Marco Polo

What is that blue eyed surfer doing playing Marco Polo ? Simple, another Hollywood cheap production directed by budget director Kevin Connor. The actor playing Polo is badly miscast (he looks like Alice Silverstone brother), he's devoid of any appeal and subtlety, Brian Denneny is just laughable has a Chinese ruler. Connor's poor direction doesn't help, set pieces are uninteresting, acting is generally poor and the whole thing is uneventful and lacks passion. Music is by numbers and boring too. If you want to watch the best Marco Polo film available then I recommend you watch Giuliano Montaldo's version starring Ken Marshall, a RAI/BBC production with a great score by legend Ennio Morricone.

What hope is there when even the films buyer/screener doesn't know the plot as the Plot Summary indicates - "Marco Polo is abandoned in the mountains when the priests, doubting the very existence of China, turn back. Polo eventually pushes bravely forth alone toward the fabled count - Written by Hallmark Channel". It seems they didn't even bother to watch the first 10-15 minutes to know that his father and uncle still accompanied him after the two priests (possibly the worst actors in the whole show) turned back.

Like others I agree the script, acting and casting was pretty atrocious for the European and 'name stars' and were mismatched to the possibly great movie that could have been if the production locations and costuming were better matched. I thought the era of trying to pass off Europeans (Dennehy) as Orientals had ceased and it was obvious the Asian actors were far better than the so called stars. At least back in the 50's and 60's all the actors and extras looked fake when playing foreigners of a different race. It is even more glaring when they are used alongside far better actors of genuine racial type.

However it did improve a lot after the first 30 minutes which had nearly made me switch it off.

Don't you just love the fact that everybody, and I mean everybody speaks English in this movie. Regardless if they're Italian merchants, afghan doctors, poor Mongol peasants, Mongol nobles or even Persian warriors. At first the actors at least speak with an accent. But further into the movie the actors forget to add the accent. I thought that the first problem an Italian guy would have when he arrives in 13th century China is to communicate, but not in this movie. The makers of the movie doesn't even pretend that there are difficulties in communicating, which is common in other movies, even if they both speak English.

To add to the credibility of this movie the roll of Kublai Khan is played by Brian Dennehy. Don't get me wrong, I like Brian Dennehy as an actor. But he hardly looks like a Khan of the Mongol Empire. The makers of the movie, again, doesn't seem to care. At least his character gets old. Which is not something you could say about Marco Polo, played by Ian Somerhalder. The only difference in his appearance is when he's in the prison in Genoa. And the difference? You guessed it! They add more beard to his face.

Overall a very bad movie. It's not worth wasting your time on.

This looks wonderful - great costuming and locations - really impressive.

But all horribly let down by terrible acting, script, and above all, direction.

The filming looks so "made for TV" both in angles, lighting, but above all in tones: just some filters, and better use of film would have made a huge difference.

Historically accurate, this could have been really great: it really looks expensive and expansive; but it is living proof that nothing can cover poor acting.

Left me neither wanting more, or expecting less, I cannot recommend this for schools, or homes -- it just is so uninspiring -- and that is unforgivable given the material and the locations.

Given the fact that the makers had access to plenty of money, good costuming, and even to the locations (or convincing computer-generated substitutes), this could have been a very good historical movie.

Alas,the derogatory comments on this site regarding script, acting, and casting are perfectly valid. Who on earth cast Brian Dennehy as an oriental? There are established oriental actors who look the part — John Lone would be an obvious choice.

The real Marco Polo could speak Italian and French, and on his way to meet Kublai Khan may well have learned Turki, the language Kublai sometimes used in his written communications. But the ridiculous scene where they meet bears not the slightest resemblance to Marco Polo's real-life account, in which the great ruler was the soul of courtesy. Dennehy's grumpiness was pure fiction, like so much else in this tedious production.

The question that begs to be asked is: if one wants to make a historical epic, why present bad fiction instead of interesting fact?