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7,6/10
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Ein brillanter Polizeidetektiv hat eine einzigartige Gabe - er kann Opfer in Gedanken wiederbeleben.Ein brillanter Polizeidetektiv hat eine einzigartige Gabe - er kann Opfer in Gedanken wiederbeleben.Ein brillanter Polizeidetektiv hat eine einzigartige Gabe - er kann Opfer in Gedanken wiederbeleben.
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What a treat! We don't have to wait for a movie with just the right part to see Jeff. "Raines" is a perfect fit and it is a pleasure to see him on weekly TV! I was channel-surfing on my way to the History Channel, and, "Wow," I found Jeff and something surprisingly entertaining. "Raines" is different from the psychics in the current TV plots; a stressed-out detective having hallucinations is believable. I've grown older with Jeff watching him since "the Big Chill." Jeff seems to be one of those remarkable people who start out in acting with great performances and continues to deliver for his fans. Impressive. I may start to watch a regular series on TV again!
10cptloopy
Like another person here commented I was a little worried Jeff might be a little over the top in this. My fears were completely unjustified. I thought it was a wonderful, funny, sensitive performance. Jeff's quirks weren't a distraction here, the made perfect sense and complimented the character wonderfully. It made me a little reminiscent of Tenspeed and Brown Shoe because it was so enjoyable but honestly I don't remember that series very well, I was pretty young. Excellent writing, excellent acting, even excellent choices in music. Very satisfying. As for the commenter that said it had the same shtick as Monk: are you insane? You may need to go back and watch another episode of Monk. If there was any hallucinating happening there it was you not Mr. Monk.
I write this review at the early onset of this show's run. I was intrigued by the premise of this show from the get-go: an already neurotic homicide detective named Michael RAines(Jeff Goldblum in a role that seems made for him and ONLY him)has started to lose control of some elements of his mind after he survives a shootout that claims his partner and friend. He can't sleep much(if at all)and has withdrawn into his own mind,where now he can actually "See" the victims of crimes he's investigating,talking to him and giving him clues to solve the cases. While these visions are(made clearly so in,among other venues,the ads for the show)NOT ghosts,just figments of his imagination,they still prove to add insight into the work he's charged with doing. NAturally,most of his peers,friends and even the precinct shrink(MAdeline Stowe)are skeptical and subscribe to the conclusion that most(including Raines himself)would do:that is,that he's cracking up.
While Mr.Goldblum still makes movies,I feel like he may've found a better stage for showcasing his quirky,odd and brilliant acting prowess in a TV drama,which allows him the benefit of having a P.O.V. position(i.e.narration)to frame the stories. Blending elements of "Monk" and "Medium"(though NOT to be confused with either),this show has the qualities to be something special,though how far and how well this show runs will largely depend on whether NBC wants to hold on to it,letting it grow,and the commitment to the show's almost retro(read:Raymond Chandler,Philip MArlow-esquire L.A. crime stories,set to the current day)feel and unique style,respectively.
While Mr.Goldblum still makes movies,I feel like he may've found a better stage for showcasing his quirky,odd and brilliant acting prowess in a TV drama,which allows him the benefit of having a P.O.V. position(i.e.narration)to frame the stories. Blending elements of "Monk" and "Medium"(though NOT to be confused with either),this show has the qualities to be something special,though how far and how well this show runs will largely depend on whether NBC wants to hold on to it,letting it grow,and the commitment to the show's almost retro(read:Raymond Chandler,Philip MArlow-esquire L.A. crime stories,set to the current day)feel and unique style,respectively.
10jpendley
Raines is the most intelligent network television drama to come along in years. It is a drama because the direction of the action is dictated by the character, police detective Michael Raines (Jeff Goldblum). It is intelligent because its producers have had the good sense to put their faith and their money into excellent writers and actors.
The hook in Raines is that this particular cop talks to imaginary characters. But it doesn't take long to figure out that the murdered woman in the premier episode who pops up and asks Raines to find her killer actually represents that part of Raines' mind that seeks the solution to the mystery. She knows no more than he does at any moment in their conversations, and as he queries her, he is actually working out the evidence in his own thinking. When he has questioned a witness, he runs what he has learned by her, and she reacts as his knowledge of her would react. What we as the audience are allowed to witness through this device is the mind of the detective at work as he unravels the mystery. He actually quizzes his best witness, the murder victim, before our eyes. This may not be a stroke of genius, but it is certainly a stroke of brilliance.
At the heart of Raines beats the eccentric brilliance of Jeff Goldblum. I actually approached this first episode with some trepidation, fearing that Goldblum would gum up the works with all sorts of quirky business. He has been known to fidget and squirm to a degree that takes the attention off an otherwise excellent performance. But he actually underplays Raines to marvelous effect. When his characteristic wit does show through, and I mean wit in both senses here, he is both so intelligent and so funny in lightening quick flashes that they are gone as quickly as one notices them. So, in a sometimes passive exterior, we are aware of a formidable, volatile power. And, as if that isn't enough, Goldblum gives us true tenderness at moments in this performance. We simply don't see acting like this on network television often enough to keep track of it.
