Sarah Pezzini of the comic book, and American TV series is long gone, and the Witchblade has chosen a new bearer, Masane Amou. She's a young, scatter-brained, single mother trying to look after her daughter Rihoko. A governmental child welfare agency is after Masane because they claim she is an unfit parent and want to take Rihoko away. They may have more in mind than the welfare of the child, however.
Masane must also learn to control this new force whose origin is unknown to her.
This is an interesting addition to the Witchblade saga and should be well-liked by most fans of action animes.
They started quite a bit from the comic and it sort of worked. It does get old seeing the main character getting her ample butt kicked for most of the series. I felt they focused too much on form instead of substance. Its watchable but has some fairly repetitive episodes. With all the gushy reviews I guess I'm in the minority. If you havnt read the comic its probably easier to like.
This series is on par with HBO's Spawn:Animated series. The story is well told, the relationships of the characters are strong. The central mother/daughter theme is simple, powerful, and elegant. I enjoyed all the characters, and the changes they go through, because of a mother's love. For me, most anime is almost senseless, due to my ignorance of Asian culture. I don't care much for giant robots they crush cities and everybody seems to be fine with it. That silly mech. But the machines in this series are relevant, if cannon fodder. The fights were often anti- climatic, ending too soon in one way or another, but easily over-looked when taken into context. No sex, lots of bulbous bosoms (yay!), not much violence against humans and what little there is, is shown off screen or implied in some way. Anyway, worth watching.
Wusstest du schon
- WissenswertesMichael the tenant who lives on top floor of the Natsuki Building, never once says a word other than his grunts and gasps.
- VerbindungenReferenced in The Image Revolution (2014)
- SoundtracksXTC
Performed by Psychic Lover
Written by JOFFY
Arranged by Kenichiro Oishi
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Details
- Laufzeit30 Minuten
- Farbe
- Seitenverhältnis
- 16:9 HD
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