Thor

In the pantheon of Marvel Superheroes, from my vantage point, Thor is a second-tier player. Even amongst non-obsessive comic aficionados, such as myself, Thor doesn't quite have the readership draw or the common familiarity in the public that heroes such as Spider-Man, Batman, Superman, etc., have. However, that doesn't mean that Marvel Studios, the filmmaking wing of the company, feel inclined to give the filmic adaptation of Thor short shrift. The cinematic entry for this character, titled simply Thor, is among the better of the Marvel adaptations of recent years, mixing a good sense of fun, strong acting, and some Shakespearian level drama that makes for an especially entertaining time at the movies.

Liberally adapting portions of Thor comic book lore to fit in a more modern comic book film reality, Thor introduces us to a centuries old war between the Asgardians, beings that live for long periods of time and can travel through space from their home realm of Asgard to various other worlds, such as Earth, via the Bi-Frost bridge, and the conflict centric Frost Giants, whom the Asgardians conquered some time back. Odin (Anthony Hopkins), ruler of the Asgardians, is preparing to abdicate his throne to his son, Thor (Chris Hemsworth), but on the eve of Thor's inauguration, agents of the Frost Giants infiltrate Asgard and attempt to steal back a device that is the key to their power, which had been taken by Odin at the end of their long struggle. When Thor disagrees with his father's desire to not to retaliate in order to not disturb the peace that currently exists between the Asgardians and the Frost Giants, he takes matters into his own hands, traveling to the Frost Giant's realm with his brother Loki (Tom Hiddleston), and compatriots Sif (Jaimie Alexander), Volstagg (Ray Stevenson), Hogun (Tadanobu Asano) and Fandral (Josh Dallas) in tow. When the encounter with the Frost Giants ends with tensions re-ignited between the two factions, Odin decides that his son is not prepared to lead his people, and exiles Thor, sans his powers, to Earth.

When he arrives on Earth, he is discovered by astrophysicist Jane Foster (Natalie Portman) and her associates Professor Selvig (Stellan Skarsgaard) and Darcy Lewis (Kat Dennings), who are convinced that he isn't a random homeless vagabond that they found in the middle of the desert. Thor must attempt to locate his power hammer, Mjolnir, from the government agents that have captured it, and attempt to reclaim his place in Asgard. However, he finds that, without his super-human abilities, and surrounded by humans, perhaps some of his previous attitudes were incorrect, especially when he connects romantically with Jane. Meanwhile, Loki, who turns out to have some ulterior motives, seizes control of Asgard following the collapse of Odin from strain, and begins to hatch a grand scheme involving the Frost Giants.

Thor, much like Iron Man before it, proves that, in the right hands, a comic tale that appears silly on the surface can have hidden depths when properly plumbed. Sure, Thor has elements that, on the face of it, may lead a bit to some audience snickers (Thor's ability to pick himself up and fly and defeat attackers with little effort are a bit cheesy at times), but the creatives behind Thor, including director Kenneth Branagh, manage to develop a story for Thor that deals with elements of tragedy, pathos, selflessness and, perhaps even more surprisingly, involving character development. Thor is more about the lead characters at its core, again akin to Iron Man, than some other comic book films and this draws the audience into its tale.

When it was first announced that Kenneth Branagh would be taking the reins of Thor as a director, it seemed something of an unusual fit for someone best known for his cinematic adaptations of the works of Shakespeare, but the final results of Thor bare out that Branagh was just the right man for the job. Considering the larger-than-life origins of the Thor comic, involving beings with the power and appearance of Gods and the various machinations of their story, the material fits fairly well with Branagh's body of work to a great extent. Especially strong is the development of Loki, who proves to be less of a traditional mustache twirling villain, and more of a misguided soul, trapped between revelations he makes about himself and his past and his respect in his father, making him more of a tragic figure than a black and white comic book antagonist.

Thor benefits from strong acting from its leads, Hemsworth and Hiddleston. Hemsworth embodies Thor, first as the brash, acting-before- thinking hero, and later as a man faced with the reality that some of his choices and attitudes were not becoming of a king. Hemsworth really makes you empathize with Thor, and gives you a reason to root for the character throughout the film. Hiddleston, working with the somewhat subdued (at first) Loki eventually transforms him from a seeming weak, malleable person into one who's penchant for vengeance and control is revealed in layers, peeling back one by one through the development of the narrative.

Thor isn't without its weak points, however. The romance between Thor and Jane Foster is practically and afterthought, rushed into the narrative at light speed and then not given any room to breathe or develop, it plays more as a requirement of adapting the comic story than something that works organically in the film. Portman is fine in the role, but the screenplay doesn't give enough to this relationship for it to be more than a bump in the road of the film's story.

Once again, Marvel has managed to take one of their lesser known heroes and make them the subject of an entertaining film version, with energy and depth that is a bit unexpected. May they keep on making comic book films of this caliber.

