Ausgestattet mit einem Spezialanzug, mit dem er sich auf Miniaturgröße schrumpfen und seine Kräfte verstärken kann, hilft Meisterdieb Scott Lang seinem Mentor Dr. Hank Pym, die Welt zu rette... Alles lesenAusgestattet mit einem Spezialanzug, mit dem er sich auf Miniaturgröße schrumpfen und seine Kräfte verstärken kann, hilft Meisterdieb Scott Lang seinem Mentor Dr. Hank Pym, die Welt zu retten.Ausgestattet mit einem Spezialanzug, mit dem er sich auf Miniaturgröße schrumpfen und seine Kräfte verstärken kann, hilft Meisterdieb Scott Lang seinem Mentor Dr. Hank Pym, die Welt zu retten.
- Nominiert für 1 BAFTA Award
- 4 Gewinne & 34 Nominierungen insgesamt
Zusammenfassung
Reviewers say 'Ant-Man' is celebrated for its humor, performances, and unique Marvel concept. Paul Rudd's charm and comedic timing are frequently praised, alongside Michael Douglas and Evangeline Lilly's roles. Special effects and action sequences stand out, though pacing, underdeveloped villain, and clichés draw critique. Plot inconsistencies and character motivations are noted, yet many find it an enjoyable Marvel addition.
Empfohlene Bewertungen
Having enjoyed a vast majority of Marvel's superhero output (more so than most) without worshipping them, 'Ant-Man' is a minor effort from them but there is still a good amount to like about it.
'Ant-Man' manages to be a better film than expected. The character is not exactly a household name and is always tossed aside in favour of other superhero characters like Spiderman that have had longer longevity and perhaps have more compelling origins and stories, hence why they are adapted more. Also wasn't sure what to make of the trailer, which made the film out to be rather bland and too reliant on humour.
Seeing it for myself finally a year on, 'Ant-Man' could have been better. While the humour mostly works wonders, there are a few instances where it's not so funny and not very well placed, like in emotional scenes that are actually quite poignant and then interrupted by a joke that is not only forced and unfunny but also not belonging in the scene. The family scenes are a mixed bag, sometimes they are sweet and touching while at other times they're a little flat and predictable, contributing towards a few rare dull stretches. Corey Stoll also goes through the motions as the rather generic and under-characterised villain.
On the other hand, 'Ant-Man' is a great looking film, it's beautifully shot, very atmospheric, is very slick and the special effects, mostly the rapid size-changing and with the ants, are clever and of the usual high-quality Marvel standards. The music avoids being over-bearing, one-note, too quirky or too bombastic, fitting well tone, mood and pace-wise. Direction is more than competent, keeping the story going at a solid pace and the telling of it interesting enough, though maybe a little more flavour may have been more welcome. While the action is not as much as most Marvel films, it is fun, thrilling, nicely choreographed and tautly shot and edited, especially towards the end. Admittedly there are a couple of cheesy parts towards the end too, but kind of in an endearing rather than jarring way and it doesn't jar with the rest of the film.
There is some very smart and hugely entertaining scripting and dialogue here in 'Ant-Man' too. While it doesn't work completely seamlessly, 'Ant-Man' is one of Marvel's generally consistently funniest films, and the film doesn't take itself too seriously or too much of a joke either, instead not being afraid to embrace the silliness and humour while ensuring still that the subject matter is treated with respect. It is especially good with the title character's deadpan quips and Luis' fast-talking patter. The story is mostly diverting, it's narratively simpler than most Marvel outings and less risks here are taken than most Marvel films but it always makes sense, moments of dullness and jarring are few (while not being completely absent either), it's fun and it doesn't try to do too much or try to insert too many characters while not playing things too safe either.
While not complex as such, the characters are mostly engaging and are not too one-dimensional, only the villain could have had more done with him. Paul Rudd is a strong and hugely entertaining lead, while Michael Peña's hilarious in a role that could have been really annoying. The seasoned support of Michael Douglas adds hugely too, and Evangeline Lilly gives the film some much needed heart. Anthony Mackie is good too.
