Der Film erzählt die Liebesgeschichte der dänischen Künstlerinnen Lili Elbe und Gerda Wegener sowie die Geschlechtsangleichung von Lili, die die erste Transgender-Frau ist.Der Film erzählt die Liebesgeschichte der dänischen Künstlerinnen Lili Elbe und Gerda Wegener sowie die Geschlechtsangleichung von Lili, die die erste Transgender-Frau ist.Der Film erzählt die Liebesgeschichte der dänischen Künstlerinnen Lili Elbe und Gerda Wegener sowie die Geschlechtsangleichung von Lili, die die erste Transgender-Frau ist.
- Regie
- Drehbuch
- Hauptbesetzung
- 1 Oscar gewonnen
- 32 Gewinne & 82 Nominierungen insgesamt
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The story could have been very dramatic and deeply touching, as it is a true story of both the internal conflicts of a man and the deep love of a woman to her partner. Unfortunately the meticulous attention to image rather than screenplay (to me) resulted in a quite cold and un- engaging movie, where beautiful costumes, interiors and landscapes are the only highlights. I found that even the acting of the brilliant young Eddie Redmayne was not that good, as his constant smiles and shy blinking eyes after a while seem to be the only stratagem he has to portray such a complex character (and after the first dozen of them I couldn't stand it anymore). A more sophisticated psychological portrait of the main character and a more dramatic rendition of his/her troubled soul would have given more solidity to a movie which seems too superficial.
I honestly found this movie very touching and delicate. It is delicate in the way it treats difficult subjects as sexuality and the discovery of one's identity in an hostile period. The fact that it is a true story makes the whole movie even more involving.
I don't think the film is perfect - but the acting, cinematography, the screenplay are absolutely amazing. I especially loved the middle part - where all the characters try to find a way out of the problem and when for the first time they seem to be facing a fracture between them.
I thought it had a great power on people even though it doesn't seem to have had the effect I was expecting (at least during the premiere in Venice).
Eddie Redmayne hasn't had enough of his Oscar and I wish him all the best for 2016!
I don't think the film is perfect - but the acting, cinematography, the screenplay are absolutely amazing. I especially loved the middle part - where all the characters try to find a way out of the problem and when for the first time they seem to be facing a fracture between them.
I thought it had a great power on people even though it doesn't seem to have had the effect I was expecting (at least during the premiere in Venice).
Eddie Redmayne hasn't had enough of his Oscar and I wish him all the best for 2016!
Though it is nominated for 4 Oscars I wasn't looking forward to seeing it. The Danish Girl seemed like the typical arty-farty Oscar fare on paper but fortunately it was better than that. The best part of the film is the acting. Eddy Redmane does a great job but I was most surprised by Alicia Vikander. She almost steals the movie though she only has a supporting role. Mattias Schoenaerts is also in it with a supporting role and I must say: that man can do just about any language and accent and make it sound completely natural. The story was not that interesting to me and is somewhat of a typical subject matter for Oscar movies (that is movies about some sort of misunderstood minority and who was the first to start the revolution if you will). That being said, it is a very good movie, superb acting but on the other hand I don't consider this a must see.
'The Danish Girl' is an extremely well made film with two outstanding lead performances from Eddie Redmayne and Alicia Vikander. Everything about the film has a sophisticated, elegant feel, from the constume design to the atmosphere and cinematography. This is a classy film.
Although, in a way, this is to the film's detriment. The story is almost told with a mask on, it's difficult to see beyond the flawless surface and connect emotionally with the film. Everything is too nicey nicey, each scene is so perfectly crafted that it almost distracts you from what's actually happening in the film.
This is a very good film, but it could have been an excellent one, had it made more of an emotional connection with the audience.
Although, in a way, this is to the film's detriment. The story is almost told with a mask on, it's difficult to see beyond the flawless surface and connect emotionally with the film. Everything is too nicey nicey, each scene is so perfectly crafted that it almost distracts you from what's actually happening in the film.
This is a very good film, but it could have been an excellent one, had it made more of an emotional connection with the audience.
Finally got round to seeing 'The Danish Girl' last night, having been intrigued by it (thanks to its subject, the way it was advertised and the talent involved) for a long time but not having the time due to heavy music and music college work commitments and being behind with my "must-see" list.
My thoughts were that it is a beautiful and courageous film that won't be, and clearly isn't judging from the polarising user review opinions here, everybody's cup of tea, but is a sensitive and emotionally powerful portrayal of a subject matter that's important, very much relevant (even more so now) and controversial. It takes a lot of guts to portray this subject in any form and 'The Danish Girl' acquits itself beautifully if not perfectly.
