IMDb-BEWERTUNG
5,1/10
70.006
IHRE BEWERTUNG
Eine Gruppe von Auszubildenden der Nationalgarde kämpft an ihrem letzten Trainingstag in der Wüste gegen eine bösartige Gruppe von Mutanten.Eine Gruppe von Auszubildenden der Nationalgarde kämpft an ihrem letzten Trainingstag in der Wüste gegen eine bösartige Gruppe von Mutanten.Eine Gruppe von Auszubildenden der Nationalgarde kämpft an ihrem letzten Trainingstag in der Wüste gegen eine bösartige Gruppe von Mutanten.
Fatiha Quatili
- Afghan Woman
- (as Fatiha Ouatili)
Empfohlene Bewertungen
This one was... fine. Far less successful than the first but not entirely unentertaining. It started off kind of irritating with a very dude-bro air to it and a lot of bad acting/annoying characters... which both of which continue to persist throughout the entire film.
Compared to the first with one thing about it that made it so successful, this one did the opposite on this crucial thing... they put gore before story. The plot was very light here and felt like it was more a vehicle to see mutant mutilation and shock value rather than having a solid story.
As stated, it wasn't entirely unsuccessful it just wasn't anything special like the first one. Would recommend if you like dudes, guns and mutants.
Compared to the first with one thing about it that made it so successful, this one did the opposite on this crucial thing... they put gore before story. The plot was very light here and felt like it was more a vehicle to see mutant mutilation and shock value rather than having a solid story.
As stated, it wasn't entirely unsuccessful it just wasn't anything special like the first one. Would recommend if you like dudes, guns and mutants.
A team of trainees of the National Guard brings supply to the New Mexico Desert for a group of soldiers and scientists that are installing a monitoring system in Sector 16. They do not find anybody in the camp, and they receive a blurred distress signal from the hills. Their sergeant gathers a rescue team, and they are attacked and trapped by deformed cannibals, having to fight to survive.
The 1977 "The Hills Have Eyes" is a classic of horror and the 2006 version is an unnecessary, but good remake. This sequel is shameful, using a predictable collection of clichés and violence to explore the success of the original movies. The rookies soldiers have the most imbecile and unreasonable attitudes along the story, probably because they have been trained by the ridiculous sergeant, facilitating the retarded evil creatures to destroy one by one. This disappointing film was a great deception for me. My vote is five.
Title (Brazil): "O Retorno dos Malditos" ("The Return of the Damned")
The 1977 "The Hills Have Eyes" is a classic of horror and the 2006 version is an unnecessary, but good remake. This sequel is shameful, using a predictable collection of clichés and violence to explore the success of the original movies. The rookies soldiers have the most imbecile and unreasonable attitudes along the story, probably because they have been trained by the ridiculous sergeant, facilitating the retarded evil creatures to destroy one by one. This disappointing film was a great deception for me. My vote is five.
Title (Brazil): "O Retorno dos Malditos" ("The Return of the Damned")
I had actually liked the remake of Wes Craven's Hills Have Eyes, which was shown here last year. Directed by Alxandre Aja, it was top notch violence and gore which actually sent a chill, because the victims were an innocent family out for a holiday, and to see them getting systematically deeper into trouble, somehow makes it rather horrific to sit through.
While its predecessor was shown here with cuts, The Hills Have Eyes II is shown here in its full gory glory. However you wonder, just where did all the blood and gore had gone. Written by father and son team Wes and Jonathan Craven, the follow up movie (also a remake of the sequel to the original) seemed to be lacking in flavour and spirit. Sure the mutants are back, but there's very little space given to set them up, or enough time for you to identify and distinguish one from the other.
Did director Martin Weisz opt to play it safe? There's tension built, but nothing too riveting. The narrative is simple and straightforward, without much thought into trying to capture the X-factor why the original had worked somehow. Attempting to shock just for shock's sake, the movie opens with the birth of a child, in the most un-Discovery Channel manner, before introducing us to the victims, I mean, characters, and a short scene to link the events from its predecessor.
Again the military's dirty hands are in this one. Gone are the family, and in comes a small squad of National Guard trainees. It's soldiers versus A-bomb mutants, so the numbers come in handy to build up the body count. But in fact, none of them died in any creative manner. It's the usual hack jobs, and more uninterestingly, through the use of their carbines. Boring, and I guess too many movies outdoing one another in the creative death department, has taken its toil on this one, where simpleness and sure death like falling from great heights without the camera flinching, go unappreciated. Truth is, you know that it's a camera trick, and boy, are there a number of recognizable indoor shots for this outdoor movie, that makes it look cheap.
By the time it takes for these rookie soldiers to complete their training to the dark side and become cold killers (fighting for their own survival), you'll be more than in a hurry to head for the exit. To enjoy this movie, the usual leave your brains at the door cliché applies. Just make sure someone doesn't take a real machete and help you put it there.
