IMDb-BEWERTUNG
6,5/10
1843
IHRE BEWERTUNG
Füge eine Handlung in deiner Sprache hinzuA young man learns the fighting techniques of Sanda from a coach. The two become best friends as the young man prepares to enter an underground tournament, competing against some of the top ... Alles lesenA young man learns the fighting techniques of Sanda from a coach. The two become best friends as the young man prepares to enter an underground tournament, competing against some of the top fighters of the world.A young man learns the fighting techniques of Sanda from a coach. The two become best friends as the young man prepares to enter an underground tournament, competing against some of the top fighters of the world.
Eddie Cheung
- Ma Ho-Keung
- (as Cheung Siu Fai)
Wai-Kwong Lo
- Chan Sun
- (as Kenneth Low)
Johnny Chen
- Wai
- (as a different name)
Shiu-Hung Hui
- Worker Ming
- (as Hui Siu Hung)
Wong Chun
- Worker Chi
- (as Chun Wong)
Pounh Chong Soong
- Referee
- (as Soong Pounh Chong)
Empfohlene Bewertungen
I can understand why some people didn't like this, but on the whole I think this was a far superior offering than a lot of kung fu (or however you feel better classifies this type of film) offerings I have recently watched.
(I have been a long time fan of Hong Kong martial arts films, and I am trying to put this review in the context of both 70s/80/s classics as well as more modern takes on the genre. Also I have a wide ranging preference in kung fu films - from the serious, the comedic, through to plush high end productions.)
This film does start slowly, and perhaps is more in keeping with Asian dramas for the 1st quarter of the film. And I can understand why that would not be rewarding for some viewers. But if you hold out a little, as time goes on is increasingly riveting.
The plot, which tends to be incredibly thin in many martial arts films, is relatively rich. While, there are some guessable twists long the way, equally there are some surprising ones.
Perhaps more importantly, the action is very well choreographed and it's lead a very strong fighter. I was really impressed by Jacky Wu's technique - I wouldn't have wanted to be on any of his punches or kicks, and it wasn't all fantasy fight (e.g. loads of wires) either.
It is the momentary lapses in sentimentality that, for me, mark this down from 9 to about 7 1/2 (ish).
In a nutshell: if you can get past the 1st part's (and occasional) lack of pace, this is a well put together, well choreographed film, with a strong lead and impressive martial arts.
(I have been a long time fan of Hong Kong martial arts films, and I am trying to put this review in the context of both 70s/80/s classics as well as more modern takes on the genre. Also I have a wide ranging preference in kung fu films - from the serious, the comedic, through to plush high end productions.)
This film does start slowly, and perhaps is more in keeping with Asian dramas for the 1st quarter of the film. And I can understand why that would not be rewarding for some viewers. But if you hold out a little, as time goes on is increasingly riveting.
The plot, which tends to be incredibly thin in many martial arts films, is relatively rich. While, there are some guessable twists long the way, equally there are some surprising ones.
Perhaps more importantly, the action is very well choreographed and it's lead a very strong fighter. I was really impressed by Jacky Wu's technique - I wouldn't have wanted to be on any of his punches or kicks, and it wasn't all fantasy fight (e.g. loads of wires) either.
It is the momentary lapses in sentimentality that, for me, mark this down from 9 to about 7 1/2 (ish).
In a nutshell: if you can get past the 1st part's (and occasional) lack of pace, this is a well put together, well choreographed film, with a strong lead and impressive martial arts.
The real reason anyone will see fatal contact is for the action. With that in mind, you may have to forgive a little bit of the jumpy and clichéd story telling.
The action sequences are frequent, and well choreographed. It's an interesting combination of brutal and flashy. Wu Jing will throw several jumping multi-kicks, but because the general rhythm of the fights are captured well, it doesn't look too far fetched. The choreographers throw in some pretty believable elements in the competition fights. You may see the fighters just hop around a it to psych each other out, and you'll notice, the more brutal the fights get, the less visible these sportsman like elements become. It's pretty interesting. There's no wirework and very little, if any, video speed up that is flamboyant in some HK movies.
