20 Minutes - The Power of Few

This is a movie with different story lines and different characters. You know where this is going ... or do you? What is really nice to watch, is how it all unfolds and while it seems that the last story might be the one that is the least intriguing, it might surprise you. There is a reason for some things happening and there is a reason for some looks/camera angles/scenes/inserts.

We have some really good actors at hand here and you might enjoy watching Daffoe doing his thing, being philosophical and all that. But every story has some point to it, even though you may think that in the end, there might not have been a point at all. But the movie is trying to tell us something ... and the clue is right there in the title! Nicely done then

The power of few is such a strange bird of a film, and as a very experienced movie watcher, I from the start felt this was different. There's so many of the usual and ordinary ways of making a film, that one often tend to get bored, or rather, is less impressed about. We've seen it all before, you could say.

However, this is a fresh breeze of a film. The film is full of little tricks and strange ways of doing things. Fresh takes, you could say, being in the wrong place. The idea of this film is things happening seen from different persons view or angles, happening just after 2 p.m. one hot afternoon in a gritty, crime ridden part if New Orleans. The film soon reveals this, but still it keeps the tension, though it starts over and over with the same time frame seen again from a different viewpoint.

It is easy to hate some of this as well, because things which happens here is the quite opposite of what you want. I can't tell more without revealing major story telling points, so I will not.

There's a bunch if great actors here, and the two biggest stars, Christopher Walken and Christian Slater are not doing the best job here. The best acting is done by one of the minor roles and the third segment of this film is letting the rest of the film down, like Devon Gearhart and Tione Johnson.

The instruction of the actors are not anything compared to the start. It looks like the actors was acting in another type of film, less serious than what the others are doing. Such a pity, but I think that this is due to different actors being able to be filming at different times, so that the feeling the actors have is different from the whole. The film also take a funnier twist than it should, according to the start. However, if you see through this, which I chose to do, due to the great start, the film is still good.

What I really love here is the cutting and editing. It's different and very interesting. The storytelling is superb. It reminds me of "Lola rennt" ("Run Lola run") by Tom Tykwer, which I loved when I saw it in the cinema back In 1998. Or you could see resemblance with great films like "Sliding doors" or "Mr. Nobody". The camera movements and the music is stylish. Many will be expecting more from the end, but I liked it.

I would recommend this to film lovers which wants something quite different from the ordinary. Storytelling, takes, techniques and originality makes this a gem! A cult movie, no doubt!

This is a twist on the multiple interlocking stories that you've seen many, many times before, but this time it IS different. The first hour is pretty traditional, with only the vaguest hint of what is to come. I stayed with it because of the quality of the actors – Christopher Walken, Christian Slater, Anthony Anderson, Navid Negahban (Abu Nazir on "Homeland"), Moon Bloodgood (Anne on "Falling Skies"), Jordan Prentice ("In Bruges"), Derek Richardson (Nolan in "Anger Management"), etc. Normally you can't get such a good ensemble with an ordinary fare.

Writer-Director-Producer Leone Marucci uses some good visual techniques although he is a little heavy handed on the musical score, and sometimes just too shocking in some of the physical scenes. At times it has a film school look, but the marvelous detailing in the interlocking elements, slowly and surely revealed as the film goes along, compensates for the lesser moments.

This is a film you may find disappointing at first, but stay with it right up until the end. It will cause no more pain.

I have to admit the title along with the super short description of the story here on IMDb had me fooled big time, but on the other hand, what to Think when you add Christian Slater to the Word "crime"? Usually it means not so good, but watchable.

Plot: Well, there is no plot. This Movie is a Grand Canyon (1991) kind of Movie or why not say Pulp Fiction which has no real storyline either. However, you might say the Movie is ABOUT moral, ethics, good versus evil set in a run down neighborhood with cops searching for terrorists, kids trying to do what is right and normal folks going about their Daily business. all done in Tarantino, Rodriguez and Mcdonagh style.

The best part is the scene with the girl talking about biting the inside of your cheek, it reminds me of the Jake Gyllenhaal character talking about smurfs in Donnie Darko - although not as good. And it is Always a pleasure watching Anthony Anderson and Christpoher Walken. Last Words: like I said, the title fooled me, but it is a good and clever one, you'll see!!

I'll give 6 out of 10, it is good but it lacks that real cleverness, intrigue, good casting and a deeper story.

This, by now, could be Called a Genre or at Least a Format. The Telling of an Incident Revealed from Different Perspectives all Occurring at the Same Time. It is a sort of a Pulp Fiction (1994) way of Blending Different Characters Experiences Culminating in a Single Event All having Significance to the Event and Themselves.

It's an Ambitious and Complicated way to Make a Movie and Requires More Thought than a Standard Indie Film Might Want to Take On. But Newbie Director Leone Marucci gives it a Shot and by Darn the Thing Turns Out to be an Above Average Experiment.

The Intertwining Story of the Shroud of Turin is Different and the Reason for the Theft is Even More Audacious. There is some Cleverness Here and Artistic Talent Behind the Camera and while the Movie does Look Amateurish at Times, it Looks Equally Highly Professional at Others.

It Takes about a Third of the Movie to Find its Intriguing Legs and the Beginning is so Slow and Uninteresting You Might Want to Give Up, but the Wait is Well Worth the Stick-To-It-Ness. The Acting Ranges from Pretty Bad (Christian Slater's sidekick and the Bag Woman) to Mediocre (the Snitch, the Pharmacy Owners, and the Scooter Lady), to Very Good (Everyone Else).

Overall, it is a Story that's Worth a Watch. There is a bit of Clunk and Things aren't Ultra-Smooth, but it is a Good Try with a Good-Heart.