Der am Boden zerstörte Peter nimmt sich eine Auszeit auf Hawaii, um mit der kürzlichen Trennung von seiner TV-Star-Freundin Sarah fertig zu werden. Leider weiß er nicht, dass Sarah in dassel... Alles lesenDer am Boden zerstörte Peter nimmt sich eine Auszeit auf Hawaii, um mit der kürzlichen Trennung von seiner TV-Star-Freundin Sarah fertig zu werden. Leider weiß er nicht, dass Sarah in dasselbe Resort wie er reist - und sie ihren neuen Freund mitbringt.Der am Boden zerstörte Peter nimmt sich eine Auszeit auf Hawaii, um mit der kürzlichen Trennung von seiner TV-Star-Freundin Sarah fertig zu werden. Leider weiß er nicht, dass Sarah in dasselbe Resort wie er reist - und sie ihren neuen Freund mitbringt.
- Auszeichnungen
- 4 Gewinne & 19 Nominierungen insgesamt
Empfohlene Bewertungen
This was a funny movie! It's a more mature than your average comedy. It survives comedically without leeching off too many other bits of pop culture, unlike Knocked Up. There is the exception of some funny spoofs of CSI and Ghost Whisperer, two fatted calfs rip for killing. Everyone is allowed to be funny, even the women, and they are. I enjoyed the occasional "Scrubs" style cut-aways which were frequently funny. The best one has to be the week Peter spent in the same pair of sweat pants.
This was a lucky stroke from from first time director Nicholas Stoller and first time writer (in addition to lead actor) Jason Segel. I hate making comparisons to other actors, but I kept thinking of Judge Reinhold when I saw Segel. Not that that's a strike against him.
Segel is a fresh face in the comedy genre, and is adept at playing sympathetic slacker and funny man in one. Kirsten Bell acts much better in this than Heroes, and it's a nice change of pace to not recognize Paul Rudd in appearance and character immediately. Bill Hader is funny as always. What really comes across in this film is that everyone, even Sarah Marshall, seems like a 3-dimensional character. Hopefully the days in comedies when people are bitchy or vile just for the hell of it are gone. Even the shallow pop star Aldous Snow (Russell Brand), who is the rival to Peter, is likable. There's no animosity between the two men. It's nice to have a comedy where we don't have to demonize anyone.
It's a cute film, sometimes hilarious, but the first half is definitely funnier than the second half. I might pick it up on DVD sometime.
B+
For starters, there was a definite presence of the "TV actors on the big screen" theme here, but I am pleased to report that Jason Segel, Kristen Bell, and Mila Kunis take to movies like naturals. Like many Apatow productions, Segel penned the script and takes over as lead Peter Bretter, proving yet again that with this crew the writer is best suited for the leading role. Segel delivers a character we all know too well from our own personal experiences and never breaks role from the shocking beginning to appropriate ending. I even give Segel extra credit for not completely victimizing his character and pointing out apparent flaws on both ends of the ending relationship.
Kristen Bell plays Sarah Marshall, the iconic ex of the film, but her role sits on the back burner along with the truly hilarious Aldous Snow (Russell Brand) to make way for a leading role in Mila Kunis. From the beginning it is clear that her not-too-smart and shallow role of "That 70s Show" didn't follow her to "Forgetting"'s script. Kunis plays Racheal, a hospitality girl for the hotel that "Forgetting" takes place, and subsequently deals with Peter as he tries to get over Sarah Marshall. Her character is intelligent, charismatic, and appreciative of the good in people, a strong juxtaposition to the seemingly selfish starlet Sarah Marshall. Kunis owns the role with pride, even slipping in gestures and glances that didn't seem to initially be in the script. Hopefully this will open her up for more serious roles than "American Psycho 2" and the typecasting that often happens with TV actresses like her.
The star of the film, in my opinion, easily has to be Russell Brand, who plays the over-conscious over-sexed rock star Aldous Snow. Snow adds the necessary level of comedy that could have been missing from what is truly a tragic plot. About halfway in the film, I couldn't help but snicker to myself just with the presence that Brand creates (complete with perfect costume choices). The only downfall to a character who is truly the Mercutio of this tragedy is that Brand clearly overshadows Bell's performance as Sarah Marshall, who is ironically the most forgettable character of the film.
