Conan

Completely flopped at the cinemas and the release on Blu Ray over here was straight to the sale bin. So i could catch it for a few Euros in real 3D, big deal? Yes, because I was surprised by this flick. Don't get me wrong it isn't a masterpiece but it was quit enjoyable. sadly it was released before the main lead done by Jason Momoa was to become a big hit in Games Of Thrones as Khal Drogo.

There are so many well known names to see, Rose McGowan (Grindhouse (2007), Ron Perlman, Stephen Lang that it is strange that this flopped.

Nevertheless, we are stuck with it but the main problem is that many compare it to the original Conan (1982) with Arnold Schwarzenegger a thing I wont do.

I liked the settings and the CGI used, in fact it all reminded me a bit of Games Of Thrones. It also has a bit of nudity here and there and the use of red stuff flying around made it even more interesting.

Don't expect a flick like Immortals (2011) or 300 (2006) or effect flicks like that. If you like good old westerns with the hero riding towards sunset at the end than this is a thing for you.

Gore 1/5 Nudity 1/5 Effects 3/5 Story 3/5 Comedy 0/5

Well, in general I'm not this master for writing reviews or anything else. But in general, I do agree with 95% of IMDb ratings, besides some special cases. And this is one of them.

Seriously, if we put away the old Conan the Barbarian Movie with Arnie. This movie offers You "A grade" quality of picture, "A- grade" quality of camera angles "B grade" quality of story composition "B grade" quality of actor performance and "A- grade" of sound/music quality. It's not that bad as a movie for DVD/BD @ your home, right? And frankly, many TV movies have much, much higher vote rating as Conan.

For me, I really enjoyed some fights in the movie, I liked how actors were masked up, also enjoyed Conan as a kid and as an adult. As I say, these guys didn't put out any blockbuster performance to Your screen but seriously, it wasn't that bad [5/10] all in all. It really deserves solid 6/10 from a random viewer and from a fan of medieval times and fantasy good 7/10.

Though, this is only my opinion and I fully respect the opinions of whole IMDb community...

Although the set-up of "Conan the Barbarian" (2011) is the same as the 1982 version (raiders destroy Conan's village in Cimmeria and thus the barbarian seeks revenge) the story is otherwise completely different. The villains here are Khalar Zym and his witchy daughter, Marique, who seek to resurrect Zym's sorcerous wife, but they need to acquire the pure blood necessary for their Acheron magic.

WHAT WORKS:

• Jason Momoa, as Conan, is excellent; far better than Arnie. It's hard to conceive of a better Conan.

• The Bulgarian locations are outstanding.

• The Costuming is more convincing than the '82 version. Conan's apparel, for instance, is more faithful to REH than Arnie's fur loincloth.

• Better acting than the '82 version, excluding James Earl Jones, of course.

• Brutal, thrilling action throughout with convincing swordplay (unlike the contrived '82 version).

• Corsairs, highlighted by Conan's comrade Artus, effectively played by likable Nonso Anozie.

• Excellent sets/props; it definitely looks like the Hyborian Age.

• Good serious vibe, despite the cartoony, over-the-top last act.

• Rose McGowan as the witchy daughter is ee-vil and creepy.

• Ron Perlman as Conan's father.

• The whole opening sequence.

• I liked how the film stressed the closeness and love of Conan and his father. There's a correlation between true greatness and a close relationship with a strong father-figure and his example of excellence.

• You have to give credit to the filmmakers for effectively illustrating Conan's youthful days and life in a Cimmerian village in general, something Conan's creator never delved into in any detail.

WHAT DOESN'T WORK:

• The film deviates from Robert E. Howard, albeit not as much as the '82 version. Regardless, it certainly adhered to REH's overall pulp vibe. I'd prefer to see one of REH's originals put to film, like "A Witch Shall Be Born" or "Beyond the Black River."

• Stephan Lang as Zym makes a worthy enough villain for Conan, but he comes off too clichéd and cartoony, especially in the final act. James Earl Jones' Thulsa Doom worked better, likely because he was so unique.

• Rachel Nichols' Tamara is solid as the female protagonist, but she doesn't hold a candle to Sandahl Bergman's Valeria.

• The score is serviceable but pales in comparison with Basil Poledouris' score from the '82 version and "Conan The Destroyer" (1984). This score definitely won't be celebrated 30 years later like Basil's. Why didn't they just update Polerdouris' piece?