So we must ask the inevitable questions. Will the public appreciate a television program with the intelligence of Raines? It is slotted against CSI, and that's a tough sell. But the prospect of seeing Jeff Goldblum talking to people who "aren't there" might be a point in its favor with a mass audience. Will the producers of the show continue to invest in scripts as good as the first one? That's anybody's guess. A lot probably depends on reaction to the first episode or two. Here's hoping that Mike Raines lives a long and happy life, talking to himself via his inner cast of characters. Just in case the run of the show is brief, however, catch the brilliance while you can. (If you have an Intel processor, you can download the first episode at the NBC site.)
The hook in Raines is that this particular cop talks to imaginary characters. But it doesn't take long to figure out that the murdered woman in the premier episode who pops up and asks Raines to find her killer actually represents that part of Raines' mind that seeks the solution to the mystery. She knows no more than he does at any moment in their conversations, and as he queries her, he is actually working out the evidence in his own thinking. When he has questioned a witness, he runs what he has learned by her, and she reacts as his knowledge of her would react. What we as the audience are allowed to witness through this device is the mind of the detective at work as he unravels the mystery. He actually quizzes his best witness, the murder victim, before our eyes. This may not be a stroke of genius, but it is certainly a stroke of brilliance.
At the heart of Raines beats the eccentric brilliance of Jeff Goldblum. I actually approached this first episode with some trepidation, fearing that Goldblum would gum up the works with all sorts of quirky business. He has been known to fidget and squirm to a degree that takes the attention off an otherwise excellent performance. But he actually underplays Raines to marvelous effect. When his characteristic wit does show through, and I mean wit in both senses here, he is both so intelligent and so funny in lightening quick flashes that they are gone as quickly as one notices them. So, in a sometimes passive exterior, we are aware of a formidable, volatile power. And, as if that isn't enough, Goldblum gives us true tenderness at moments in this performance. We simply don't see acting like this on network television often enough to keep track of it.
So we must ask the inevitable questions. Will the public appreciate a television program with the intelligence of Raines? It is slotted against CSI, and that's a tough sell. But the prospect of seeing Jeff Goldblum talking to people who "aren't there" might be a point in its favor with a mass audience. Will the producers of the show continue to invest in scripts as good as the first one? That's anybody's guess. A lot probably depends on reaction to the first episode or two. Here's hoping that Mike Raines lives a long and happy life, talking to himself via his inner cast of characters. Just in case the run of the show is brief, however, catch the brilliance while you can. (If you have an Intel processor, you can download the first episode at the NBC site.)
I LOVED the pilot of "Raines"; being a HUGE JG fan, I couldn't wait to watch it (holding my breath all the while, hoping that the creators would do credit to JG's highly underrated acting prowess). I was NOT disappointed.
His POV throughout the pilot episode was so unique; I was concerned that this was another in a long line of 'kooky detective' series (see Monk, Psych, etc.). But my fears were soon allayed.
The most interesting aspect of this show was that, while I watched it, I truly ran the gamut of emotions (if I may employ such an over-used cliché); I laughed, I was intrigued, and the ending not only completely caught me off-guard, I found myself in a pool of tears. Sounds corny, right? Well, shucks, it's the truth.
I suggest to those who haven't seen the pilot do so before watching the following episodes, as it is the essential building block for the series (yea, I know that's what a pilot is supposed to be, but so often that is not the case--I have seen the ol' bait and hook method used in a variety of pilots that went on to a series that didn't follow the original premise).
I can't wait for the upcoming episodes; I just hope the networks give it the chance that it deserves.
His POV throughout the pilot episode was so unique; I was concerned that this was another in a long line of 'kooky detective' series (see Monk, Psych, etc.). But my fears were soon allayed.
The most interesting aspect of this show was that, while I watched it, I truly ran the gamut of emotions (if I may employ such an over-used cliché); I laughed, I was intrigued, and the ending not only completely caught me off-guard, I found myself in a pool of tears. Sounds corny, right? Well, shucks, it's the truth.
I suggest to those who haven't seen the pilot do so before watching the following episodes, as it is the essential building block for the series (yea, I know that's what a pilot is supposed to be, but so often that is not the case--I have seen the ol' bait and hook method used in a variety of pilots that went on to a series that didn't follow the original premise).
I can't wait for the upcoming episodes; I just hope the networks give it the chance that it deserves.
Wusstest du schon
- WissenswertesThe script for the eighth episode, titled "Every Picture Tells a Story" was written, but never filmed, because of the cancellation.
- PatzerWhen the opening sequence begins the keypad on the door of Raines' car is missing but at the end of the sequence it is back on the door.
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