Overall, minor Marvel but good Marvel. Well-made and a lot of fun, but there is a personal preference to the Marvel films that took bigger risks with more and often richer characters, bigger bolder action and more going on in the story. 'Ant-Man' executes a vast majority of its components really well indeed, just that Marvel has done even better before and since. 7/10 Bethany Cox
'Ant-Man' manages to be a better film than expected. The character is not exactly a household name and is always tossed aside in favour of other superhero characters like Spiderman that have had longer longevity and perhaps have more compelling origins and stories, hence why they are adapted more. Also wasn't sure what to make of the trailer, which made the film out to be rather bland and too reliant on humour.
Seeing it for myself finally a year on, 'Ant-Man' could have been better. While the humour mostly works wonders, there are a few instances where it's not so funny and not very well placed, like in emotional scenes that are actually quite poignant and then interrupted by a joke that is not only forced and unfunny but also not belonging in the scene. The family scenes are a mixed bag, sometimes they are sweet and touching while at other times they're a little flat and predictable, contributing towards a few rare dull stretches. Corey Stoll also goes through the motions as the rather generic and under-characterised villain.
On the other hand, 'Ant-Man' is a great looking film, it's beautifully shot, very atmospheric, is very slick and the special effects, mostly the rapid size-changing and with the ants, are clever and of the usual high-quality Marvel standards. The music avoids being over-bearing, one-note, too quirky or too bombastic, fitting well tone, mood and pace-wise. Direction is more than competent, keeping the story going at a solid pace and the telling of it interesting enough, though maybe a little more flavour may have been more welcome. While the action is not as much as most Marvel films, it is fun, thrilling, nicely choreographed and tautly shot and edited, especially towards the end. Admittedly there are a couple of cheesy parts towards the end too, but kind of in an endearing rather than jarring way and it doesn't jar with the rest of the film.
There is some very smart and hugely entertaining scripting and dialogue here in 'Ant-Man' too. While it doesn't work completely seamlessly, 'Ant-Man' is one of Marvel's generally consistently funniest films, and the film doesn't take itself too seriously or too much of a joke either, instead not being afraid to embrace the silliness and humour while ensuring still that the subject matter is treated with respect. It is especially good with the title character's deadpan quips and Luis' fast-talking patter. The story is mostly diverting, it's narratively simpler than most Marvel outings and less risks here are taken than most Marvel films but it always makes sense, moments of dullness and jarring are few (while not being completely absent either), it's fun and it doesn't try to do too much or try to insert too many characters while not playing things too safe either.
While not complex as such, the characters are mostly engaging and are not too one-dimensional, only the villain could have had more done with him. Paul Rudd is a strong and hugely entertaining lead, while Michael Peña's hilarious in a role that could have been really annoying. The seasoned support of Michael Douglas adds hugely too, and Evangeline Lilly gives the film some much needed heart. Anthony Mackie is good too.
Overall, minor Marvel but good Marvel. Well-made and a lot of fun, but there is a personal preference to the Marvel films that took bigger risks with more and often richer characters, bigger bolder action and more going on in the story. 'Ant-Man' executes a vast majority of its components really well indeed, just that Marvel has done even better before and since. 7/10 Bethany Cox
Antman. When I first heard about the plans for this movie I laughed to myself and thought, "How can becoming smaller be cool?" Sure enough, Marvel has surpassed my expectations and turned something I thought would be lame and uninteresting into something hilarious and actually pretty cool. I'm not going to include any spoilers, but I will say the fighting style of Antman is much better than I thought it would be. I learned a lot about the story as well as the abilities he has.
Antman gets much more interesting when doing combat. The ability to shrink and grow at will is something Marvel has gotten very creative with.
The language in this film is good enough for my young children to watch. There are no F or GD bombs to ruin the mood and the moment with the family. I'd say I'd surely watch it again.
Antman gets much more interesting when doing combat. The ability to shrink and grow at will is something Marvel has gotten very creative with.
The language in this film is good enough for my young children to watch. There are no F or GD bombs to ruin the mood and the moment with the family. I'd say I'd surely watch it again.
This is the most underrated Marvel movie in my opinion. I heard so much bad about it, but I really enjoyed it! It was funny, full of action & had a wholesome ending.