This is a throw-off piece of Marvel fiction that is packed full of cliché and predictability...to a point.

I found myself cringing at a lot of the scenes of heroism and there's a definite stink of pure cheetos-stained fanboyism in many of the scenes in general, with the usual over-the-top "glory" of this old four-color trope.

But certain things caught my attention as well-done.

First, Asgard is absolutely beautiful. They went all out in making a realm of metallic and elemental grandeur. I had no trouble in buying this as the realm of Asgard, the ultimate land of beautiful heroism. In particular, the rainbow bridge, the weaponry, and the interior scenes were very fitting in general style and specific detail. Very impressive visually and even thematically.

Second, Branagh's touch can be seen with Shakespearean flair in the family of Odin the AllFather. Odin himself is brimmed with both the rime of age and the wisdom that comes with it and yet his voice can instantly summon fearful authority. Hopkins does well with that balance, even through some cheesy scripting.

And the brothers... the sibling rivalry here is very very potent in that it is nuanced and fully realized by both actors. There is love there, but also a lack of understanding, envy, and hate. Loki is far from a cardboard villain, in that we see, all in one package - a fighter who protects his allies, an honest counselor, a liar, a cautious thinker, a smooth tongue, and an awkward one. He loves and reveres his father, but comes to almost fatally doubt him and even hate him...but it's all very real and very stirring. And even when it's clear that he's done very grim deeds, you can actually understand and accept his motives...and his last scene in the film brings all three of the family men together in a very poignant moment of utter loss.

I was pretty surprised how moving this all was, especially when put in the middle of some otherwise-uninspiring hero pablem.

So in summary, this movie both met my negative expectation of disappointment and surprised me with some purely moving content. See it to see if it surprises you at all as well, and forget the whole comic-book hero thing, since that's been done far better.

Thanks for reading.

In 965 D.C., in Tornsberg, Norway, the Frost Giants from Jotunheim led by King Laufey (Colm Feore) attack the locals, and the Allfather Odin (Anthony Hopkins) and the warriors of Asgard protect the humans and win the battle against the invaders. They take their source of power and bring it to Asgard and they start an armistice with Jotunheim.

When three Frost Giants break in Asgard trying to retrieve their source of power, they are destroyed by the Destroyer. The arrogant Thor (Chris Hemsworth) decides to attack Jotunheim with his stepbrother Loki (Tom Hiddleston) and four Asgardian warriors and disobeys the order of his father Odin. In order to avoid war against Jotunheim, Odin removes the powers of Thor and exiles him on Earth to live among the humans. Odin also throws his hammer Mjölnir to New Mexico and orders that only the one that is worth will get the powerful hammer and achieve Thor's powers.

In Puente Antigo, New Mexico, the physician Jane Foster (Natalie Portman) is researching a phenomenon in the desert with her professor Erik Selvig (Stellan Skarsgård) and her mate Darcy Lewis (Kat Dennings). Out of the blue, Thor is hit by Jane's truck and she takes him to the hospital. Thor unsuccessfully tries to retrieve Mjölnir that is protected by agents of the government SHIELD. When the Machiavellian Loki sends the Destroyer to Earth to kill Thor, he needs to retrieve his hammer to save not only the humans, but also his Allfather Odin and Asgard from the evil Loki.

"Thor" is an entertaining adventure based on the character of the comic book published by Marvel Comics. Natalie Portman is usually the synonym of a good movie and she is delightful in the role of a scientist. The plot is funny and the scenes with the human Thor; the Nordic black gatekeeper Heimdall (Idris Elba); and the Vikings and Gods speaking in English are hilarious. The special effects are top-notch and the viewer may bring the popcorn and delight with a pleasant family entertainment. My vote is seven.

Title (Brazil): "Thor"

Thor is a film that takes risks - and they pay off wonderfully. The movie grounds itself in reality while keeping a mythological and fantasy-esqe tone, and it never loses sight of the humanity within the characters, with elevates this above standard superhero fare.

The first blockbuster of 2011 may be the best. They certainly set the bar very high. It's an exciting and certainly an all-around entertaining comic book adaptation. Nothing in this genre since LOTR has been any better. Everyone involved in the production should be proud to know that their movie can stand toe-to-toe with the likes of anything else that summer can throw at them.

They found the perfect combination of spectacle and guts and passion balanced with the human dynamic of the character. It delivers mind-bending visuals but it still very intelligent and thrilling. How many summer films can you say that about that you've seen over the past ten years or so???? The actors REALLY brought the characters to life. It was really amazing to see it develop on the big screen. There's no doubt that Hemsworth is a star in the making and a rather astounding leading man. Thor is a dazzling example of the superhero movie done right. There were some parts in the movie where I was just blown away. This film has a depth that no one could have expected and is very impressive in scale and design.

I love how the movie played out and it exceeded all my expectations. This was by far the adventure movie I've seen in years. Not too many movies continue to have character growth from start to finish but still pack in the action and heart.