The writing flows with well-timed jokes, apathetic digs, and shocking vulgar humor. There is even a few moments where you feel Segel was digging on the cast with jokes involving crime dramas (Segel did time on "CSI") and TV actresses in horrible horror movies (Kunis did the atrocious "American Psycho 2"); not sure if it was intentional, but I caught what I thought was a reference. Just as with most Apatow productions, leave the kids at home. Unlike the rest, however, the crude humor doesn't overflow and turn off most audiences (like I noticed with "Superbad"). It also doesn't get very heavy in the least (which is what I felt hurt "Knocked Up"). I think Apatow has found a great balance with this production and Segel's script. I also want to give credit to Nicholas Stoller , who proved that he can be successful as a director after the hit he took from helping write "Fun with Dick and Jane".
All in all, this comedy is just another example of a good time for adults. It keeps a consistently flowing script, unlike many recent comedies that seem to lose pace as they close the story. While crude, the jokes are just light enough to appease most adult audiences and the short 100 minute run time will ensure you won't be glancing at your watch waiting for it to end, just laughing hysterically.
Sarah Marshall: hot actress, beautiful, and a fun person, just broke up with her musician boyfriend, Peter. He's just heartbroken and needs to get away for a while, so he goes to Hawaii, but guess what? Sarah is there with her new rock star boyfriend, Aldous Snow, and things are not seeming to go his way. But when he meets Rachel Jenson, the nice and really pretty hotel clerk, they go out and he ends up realizing that maybe this break up wasn't such a big deal after all.
Forgetting Sarah Marshall is a funny movie, I guarantee you are going to laugh. I do have one complaint, the male nudity, now it's not that I'm a prude at all, just this was more uncomfortable than funny with Jason exposing all his assets. I don't know, just that type of humor isn't funny with me, male or female, just depending on the joke, but this was more awkward. But I do think this is a fun movie, it has a great story and really makes you laugh and just have a good time with these characters, it's a good recommendation from me.
7/10
Wusstest du schon
- WissenswertesKristen Bell injured her knee while filming a horse scene, which didn't make the final cut. In scenes towards the movie's ending, she walks with a slight limp.
- PatzerWhen Rachel is in the water telling Peter to jump off the cliff, her blue life belt is visible under and above the water as she bobs around.
- Zitate
Darald: What's the state fish of Hawaii?
Dwayne the Bartender: The Humuhumunukunukuapua'a. Yeah, bitch!
- Crazy CreditsShortly after the end credits start, there is an advertisement for Sarah Marshall's new NBC crime drama, "Animal Instincts" in which her costar is Jason Bateman.
- Alternative VersionenThe unrated version runs almost six minutes longer than the theatrical version and has a few extended scenes and scenes not included in the theatrical version which include the characters partaking in a yoga class.
- VerbindungenEdited from Forgetting Sarah Marshall: Deleted and Extended Scenes (2008)
- SoundtracksLove You Madly
Written by John McCrea
Performed by Cake
Courtesy of Columbia Records
By Arrangement with Sony BMG Music Entertainment
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Details
- Erscheinungsdatum
- Herkunftsland
- Offizieller Standort
- Sprachen
- Auch bekannt als
- ¿Cómo sobrevivir a mi ex?
- Drehorte
- Produktionsfirmen
- Weitere beteiligte Unternehmen bei IMDbPro anzeigen
Box Office
- Budget
- 30.000.000 $ (geschätzt)
- Bruttoertrag in den USA und Kanada
- 63.172.463 $
- Eröffnungswochenende in den USA und in Kanada
- 17.725.330 $
- 20. Apr. 2008
- Weltweiter Bruttoertrag
- 105.833.257 $
- Laufzeit1 Stunde 51 Minuten
- Farbe
- Sound-Mix
- Seitenverhältnis
- 1.85 : 1