Wu Jing really struts his stuff in this movie. I would say in general, he's very similar to jet li. He has this strange brutalness that jet li embodies in his roles with a modern setting. He looks wild, but clean at the same time. Wu Jing is younger, more vibrant, and he even has more flare than Jet Li. An actor like Donnie Yen has a different kind of appeal, but because Jet Li is getting old, and probably no longer doing action movies anymore, Wu Jing would make a superb replacement.
The story has almost no introduction, no time to familiarize a little with the characters, and the actual revelations about the characters are sporratic and placed in seemingly random places. It has a terrible and nonsensical love story, which luckily, isn't the focus. The whole setup is pretty nonsensical as well. Some guys walk into an opera performance, and somehow recognize skill in a performer. They ask him to fight underground for them, and they offer a lot of money. Of course, a lowly wushu performer is poor, and he eventually decides he neeeds the money. The setup is all a little fantastical to me, especially with the realistic setting. I feel it would be more at home in an aime than a live action movie with a modern day setting. It helped a lot to almost imagine Fatal Contact taking place in some alternate universe where the underground fighting scene is big money, and the scouters are like pimps. A world where performers are poor, but incredibly talented fighters. It's almost romantic if you think of it that way. So the setting is bearable and kinda interesting if you give it some of your imagination, but the story is still hampered by tons of cheesy dialogue and that oh so corny romance.
It's all about the action though, and that totally does not fail to disappoint. My favorite action movie in recent times is Sha Po Lang. The stories in both are at least a little cliché, but SPL had the cleaner, less sporratic story telling. It also had cinematography of a higher quality than Fatal Contact. Still though, Wu Jing and his action co-stars drive a really tough bargain. His moves are cleaner, flashier, and he's more vibrant than Donnie Yen. I almost can't decide of Fatal Contact trumps SPL or not.
The action sequences are frequent, and well choreographed. It's an interesting combination of brutal and flashy. Wu Jing will throw several jumping multi-kicks, but because the general rhythm of the fights are captured well, it doesn't look too far fetched. The choreographers throw in some pretty believable elements in the competition fights. You may see the fighters just hop around a it to psych each other out, and you'll notice, the more brutal the fights get, the less visible these sportsman like elements become. It's pretty interesting. There's no wirework and very little, if any, video speed up that is flamboyant in some HK movies.
Wu Jing really struts his stuff in this movie. I would say in general, he's very similar to jet li. He has this strange brutalness that jet li embodies in his roles with a modern setting. He looks wild, but clean at the same time. Wu Jing is younger, more vibrant, and he even has more flare than Jet Li. An actor like Donnie Yen has a different kind of appeal, but because Jet Li is getting old, and probably no longer doing action movies anymore, Wu Jing would make a superb replacement.
The story has almost no introduction, no time to familiarize a little with the characters, and the actual revelations about the characters are sporratic and placed in seemingly random places. It has a terrible and nonsensical love story, which luckily, isn't the focus. The whole setup is pretty nonsensical as well. Some guys walk into an opera performance, and somehow recognize skill in a performer. They ask him to fight underground for them, and they offer a lot of money. Of course, a lowly wushu performer is poor, and he eventually decides he neeeds the money. The setup is all a little fantastical to me, especially with the realistic setting. I feel it would be more at home in an aime than a live action movie with a modern day setting. It helped a lot to almost imagine Fatal Contact taking place in some alternate universe where the underground fighting scene is big money, and the scouters are like pimps. A world where performers are poor, but incredibly talented fighters. It's almost romantic if you think of it that way. So the setting is bearable and kinda interesting if you give it some of your imagination, but the story is still hampered by tons of cheesy dialogue and that oh so corny romance.