• There's too much "Modern Blockbuster Syndrome" that appeals to those with ADHD.

• Especially the over-the-top final act, which is way too comic booky. It's cartoony overkill, pure and simple. But, then again, it did bring to mind REH's "Jewels of Gwahlur," so maybe it's not so far off the mark.

• The biggest flaw was that there wasn't enough depth. The film needed more 'downtime' to contrast the wall-to-wall action, like campfire scenes (which would better indicate distances), more camaraderie on the ship, more development of Conan & Tamara's relationship, etc. Although it had some of this, it wasn't enough. Action sequences naturally hold more weight when the audience cares about the characters. As it is, it's clear that the filmmakers wanted to make an action flick above all else and this weakens the film.

• Along with lack of depth was the lack of epic-ness or moving moments. The '82 film deviated from REH but at least it made up for it with depth and a sense of epic-ness. For instance, when Conan & Subotai make their stand against the riders of doom or Conan's moving victory salute, not to mention the potent love & death/funeral scenes, etc. This 2011 version had glimpses of this, like when Conan is birthed on the battlefield then raised to the sky and when Conan's father expresses his love with his final act, but, again, it needed more.

CONCLUSION: The filmmakers got a lot of things right, like Momoa as Conan and the authentic look/feel of the Hyborian Age. The film's not bad at all and pulsates with energy, but it needed more depth, epic-ness and uniqueness to pull it out of its "blockbuster" mediocrity. It's a case of violence for the sake of violence, which gets dull by the 90-minute mark, plus the last act is just comic booky overload. The focus on wall-to-wall action limits the film's effectiveness. It lacks the confidence to chill and allow the characters to breathe. Still, it's a somewhat worthy Conan movie. It's serious and brutal; and, thankfully, lacks "cute" characters. It's arguably on par with "Conan the Destroyer" and superior in ways, not to mention leagues better than "Red Sonja" (1985) and "Kull the Conqueror."

The film runs 1 hour, 53 minutes.

GRADE: B-/C+

First of all,let's clear one thing - I'm a big fan of Milius's Conan ( 1982 ) version,but that didn't stop me from seeing this movie. Mainly,my strongest reason for writing this review is because of all the people that bashed this movie and hated it without even seeing it,and this flick certainly doesn't deserve this low score.

When I watched this movie I didn't have high expectations,but the most important thing here is that you shouldn't compare this movie to the Arnie's version,they are two totally different things.The only thing these two have in "common" is the origin story which happens in the first 15-20 minutes and that's it.

Overall,I liked this movie.Sure,it had few clichés and few bad dialogues which couldn't have been avoided,but as I said,overall this was a pleasant surprise.Remember,we are talking about Conan movie here,so you can't expect Oscar winning performances or certain depth of story.This is action adventure movie or sword and sorcery movie to be precise,and maybe that is the main reason that I liked the movie,because that genre is practically dead,so this was certainly a welcome addition.

This movie has all that you'll expect from Conan movie-it's brutal ( there are buckets of blood and violence ),there is magic,little bit of boobs,battles,creatures etc,etc...Certainly not movie for children.

On the acting side,I must say I liked Jason Momoa as Conan,I wasn't expecting to like him( having seen few trailers where they inserted that awful line "I slay,I love,blah,blah" ).Everybody else in the cast was solid,except female cast.While on the whole I didn't have anything against Rose McGowan's Marique character,Rachel Nichols's Tamara was totally one dimensional character and I really didn't care for her( cliché ridden character that unfortunately you have to have in this kind of story ).

This movie was doomed,bashed and trashed before it even stepped into production,first because of the director and then because of Jason Momoa.While I also wasn't thrilled with both of these choices,I gave this movie a chance...and didn't regret it,and I would ( if it ever gets made,which is probably impossible ) like to see a sequel.At least see it,before you say anything and see it for what it is-an entertaining sword and sorcery action flick.

7.5 out of 10 for what it is

I've always been a fan not only of Robert E. Howard's fantasy stories but also of the Marvel Comics or the 1982 film "Conan the Barbarian" with Arnold Schwarzenegger. So when I heard of a new Conan I was most interested. With today's budget and cgi they really could pull it off. Oh Man I was wrong.

