Ein Auftragskiller, der in Bangkok ist, um eine Reihe von Jobs zu erledigen, verletzt seinen persönlichen Kodex, als er sich in eine einheimische Frau verliebt und sich mit seinem Laufbursch... Alles lesenEin Auftragskiller, der in Bangkok ist, um eine Reihe von Jobs zu erledigen, verletzt seinen persönlichen Kodex, als er sich in eine einheimische Frau verliebt und sich mit seinem Laufburschen anfreundet.Ein Auftragskiller, der in Bangkok ist, um eine Reihe von Jobs zu erledigen, verletzt seinen persönlichen Kodex, als er sich in eine einheimische Frau verliebt und sich mit seinem Laufburschen anfreundet.
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- 1 Nominierung insgesamt
- Fon
- (as Charlie Young)
- Surat
- (as Nirattisai Kaljaruek)
- Michigan
- (as Steve Baldocchi)
- Tuk Tuk Driver
- (as Sakol Palvanichkul)
- Fon's grandmother
- (as Namngen Boonnark)
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It also surprised me with a few things, and it actually made me take the movie seriously as an actual piece of work as opposed to something to deride with teeth gnashed like Ghost Rider. Nicolas Cage is trying for something a little different here. At first, yes, it may look like he's bored, or wooden, or both in the character of "Joe" the hit-man who has his four rules and, naturally, breaks at least a few of them during the run time of the movie in Bangkok (i.e. be anonymous, don't make connections with people you don't know, and know when to quit), but this gives way to something else. He's trying for nuance and observation, of being subtle in a role that should call for it (albeit Joe isn't a terribly interesting person save for his detachment). While he's definitely no Alain Delon when it comes to playing cold killer who may have a couple of portions of humanity in him, I actually did find myself being drawn into the character just based on Cage's projection of this detachment as a means to hide himself away from people. And for good reason, since he's not a "people person" really.
That is until Joe meets 'Kong', who is a guy he hires for work but then takes on as his pupil (as the narration dutifully and unnecessarily tells us, because he sees something in Kong), and then also a romantic interest in a deaf-mute girl who works at a pharmacy. The latter scenes especially were touching because of it becoming a kind of silent movie, perhaps by default, when the two of them were together, and there's a rather sad, painful scene later on in the film between the two that is shockingly good and believable. I even liked the actors who played Kong and the girl, and how their characters unfolded in the story, limited as they might be... and yet, that old bastard cliché and convention kept coming back, more-so into the action scenes and set-pieces; whenever a chase happens in the film (save for one moment involving an arm dismemberment) you can zone out and not miss much. The editing is that kind of fast- kinetic style where you can barely take in a shot before it goes whizzing by. There's also some scenes that are ludicrous that are taken dead-serious, such as when Cage's Joe practically has gills and drowns a man underwater without any trouble.
It's really a matter of the plot just not giving anything much for the characters or actors to do. And yet there is a misconception that becomes apparent; this is much more about the characters than the plot, at least for a while, and when it sticks to that the Pang brothers sense of cinematic style, of the love of dirty Bangkok and elephants, works and is enjoyable. When the story comes back though, particularly in the last twenty minutes when Joe makes a fatal choice, it turns into something else - something frustratingly forgettable. For a short while there is hope, which is nice, until it reverts to what the expectation foretold. It's truly a mixed-bag, but far from the failure that was projected by the reviews and audience reaction... Oh, and of course, try not to look at Cage's hair. The bad jokes would never end. 5.5/10
When i first saw the grade on IMDb i was a bit skeptical, but after seeing the movie i was quite satisfied with it.
Sure, it is quite predictable and the acting is not ground breaking. But the lasting action was quite entertaining for me.
The biggest flaw of this movie is probably the story line. Some parts of the story are rather rushed without telling background information. Sometimes the story feels a bit rushed with more focus on the action than the actual reason for an event to happen. Some parts of the movie feel a bit overdone and unnecessary making the main character look quite dumb...
I find this movie worth a 6,4 (i did not want to give it a 6 because i do find it deserves higher than a 6, this explains the 7 star rating)
OK, some of the shooting sequences were a bit dodgy and the narration descended into the cliché on occasions but overall I rate this film better then most action films I have seen in recent months.
Cage is solid in his role and so is his side kick. The elephant did a good job too but his role was only in 2 scenes :) So all in all 7 is my vote and it could have been better if not for a few lines of monologue and a couple of silly shootouts across water canisters.
Watch it and make your own mind.
Wusstest du schon
- WissenswertesNicolas Cage had committed to several pictures after the completion of his work on this film. To accommodate his limited schedule, some sets were recreated and built in different locations so no shooting time would be wasted.
- PatzerJoe twice declares that he lives by the rules, leave no traces. Yet throughout the movie, he handles his guns and ammo with bare hands - leaving fingerprints and DNA all over them.
- Zitate
Joe: I was taught four rules...
Joe: One: Don't ask questions. There is no such thing as right and wrong.
Joe: Two: Don't take an interest in people outside of work. There is no such thing as trust.
Joe: Three: Erase every trace. Come anonymous and leave nothing behind.
Joe: Four: Know when to get out. Just thinking about it means it's time. Before you lose your edge, before you become a target.
- VerbindungenFeatured in CollegeHumor Originals: The Nicolas Cage Awards (2013)
- SoundtracksL-L-Love
Written by Bruce Driscoll & Erica Driscoll
Performed by Blondfire
Published by Peermusic III, Ltd. o/b/o itself & Tender Tender Rush Music
Top-Auswahl
Details
- Erscheinungsdatum
- Herkunftsländer
- Offizielle Standorte
- Sprachen
- Auch bekannt als
- Time to Kill
- Drehorte
- Produktionsfirmen
- Weitere beteiligte Unternehmen bei IMDbPro anzeigen
Box Office
- Budget
- 45.000.000 $ (geschätzt)
- Bruttoertrag in den USA und Kanada
- 15.298.133 $
- Eröffnungswochenende in den USA und in Kanada
- 7.783.266 $
- 7. Sept. 2008
- Weltweiter Bruttoertrag
- 42.487.390 $
- Laufzeit
- 1 Std. 39 Min.(99 min)
- Farbe
- Sound-Mix
- Seitenverhältnis
- 1.85 : 1