It's all about the action though, and that totally does not fail to disappoint. My favorite action movie in recent times is Sha Po Lang. The stories in both are at least a little cliché, but SPL had the cleaner, less sporratic story telling. It also had cinematography of a higher quality than Fatal Contact. Still though, Wu Jing and his action co-stars drive a really tough bargain. His moves are cleaner, flashier, and he's more vibrant than Donnie Yen. I almost can't decide of Fatal Contact trumps SPL or not.
I give it a 10.It's a movie full of soul.It starts pretty funny, gets into serious talking.But the ending and the characters make everything possible.It's about life, it's about priorities, it's about the human soul.If the soul is too damaged it will never survive happier times, it will crumble under it's own weight.Gives perspective on life....most people won't understand or appreciate it. The actors are playing a serious and simple act, they don't have fancy words or eccentric habits. The scenes are pretty simple and focus on the characters. I would not miss this movie if i like to see the unseen. The main characters are like children, they are in a pure form of existence, they are mortals, they are human.
This is a martial arts movie with a story that for the most part isn't compelling. Only the ending is a bit crude and brutal and come to think of it completely ridiculous. I think the director wanted to add some drama to make this movie more interesting. What the director seems to have forgotten that he doesn't need the drama, because he has Jacky Wu / Wu Jing (known from Tai Chi Boxer). When he does his thing, you are in for a treat. The man has some skill and he shows it whenever he can. The martial arts in this movie is great and that alone is the reason to watch this movie. The pace however is a bit slow. This due to the story. If they really wanted to make a interesting story they should have used "The Captain" more, since he was a great character. Instead we are confronted with some abstract fatalistic love story that does not make any sense. Who is to blame for that? Dennis Law , ladies and gentlemen. If you want more proof of his incompetence then go watch Fatal Move which was meant as a sequel to S.P.L. with Donnie Yen. Director Dennis Law is an example of a film maker who really shouldn't be in the business since he lacks vision and creativity. He basically copies and pastes stories and themes and combines them without adding something fresh or original and then thinks he is finished. Most of the time he is lucky that he is surrounded by competent people who more than once improve the film considerably. But it does beg the question why talented people like Sammo Hung, Simon Yam and Wu Jing would be involved with his productions at all.
In any case try to ignore the story and focus on the action. It's hard hitting and exhilarating.
In any case try to ignore the story and focus on the action. It's hard hitting and exhilarating.
Wu Jing is Kong Ko, a Chinese kung fu champion in Hong Kong briefly for a theatrical performance. He is approached by some influential figures in the underground fighting league who recognise his potential but turns them down as he has honourable intentions and wants to be "the next Jet Li" without resorting to illegal or underhand means. However, the intoxicating Siu Tin (Miki Yeung) convinces him to take part, and a delicately nuanced and tense action thriller/romance ensues. Kong is an honourable and respectful fighter, and is taught to be more brutal and ruthless by the brilliant and thrifty Captain (Ronald Cheng) as his tactics can only get him so far. To the end however he remains true to his principles, no matter how far he strays from his path. An action packed, moving and in places, beautiful and well characterised Hong Kong thriller. Definitely worth a watch.
Wusstest du schon
- WissenswertesJacky Wu trained in Sanda for the film in Beijing and was nearly knocked out by one of the Sanda team members.
- VerbindungenReferences King Kong und die weiße Frau (1933)
- SoundtracksTHEME SONG
Performed by Ronald Cheng
Composed by Ian Kasela
Lyrics by Xia Zhi
OP: PT EMI Publishing Indonesia
SP: Gold Label Music Ltd.
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- Erscheinungsdatum
- Herkunftsland
- Offizieller Standort
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- Underground Fighter
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Box Office
- Weltweiter Bruttoertrag
- 633.350 $
- Laufzeit1 Stunde 50 Minuten
- Farbe
- Sound-Mix
- Seitenverhältnis
- 2.35 : 1
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