Topjob - Showdown im Supermarkt

My first clue that "The Promotion" might have a little more below the surface than the usual Seann William Scott junior gag fest was the trailer...it didn't have too much easy humor and the plot seemed genuinely human, and even sensitive. Then there was the fact it was released by Miramax spin-off Dimension, an imprint more well known for horror movies than anything else. Something was up.

After seeing the film, I am pleased to say that lurking under the veneer of a slightly stupid mass-market comedy is a deftly knowing little indie movie waiting to surface.

The bad part of course is --- I don't know if many who would like the film will see it. It reminded me a little of "The Good Girl" with Jennifer Anniston. It was well scripted, rather slowly paced, and relied more on the script and storyline for laughs rather than leaning too heavily on the star-power of it's two principles.

The scene at the team-building retreat (dead-on if you've ever been to one) is a prime example. Yeah, there are a few pratfalls, but most of the time you're shriveling in your seat feeling horribly for John Reilly.

He's always been incredible at cutting to the human core of all his characters and he really shines in this part. You don't feel sorry for him as much as you feel empathy. And that's not the easiest thing to do with this character, who is far from lily white. As for Scott, he is definitely growing into an accomplished character actor and it's refreshing to see him tackle something this gray and still turn in a resonating performance. Some of the reviewers see him as a "wimp"....well, that's a bit too easy. I see him as distinctly human.

I'm also surprised that this comes from Steve Conrad, whose prior scripts I've always thought of as a bit heavy on the syrup. Nothing is forced here. Yeah, not much happens...this is a slice of life movie, albeit one with a funny crust.

It really is a shame it wasn't marketed a bit differently. It sucks to go into a movie expecting something and getting nothing close to what you expected out of it. Which, fortunately for me this time, wasn't the case.

A weinstein production. Sean scott and john reilly play assistant managers who are both vying for the same manager position. For all the big names in this, something was just lacking. Editing was one issue; those long, weird pauses really keep the film from moving right along. Also a weak script. We've all worked in a supermarket, or some similar job, where the public is weird and unpredictable, but instead of making jokes about it, the confrontations between the two leads are negative and dark. There is a small role for jason bateman, who seems to find fun, odd roles. Fred armisen, bobby canavale, lili taylor, jenna fischer. So many well known names. I think it wants to be a funny, quirky film, but it's just not that funny. And not that quirky. Felt like an adam sandler film. But its not. Written and directed by steven conrad. I'm glad it didn't escalate into huge violence, like so many films do. It's just okay.

"The Promotion" could easily have been written as a gross out comedy, in which case it could take it's place among the many failures of that overworked genre. Instead, it is a drama that includes amusing situations, none of which resort to slapstick for laughs. Sensitive performances by both Sean William Scott and John C. Reilly, add immeasurably to the film. There is a feeling that "I've been in situations like this myself". In the end the movie has a lot to say about honesty and relationships. Both main characters elicit sympathy, and the outcome of the supermarket promotion is in doubt until the final deciding interview. - MERK

This movie is FAR better than the 5.6 star rating it has. Well written, hilarious, subtle, poignant, well-acted. The premise is so beautifully simple, but the movie is rich with human interest/condition situations. It's definitely a sleeper/winner and worth the watch.

This film is about two assistant managers of a supermarket fighting for a promotion to become the manager of the new branch.

The two assistant managers, Doug and Richard, are both developed well. They come across as real human beings that I care about. They are both torn between their need to climb up the ladder, but are both restrained by their morals. This soul searching is beautifully depicted, giving the story depth and charm.

I find "The Promotion" to be very well made. It successfully strikes the right balance between dirty office politics, reflections on moral issues and humour. This is really hard, given the fact that the topic of the film is likely to arouse some negative emotions in the viewer's own work place. I really enjoyed watching "The Promotion".