'The Danish Girl' to me is not without its imperfections. It does drag a little at times and trimming 10-15 minutes off the running time would have helped it perhaps. The script, while mostly thought-provoking and sensitive, has instances where it's too lightweight and needed a tightening up and could have been bolder and take more risks.
So much works though. 'The Danish Girl' looks gorgeous, like an art painting come to life, especially the landscapes and sumptuous period detail. The costumes are evocative and pleasing on the eyes and the whole film is beautifully photographed. Alexandre Desplat's score is one of his most hypnotic and enchanting and Tom Hooper's direction is perhaps him at his most subtle and understated.
It, in terms of writing and story, is mostly thought-provoking and treats the subject matter with an honesty, sensitivity and a big emotional wallop. There are instances such as the ending where the film did bring tears to my eyes.
Can't say anything bad about the performances. Eddie Redmayne is the top-billed star and he does give a very deeply felt and courageous turn. Oddly enough though Gerda is actually the focus, where her complex feelings are ones that anybody in her position would relate to. Alicia Vikander's performance is truly sensational and her chemistry with Redmayne is also one where it is clear they're in love with each other. All the supporting cast are strong, my favourite being the sympathetic one of Matthias Schoenaerts.
All in all, beautiful and brave film but not for all. 8/10 Bethany Cox
My thoughts were that it is a beautiful and courageous film that won't be, and clearly isn't judging from the polarising user review opinions here, everybody's cup of tea, but is a sensitive and emotionally powerful portrayal of a subject matter that's important, very much relevant (even more so now) and controversial. It takes a lot of guts to portray this subject in any form and 'The Danish Girl' acquits itself beautifully if not perfectly.
'The Danish Girl' to me is not without its imperfections. It does drag a little at times and trimming 10-15 minutes off the running time would have helped it perhaps. The script, while mostly thought-provoking and sensitive, has instances where it's too lightweight and needed a tightening up and could have been bolder and take more risks.
So much works though. 'The Danish Girl' looks gorgeous, like an art painting come to life, especially the landscapes and sumptuous period detail. The costumes are evocative and pleasing on the eyes and the whole film is beautifully photographed. Alexandre Desplat's score is one of his most hypnotic and enchanting and Tom Hooper's direction is perhaps him at his most subtle and understated.
It, in terms of writing and story, is mostly thought-provoking and treats the subject matter with an honesty, sensitivity and a big emotional wallop. There are instances such as the ending where the film did bring tears to my eyes.
Can't say anything bad about the performances. Eddie Redmayne is the top-billed star and he does give a very deeply felt and courageous turn. Oddly enough though Gerda is actually the focus, where her complex feelings are ones that anybody in her position would relate to. Alicia Vikander's performance is truly sensational and her chemistry with Redmayne is also one where it is clear they're in love with each other. All the supporting cast are strong, my favourite being the sympathetic one of Matthias Schoenaerts.
All in all, beautiful and brave film but not for all. 8/10 Bethany Cox
Wusstest du schon
- WissenswertesThe paintings in the film were done by the film's production designer Eve Stewart and by British artist Susannah Brough. The film's paintings weren't exact replicas of Gerda Wegener's work, they had to be to adapted because they didn't look like Eddie Redmayne. The original portrait of ballerina Ulla Poulsen, was also altered to resemble Amber Heard's face.
- PatzerDuring the last scene, when Gerda and Hans are standing by Vejle Fjord, mountains are in the background. Denmark has no mountains. That scene was filmed at the Mount Mannen in Norway.
- Zitate
Hans Axgil: [to Lili] I've only liked a handful of people in my life, and you've been two of them.
- Crazy CreditsEddie Redmayne as credited as Lili in final credits, probably respecting the trans identity. He actually plays 2 characters Einar Wegener and Lili Elbe.
- SoundtracksRoses of Picardy
by Frederick Edward Weatherly (as Frederick E. Weatherly) and Haydn Wood (as Haynd Wood)
Performed by Marie-Christine Desplat, Sylvette Claudet, Shona Taylor, Nathalie Renault, and Claude Jeantet
Arranged by Marie-Christine Desplat
Courtesy of Certains L'Aiment Chaud
Top-Auswahl
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Details
- Erscheinungsdatum
- Herkunftsländer
- Offizieller Standort
- Sprachen
- Auch bekannt als
- La chica danesa
- Drehorte
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Box Office
- Budget
- 15.000.000 $ (geschätzt)
- Bruttoertrag in den USA und Kanada
- 11.114.018 $
- Eröffnungswochenende in den USA und in Kanada
- 187.318 $
- 29. Nov. 2015
- Weltweiter Bruttoertrag
- 64.191.523 $
- Laufzeit
- 1 Std. 59 Min.(119 min)
- Farbe
- Sound-Mix
- Seitenverhältnis
- 1.85 : 1
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