While its predecessor was shown here with cuts, The Hills Have Eyes II is shown here in its full gory glory. However you wonder, just where did all the blood and gore had gone. Written by father and son team Wes and Jonathan Craven, the follow up movie (also a remake of the sequel to the original) seemed to be lacking in flavour and spirit. Sure the mutants are back, but there's very little space given to set them up, or enough time for you to identify and distinguish one from the other.
Did director Martin Weisz opt to play it safe? There's tension built, but nothing too riveting. The narrative is simple and straightforward, without much thought into trying to capture the X-factor why the original had worked somehow. Attempting to shock just for shock's sake, the movie opens with the birth of a child, in the most un-Discovery Channel manner, before introducing us to the victims, I mean, characters, and a short scene to link the events from its predecessor.
Again the military's dirty hands are in this one. Gone are the family, and in comes a small squad of National Guard trainees. It's soldiers versus A-bomb mutants, so the numbers come in handy to build up the body count. But in fact, none of them died in any creative manner. It's the usual hack jobs, and more uninterestingly, through the use of their carbines. Boring, and I guess too many movies outdoing one another in the creative death department, has taken its toil on this one, where simpleness and sure death like falling from great heights without the camera flinching, go unappreciated. Truth is, you know that it's a camera trick, and boy, are there a number of recognizable indoor shots for this outdoor movie, that makes it look cheap.
By the time it takes for these rookie soldiers to complete their training to the dark side and become cold killers (fighting for their own survival), you'll be more than in a hurry to head for the exit. To enjoy this movie, the usual leave your brains at the door cliché applies. Just make sure someone doesn't take a real machete and help you put it there.
Even though it was generally well-received by genre fans, I found the remake of classic "The Hills Have Eyes" to be a typical modern remake. The casting was questionable and the overused shaky-cam was nausea-inducing. French director Alejandra Aja bypassed the original's subtle commentary on the American family post-Vietnam for some half-assed shock scenes that he claimed better fit the contemporary American situation. Huh? I also found the storyline to be much too close to it's predecessor.
Well, the sequel is a surprising improvement (and significantly better than the original's sequel from '85, too.) The storyline is different, the shaky-cam is only used a couple times (and less...shaky), and the filmmakers were wise enough to ditch the half-baked social commentary for a straight-up horror gorefest. And it's a lot of nasty fun! There's lots of very sick ideas here that most horror fans can probably appreciate. The acting is average, the characters are pretty much indistinguishable, and it's rather formulaic, but if you can get past all of that, then this one is good times.
Well, the sequel is a surprising improvement (and significantly better than the original's sequel from '85, too.) The storyline is different, the shaky-cam is only used a couple times (and less...shaky), and the filmmakers were wise enough to ditch the half-baked social commentary for a straight-up horror gorefest. And it's a lot of nasty fun! There's lots of very sick ideas here that most horror fans can probably appreciate. The acting is average, the characters are pretty much indistinguishable, and it's rather formulaic, but if you can get past all of that, then this one is good times.
This movies is basically in the category of what you see is what you get. The Hills Have Eyes II is what you would expect of course it's not going to be an Oscar nominated film, it's just pure entertainment which you can just lose yourself in for 90 minutes. This movie is about a group of soldiers who find themselves against mutated hillbillies. In the desert and on their last day of training they find themselves fighting these hillbillies. This movie is full of blood and guts and is extremely violent. The Hills have Eyes II is a wonderful gory film that will keep you wanting to close your eyes. But keep watching and enjoy the movie. Make sure to watch for all that gore flying through.
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- WissenswertesOriginally Wes Craven had the idea of Brenda, from the first film, enlisting in the National Guard to overcome her fears, only to be sent back to the same desert with the mutants. She was to be the only one who knew where the mutants hideout was located. This idea was cut since the actress was involved with Lost (2004) at the time.
- PatzerEvery U.S. soldier is trained, often through repeated "corrective action", never to let his or her weapon out of his or her sight. The characters do this frequently, even before they encounter the mutants.
- Alternative VersionenThe unrated version is almost one minute longer than the theatrical version with mainly extended scenes of graphic violence and gore added.
- SoundtracksOwn Little World (Remorse Code Remix)
Written by Klayton
Performed by Celldweller
Courtesy of Fix It Music
By Arrangement with Position Music
Top-Auswahl
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Details
- Erscheinungsdatum
- Herkunftsländer
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- Sprache
- Auch bekannt als
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Box Office
- Budget
- 15.000.000 $ (geschätzt)
- Bruttoertrag in den USA und Kanada
- 20.804.166 $
- Eröffnungswochenende in den USA und in Kanada
- 9.686.362 $
- 25. März 2007
- Weltweiter Bruttoertrag
- 37.697.773 $
- Laufzeit1 Stunde 29 Minuten
- Farbe
- Sound-Mix
- Seitenverhältnis
- 2.35 : 1
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