OK, so I will probably target the wrath of a legion of fan-boys but as a PhD Physicist I will categorically state that much of the science in the Marvel universe is total nonsense. For example, it requires a certain suspension of belief that whole cities can be levitated. But it's called "Science Fiction" for a reason, right? "Ant Man" pushes that suspension of belief to whole new levels. The concept that a miniaturised man, were such a thing even possible, could exert the same moment and force as a full sized person would make Newton spin in his grave.
With these nagging doubts I watched the trailer increasingly comfortable in my view that, (even with a free cinema pass), this was a film I would avoid like the plague. That was until the final scene, featuring Thomas the Tank engine, that was ludicrously and surprisingly comical. Could it be that, like last year's "Guardians of the Galaxy", Marvel had pulled its pompous head out of its ass and come up with an 'Avengers-lite' that could entertain a broader audience? I decided to risk it. And I was glad I did.
Paul Rudd ("Friends", "Anchorman") plays ex-con Scott Lang who is recruited by brilliant scientist and would-be superhero Dr Hank Pym (Michael Douglas) and his gorgeous daughter Hope ("Lost" and "The Hobbit"'s Evangeline Lilly) to steal a jacket. (No, really). The owner of said jacket, albeit a high-tech jacket, is businessman and all-round bad-guy Darren Cross (Corey Stoll), with evil intent. (You can tell he's evil by what he does to a cute little lamb - this is the worst viewing for sheep since "Far from the Madding Crowd".) By miniaturising Lang and securing the help of an army of ants, the stage is set for a heist of a most unusual kind.
This sounds ridiculous to even write. So why does it work? First up, the script by Edgar Wright ( of "3 Flavours Cornetto" fame), Adam McKay ("The Other Guys"), Joe Cornish and Paul Rudd himself is as tight as a drum, with some situations and lines that are downright hilarious. A couple of brilliant lip sync scenes, one featuring the requisite Stan Lee cameo, are grin-inducing pleasures.
Supporting the screenplay, the three leading players pull off their roles with enormous panache. Rudd is hugely likable, with all of the smart-whip humour of Downey Jnr.'s "Iron Man" but with none of the appalling arrogance. Michael Douglas, in his one outing this year, seems to be revelling in his role and (presumably with the help of some clever makeup and/or CGI) looking very dapper in the 1987 version of his character. And Evangeline Lilly enters the Avenger's world with a bang and looks very comfortable there. In an effective supporting role, Michael Peña ("American Hustle") adds a comic lightness of touch as fellow robber Luis. Abby Ryder Fortson also deserves special mention (and an Oscar for cuteness) as Lang's young daughter.
Whilst real fan-boys might object to the flippant nature of the film, there are a number of clever cross-overs into the 'mainstream' "Avengers" films, with one B-list Avenger guest star and (eventually) an A-list appearance. And (as is common in these films, and notable as 80% of the audience stayed in their seats for the full credits) there is both a mid-credits scene (that's a set-up for the sequel) and a final post-credit scene that (so I'd told) is hugely significant for next year's "Captain America: Civil War" (in which Rudd is set to reprise his "Ant Man" role).
The director is Peyton Reed, whose limited movie portfolio to date includes Jim Carrey's "Yes Man" and "Bring it On".
As I found myself thoroughly enjoying the experience, my rating, against all the odds, is twice what I expected it to be. I can't believe I'm saying this but I recommend you go see this for a fun movie summer experience.
With these nagging doubts I watched the trailer increasingly comfortable in my view that, (even with a free cinema pass), this was a film I would avoid like the plague. That was until the final scene, featuring Thomas the Tank engine, that was ludicrously and surprisingly comical. Could it be that, like last year's "Guardians of the Galaxy", Marvel had pulled its pompous head out of its ass and come up with an 'Avengers-lite' that could entertain a broader audience? I decided to risk it. And I was glad I did.
