IMDb-BEWERTUNG
6,2/10
30.128
IHRE BEWERTUNG
Eine Bande junger Diebe flieht nach einer politischen Wahl aus Paris, um sich in einem von Neonazis geführten Gasthaus aufzuhalten.Eine Bande junger Diebe flieht nach einer politischen Wahl aus Paris, um sich in einem von Neonazis geführten Gasthaus aufzuhalten.Eine Bande junger Diebe flieht nach einer politischen Wahl aus Paris, um sich in einem von Neonazis geführten Gasthaus aufzuhalten.
- Auszeichnungen
- 1 Gewinn & 6 Nominierungen insgesamt
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If you like the slasher genre, specifically the Texas Chainsaw Massacre, you'll like this. This film has the same atmosphere of dread, of bad things about to happen, of bad people on the way to do bad stuff. It takes a lot longer to get to the gory part, so don't be discouraged by the first 45 minutes or so of drama. Once the killing, maiming and screaming start they don't let up.
I found it to be considerably bloodier than Texas Chainsaw Massacre, with about the same amount of suspense. There are a couple of moments when you're hoping the characters aren't really going to do what you just know they are going to do: those "ouch!" moments right before the bloodshed.
If you're tired of the slasher satire films and ready to get back to some old fashioned blood and gore, this one is for you.
I found it to be considerably bloodier than Texas Chainsaw Massacre, with about the same amount of suspense. There are a couple of moments when you're hoping the characters aren't really going to do what you just know they are going to do: those "ouch!" moments right before the bloodshed.
If you're tired of the slasher satire films and ready to get back to some old fashioned blood and gore, this one is for you.
FRONTIER(S) is the story of a group of desperate criminals on the run from the law. They've just committed a robbery, and must flee the chaotic city. Due to unexpected complications, they must split up, meeting later at a hostel in the French countryside.
Said hostel is not at all the place it appears to be, and its inhabitants are about to show these young thieves what true madness is all about.
Drawing from several horror movie sources, and combining these elements well, this movie manages to be fresh and exhilarating to watch. It has that frenzied, TEXAS CHAIN SAW MASSACRE vibe, amped up to the stratosphere! Sort of a "kitchen sink" / fun house / slaughterhouse film that delivers almost non-stop jolts and shocks! Karina Testa plays Yasmine as a woman evolving from terrified hostage to numbed survivor. Her performance during the frantic, gore-drowned finale is certainly memorable!...
Said hostel is not at all the place it appears to be, and its inhabitants are about to show these young thieves what true madness is all about.
Drawing from several horror movie sources, and combining these elements well, this movie manages to be fresh and exhilarating to watch. It has that frenzied, TEXAS CHAIN SAW MASSACRE vibe, amped up to the stratosphere! Sort of a "kitchen sink" / fun house / slaughterhouse film that delivers almost non-stop jolts and shocks! Karina Testa plays Yasmine as a woman evolving from terrified hostage to numbed survivor. Her performance during the frantic, gore-drowned finale is certainly memorable!...
I'm assuming you haven't watched the movie already here, so I'm warning/telling you, that this movie will not be for the faint of hearted! It's a horror, it's shocking and it's explicit. But this all starts to happen about half an hour into the movie. So you kinda have learned (maybe even liked?) the characters. That might be a good thing, but it also means that all the pre-story gets thrown away after the mayhem begins ...
If you're looking for gore and terror, this is the only reason for you to watch this movie. There are quite a few scary passages, but there are also a few letdowns, story-wise mostly. The french again try to set a new high (or low, depending on your viewpoint) for gory movies!
If you're looking for gore and terror, this is the only reason for you to watch this movie. There are quite a few scary passages, but there are also a few letdowns, story-wise mostly. The french again try to set a new high (or low, depending on your viewpoint) for gory movies!
Churned out by the New French Extremity Movement, a new wave of French horror responsible for extreme classics like High Tension, Inside & Martyrs, Frontier(s) arrives as another one of their features that aims to break all barriers of censorship or morality by exploiting every taboo subject that's available, but fails to achieve the same impact as its better counterparts.
Set during the violent aftermath of a political election in a near-future France, Frontier(s) concerns a gang of 4 young thieves who decide to run away from Paris with a bag full of robbed money in order to start a new life. While on their way, they decide to check-in at an inn near the border to spend the night but end up discovering that their hosts are actually a group of sadistic cannibals of a Nazi family.
Although the film offers sufficient amount of disturbing content over the course of its runtime, the plot isn't as effective or sturdy enough as it was in Inside or Martyrs, and it is pretty much a disappointment in every filmmaking department. What's even more absurd is the use of Nazi angle to justify its violence because Nazis are inhuman beings after all, by nature or by default.