Where do I start as everything is wrong in this movie …Words cannot adequately describe how terrible this movie is. It's that bad. However I have come to my senses to provide you with seven reasons why this film is bad.

Number 1 the plot is "shaky". Here is the plot summary in one sentence: Conan witness the destruction of his Tribe and the Death of his Father by an evil Warlord who search the pieces of an ancient mask that is supposed to resurrect his wife, an evil sorceress that could grant him the powers of a God… OK??? Obviously a Conan film isn't built on a Tarkovskian scenario but with this Conan we reach an apogee in terms of bad writing. Writers Thomas Dean Donnelly and Joshua Oppenheimer aren't fit for writing. The least they could have done was to read Robert E. Howard's literature and if as I suspect they aren't capable of reading more than 10 pages, I suggest looking at Marvel Comics who introduced a relatively lore-faithful version of Conan the Barbarian in 1970 written by Roy Thomas and illustrated by Barry Windsor-Smith. In fact the total lack of understanding the character of Conan not only from the writers but also from Director Marcus Nispel and actor Jason Momoa is the main problem. I am not a Conan fanatic but if you put the word Conan somewhere in a movie title I guess as a Director you need to understand what is the essence of a Conan movie… You owe it to your audience; you owe it to yourself…

Number 2, the script is bad and as soon as Conan's Mother opens her mouth to name his son before she dies we know we are in for a treat of bad dialogs and overall silly script. What follows is ridicule one liners deliver with zero conviction from every protagonist.

Number 3, where are the sidekicks? In a Conan film good sidekicks are mandatory. I remember Subotai (Jerry Lopez) in the 1982 Conan. He was a cool, loyal, and courageous dude. Every fan of this film remembers the crucifixion scene when suddenly Subotai appears in the horizon to save the day. Valeria was also a very likable and an equally strong character, some sort of Valkyrie that impacted Conan's emotions. In this 2011 version female characters are filler. The dialog of the main female character consists in screaming "Conan" every time she is in danger. Moreover there are no charismatic sidekicks or even interesting other characters. The black pirate serves as a pretext for a black character but has the personality of a "playmobil"; the "Arabic" Thief is so common I don't even remember his name or face.

Number 4, a good villain should have depth… Stephen Lang as Khalar Zym does not do the job. Sure there wasn't much to do with the poor script he had in hands and screaming "barbarian!!!" every 2 seconds of his screen time doesn't help. Plus Rose McGowan transformed by either plastic-surgery or bad cgi (couldn't really tell) as his witchy daughter Marique is so outrageously goth that you constantly wonder if you are in a Conan film or in a remake of the Crow. Net net all protagonists are badly written and played even Ron Perlman, as Conan's father, is wasted.

Number 5, there isn't any consistency between the scenes…We watch Conan's Ship being attacked during the night, but the next scene of the battle for the Ship happens during the day… We see the girl go mating with Conan in a rocky cave of what seems to be a cliff environment. In the next morning when she attempts to go back to the Ship she gets kidnapped in what appears to be a Forest. At this stage I kept wondering if the Director was a little bit "special" or if the film editor endured a lobotomy half way during the editing session. Now that I think about it it's probably both.

Number 6, they didn't hire a lead designer and that shows…they should have. Costumes, armors, or even Architecture (by the way you can clearly see the use of models) don't fit the Conan universe and there isn't any vision or unity regarding the design of the film. As a result you don't have a feel that the story takes place in a possible ancient time with tangible ancient civilizations. So basically the production recycled costumes from the last 10 sand & sandals films and the result is catastrophic.

Number 7, they didn't hire a composer and that shows too. I understand that not everyone can be Basil Poledouris the composer of the haunting score from the 1982 Conan but in this 2011 Conan I was forgetting the music as I was watching the film…this is a premiere to me.

As a conclusion there is close to nothing that is enjoyable in this film. There is no sense of adventure that makes a heroic fantasy film worth it. There is no sense of progression that makes a revenge plot efficacious. There is no sense of danger that makes an action film breathtaking. There is no sense of feasibility that makes a film epic. There is no adequate script that makes characters believable and there is no musical soundtrack that draws you into the Journey. Give me 45millions dollars (half of the amount spent on this mockery) and some of the Conan fans from IMDb and we will probably do a better film