Paul Rudd ("Friends", "Anchorman") plays ex-con Scott Lang who is recruited by brilliant scientist and would-be superhero Dr Hank Pym (Michael Douglas) and his gorgeous daughter Hope ("Lost" and "The Hobbit"'s Evangeline Lilly) to steal a jacket. (No, really). The owner of said jacket, albeit a high-tech jacket, is businessman and all-round bad-guy Darren Cross (Corey Stoll), with evil intent. (You can tell he's evil by what he does to a cute little lamb - this is the worst viewing for sheep since "Far from the Madding Crowd".) By miniaturising Lang and securing the help of an army of ants, the stage is set for a heist of a most unusual kind.
This sounds ridiculous to even write. So why does it work? First up, the script by Edgar Wright ( of "3 Flavours Cornetto" fame), Adam McKay ("The Other Guys"), Joe Cornish and Paul Rudd himself is as tight as a drum, with some situations and lines that are downright hilarious. A couple of brilliant lip sync scenes, one featuring the requisite Stan Lee cameo, are grin-inducing pleasures.
Supporting the screenplay, the three leading players pull off their roles with enormous panache. Rudd is hugely likable, with all of the smart-whip humour of Downey Jnr.'s "Iron Man" but with none of the appalling arrogance. Michael Douglas, in his one outing this year, seems to be revelling in his role and (presumably with the help of some clever makeup and/or CGI) looking very dapper in the 1987 version of his character. And Evangeline Lilly enters the Avenger's world with a bang and looks very comfortable there. In an effective supporting role, Michael Peña ("American Hustle") adds a comic lightness of touch as fellow robber Luis. Abby Ryder Fortson also deserves special mention (and an Oscar for cuteness) as Lang's young daughter.
Whilst real fan-boys might object to the flippant nature of the film, there are a number of clever cross-overs into the 'mainstream' "Avengers" films, with one B-list Avenger guest star and (eventually) an A-list appearance. And (as is common in these films, and notable as 80% of the audience stayed in their seats for the full credits) there is both a mid-credits scene (that's a set-up for the sequel) and a final post-credit scene that (so I'd told) is hugely significant for next year's "Captain America: Civil War" (in which Rudd is set to reprise his "Ant Man" role).
The director is Peyton Reed, whose limited movie portfolio to date includes Jim Carrey's "Yes Man" and "Bring it On".
As I found myself thoroughly enjoying the experience, my rating, against all the odds, is twice what I expected it to be. I can't believe I'm saying this but I recommend you go see this for a fun movie summer experience.
Ant-Man is an extremely fun origin story and a superb addition to the MCU. Paul Rudd is incredibly charming in the lead role with Evangeline Lilly, Michael Douglas and Michael Peña giving great supporting performances. The CG is great and the action sequences are extremely impressive. The humour works really well and it's consistently funny. Unfortunately, it does suffer from the weak villain problem that some other Marvel movies suffer from.
WUSSTEST DU SCHON:
- WissenswertesWhen Paul Rudd told his nine-year-old son he was going to be Ant-Man, his son said, "Wow, I can't wait to see how stupid that'll be."
- PatzerAnt-Man is repeatedly told that his mass does not change upon miniaturization. This means, however, that no ant or group thereof--crawling or flying--could support him. But the story also includes the ability to manipulate weight independently of mass and size.
- Zitate
Scott Lang: [Surrounded by police] Wait I didn't steal anything! I was returning something I stole!
- Crazy CreditsSPOILER: There is a scene at the end of the closing credits: Steve Rogers and Sam Wilson have Bucky Barnes in their custody, and debate on what to do. This leads into The First Avenger: Civil War (2016).
- VerbindungenEdited into The First Avenger: Civil War (2016)
Top-Auswahl
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Details
- Erscheinungsdatum
- Herkunftsland
- Offizielle Standorte
- Sprache
- Auch bekannt als
- Ant-Man: El hombre hormiga
- Drehorte
- Produktionsfirmen
- Weitere beteiligte Unternehmen bei IMDbPro anzeigen
Box Office
- Budget
- 130.000.000 $ (geschätzt)
- Bruttoertrag in den USA und Kanada
- 180.202.163 $
- Eröffnungswochenende in den USA und in Kanada
- 57.225.526 $
- 19. Juli 2015
- Weltweiter Bruttoertrag
- 519.311.965 $
- Laufzeit1 Stunde 57 Minuten
- Farbe
- Sound-Mix
- Seitenverhältnis
- 1.85 : 1
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