Direction is a letdown, screenplay is an abomination, cinematography isn't that bad, characters are stupid, performances are over-the-top & violence is mercilessly brutal although not that effective. On an overall scale, Frontier(s) is a blood-soaked gore fest which happens to be political & psychotic at the same time but its poor execution of the available resources never really lets the story take off in the first place.
Set during the violent aftermath of a political election in a near-future France, Frontier(s) concerns a gang of 4 young thieves who decide to run away from Paris with a bag full of robbed money in order to start a new life. While on their way, they decide to check-in at an inn near the border to spend the night but end up discovering that their hosts are actually a group of sadistic cannibals of a Nazi family.
Although the film offers sufficient amount of disturbing content over the course of its runtime, the plot isn't as effective or sturdy enough as it was in Inside or Martyrs, and it is pretty much a disappointment in every filmmaking department. What's even more absurd is the use of Nazi angle to justify its violence because Nazis are inhuman beings after all, by nature or by default.
Direction is a letdown, screenplay is an abomination, cinematography isn't that bad, characters are stupid, performances are over-the-top & violence is mercilessly brutal although not that effective. On an overall scale, Frontier(s) is a blood-soaked gore fest which happens to be political & psychotic at the same time but its poor execution of the available resources never really lets the story take off in the first place.
One of a new wave of ultra-explicit French horror/thrillers, FRONTIERS is everything a gore-drenched thriller should be. Set in the near future, it sees the usual bunch of unsuspecting victims holing up in a remote hotel, where they find themselves at the mercy of a hillbilly family who make the Texas Chainsaw clan look like the Brady Bunch. What follows is an odyssey of bloody murder, torture and revenge, expertly directed by Xavier Gans.
I'm not really a fan of gore films per se. A lot of the horror films I love were made by Universal and Hammer, and of course these are considered tame by modern standards. But I don't mind gore when it's done right, as in the likes of HOSTEL, and it's certainly done right here too. We see brutal violence and punishment meted out to innocent victims before the tables are finally turned and the bad guys get their comeuppance, and that's just the kind of bloodshed I love watching. The film can hardly be applauded for originality but it certainly makes up for it in execution.
This is a taut, tense and extremely gruelling affair which barely lets you catch your breath from beginning to end. Gans' direction is adroit and the spare script allows the story to be told mostly through action rather than needless dialogue. The performances are decent for what is clearly a low budget film, and the special effects are, of course, grisly and spectacular, especially that saw scene. FRONTIERS is a film for movie-goers who like their horror full-blooded and gritty and it beats any Saw movie hands down.
I'm not really a fan of gore films per se. A lot of the horror films I love were made by Universal and Hammer, and of course these are considered tame by modern standards. But I don't mind gore when it's done right, as in the likes of HOSTEL, and it's certainly done right here too. We see brutal violence and punishment meted out to innocent victims before the tables are finally turned and the bad guys get their comeuppance, and that's just the kind of bloodshed I love watching. The film can hardly be applauded for originality but it certainly makes up for it in execution.
This is a taut, tense and extremely gruelling affair which barely lets you catch your breath from beginning to end. Gans' direction is adroit and the spare script allows the story to be told mostly through action rather than needless dialogue. The performances are decent for what is clearly a low budget film, and the special effects are, of course, grisly and spectacular, especially that saw scene. FRONTIERS is a film for movie-goers who like their horror full-blooded and gritty and it beats any Saw movie hands down.
Wusstest du schon
- WissenswertesBanned in Thailand for its violence.
- PatzerIn the middle of the movie, when Farid escapes to the basement, he hits Karl in the face with a sledgehammer and knocks him down. Then, in the next scene Karl is sitting at the dinner table, with no mark of that stroke on his face.
- Alternative VersionenThe German versions had to be cut to be released at all. The rental version was cut by ca. 3 minutes to secure a light SPIO/JK approval, whereas the retail version was cut by ca. 7 minutes for a "Not under 18" FSK rating.
- VerbindungenEdited into Heads Blow Up! (2011)
- SoundtracksEvolution Reversed
Written by Udi Kagan and Jean-Pierre Taïeb
Top-Auswahl
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Details
- Erscheinungsdatum
- Herkunftsländer
- Offizieller Standort
- Sprachen
- Auch bekannt als
- La frontera del miedo
- Drehorte
- Produktionsfirmen
- Weitere beteiligte Unternehmen bei IMDbPro anzeigen
Box Office
- Budget
- 3.000.000 $ (geschätzt)
- Bruttoertrag in den USA und Kanada
- 97.182 $
- Eröffnungswochenende in den USA und in Kanada
- 512.000 $
- 11. Nov. 2007
- Weltweiter Bruttoertrag
- 2.783.535 $
- Laufzeit
- 1 Std. 48 Min.(108 min)
- Farbe
- Sound-Mix
- Seitenverhältnis
- 2.35 : 1
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