A Raisin in the Sun

This film start slowly and at times is a little dull but this is mainly due to the lacklustre performance of Mr Combes, P Diddy, Puffy whatever. Every other performance is superb and this is what carries the film, however as others have already commented, what could have been an excellent film, with someone else in the lead role, becomes just a good film and I would still recommend it for anyone to watch. Combes performance is just not believable, sure he is moody and unlikeable but you get the feeling that he struggles to move away from his real persona and slips too easily back into being a 90s rapper rather than a black man struggling in 1950s America. It might be worth noting that if you hate the modern trend for films to be littered with foul language, sex and violence then you will love this film because it stays true to the original play in this regard and has resisted the mistake many remakes have made of modernising it and alienating the family audience. So for many reasons I would recommend this film and just think it is a shame another, much better lead actor was not chosen for the main male role.

In 1959 Chicago, the Younger family lives in a small apartment with cockroaches and other problems, although they have done their best to make it look nice.

Walter works as a chauffeur for a white family that doesn't seem to acknowledge him as a human being. He is tired of "Yassir" and "Nossir" and wants to start his own business with friends Bobo and Willy.

Walter's mother Lena works as a maid and is loved by the little girl she cares for, but she can quit that job now since she is getting a $10,000 life insurance check after the death of her husband.

Walter's wife Ruth does people's laundry and raises their son Travis. Walter's sister Beneatha also lives with them, sharing a room with her mother. Travis sleeps on the couch in the living room.

What is the best way to spend the insurance money? Beneatha could use it to go to medical school. She is in college now, and she has two potential romantic partners--George, who comes from a rich family and is about as black as Carlton Banks, and language professor Joseph Asagai, who wants to teach Beneatha about Africa.

But Walter wants to open a liquor store. Imagine how that will go over with his devout Christian mother.

Lena sees a great opportunity to move into a better neighborhood. But the people next door to the house she finds are all white and don't want blacks moving in.

For the most part, this movie came across as the quality production ABC told us it was. The characters are strong and have values, but the question is how much will circumstances cause them to question those values.

Phylicia Rashad will surely be mentioned at Emmy time. She was outstanding, showing so much emotion when the time came to do it. It's the first time I ever saw her play a truly black character. I had to look closely to make sure it was actually her. Up until now, she has played attractive, young-looking women who could have been any ethnic group but happened to be dark-skinned.

Audra McDonald also did a very good job, and she was quite good-looking even here, with such a nice smile.

David Oyelowo showed so much passion for his heritage and for teaching the woman he cared about to have the same passion.

Not to take anything away from her performance, but Sanaa Lathan just got on my nerves. Perhaps that means she was doing everything right.

Sean Patrick Thomas did a good job showing another side of black culture; in the 1950s most blacks did not have money, and despite having dark skin, he seemed out of touch with the problems of his race, quite content with life.

Sean Combs didn't quite give the impression of quality that ABC had led me to expect. He was good, but almost always so bitter. I can't blame the writing, because Sidney Poitier played the role, and we all know he would have done a magnificent job with it. But Combs was good enough.

Bill Nunn had one fine scene as Bobo. He was in several other scenes, but he lived up to the promise of this film.

I liked John Stamos a lot on "Full House" (in fact, he was the reason I started watching the show in the first place). I liked him here. But surely not everyone will. He seemed out of place in this type of production. It was like watching Uncle Jesse facing Aunt Becky and trying to weasel out of having behaved in a racist way, mainly by explaining it was everyone else who wanted him to do it. But he was not threatening at all.

This is certainly worth seeing.

I can honestly say I enjoyed this movie, I enjoyed the 1984(?) version with Danny Glover and was hoping to catch a treat with this film. A treat a received greatly.

Yes this film had many flaws, as does every movie. So I shall give the flaws then the bright side of the film Flaws: I was bored the first half of the film, it moved in a little slow, and Sean Combs performance didn't help. I felt that the cast excluding Sean Combs was superb and was full of real emotion and strength. Combs was trying to hard to act, when he should have let it flow and have a real feeling for the character and not just try to over act. He does have his moments though, but those moment are quickly cut back to his not letting it flow and not having a true feeling for the character.

Bright Side: The film was a delight. Raw emotion and strength from the leading ladies and the leading men(excluding Sean Combs). Phylicia Rashad was full of emotion and pride, that you instantly love her and feel for her and the pain she goes through. Audra McDonald is superb and excellent actress who is going somewhere, you also feel for her and go through struggles and emotion. Beneatha Younger (Sanaa Lathan) is spunky, yet naive. You love her and many of my young generation can relate to her.

Overall: The acting is brilliant coming from the cast, again excluding Sean Combs yet he does have moments. Direction is great, and the feel and emotion and strength is just excellent 8/10 -Izzy

P-Diddy's performance in the film is P-thetic. Apparently tired of saying the same words night after night on stage has dulled Mr. Combs into a stunned stupor to which his bland expressions and monotone delivery attest. He seems at home with "da Homies" (Willy Harris and Bobo) at "da Club"(The Green Hat) but he can't switch his New York gangsta talk with a Southside Chicago accent. The fact that Willy Harris is a dead ringer for Snoop Dog didn't help. Mama was right; Walter does look (and sound) "like somebody's hoodlum". Mama, by the way, played by Phylicia Rashad, was amazing. She looks younger than other Lena Youngers on screen which is good as Walter is only 35 so Mama is probably not the white haired old lady directors like Daniel Petrie tried to make her look. Besides the youthful look, Rashad gives a very heartfelt performance making me think that Bill Cosby did the world a disfavour by holding her back from honing her serious side. Audra McDonald, in my opinion, is the best performer in the group. As wife Ruth, she really hits home with her every emotion.When she cries, we want to cry with her although at times it seems she's just crying at the atrocious performance by her lesser half, the Puffster. Rounding out the cast is David Oyelowo as the Nigerian Asagai (Oyelowo is, himself, Nigerian) and John Stamos as a handsome Mr. Lindner (alas, the not so handsome John Fiedler is no longer available for the role). I watched this film continually thinking what heights it might have reached if someone more competent was in the Walter role. Maybe they can use Computer Generation to insert Sidney Poitier's performance. That would be great.

I thoroughly enjoyed this film version of "A Raisin in the Sun." The play is an important work of American literature and this adaptation brings it to life with emotional, engaging performances. The strongest portrayals come from Phylicia Rashad (Mama) and Audra McDonald (Ruth). This film includes some scenes that have been added from the original play, but these do not detract from the story; rather, they add context that readers of the play may miss. For instance, the play is set entirely in the Younger family's apartment. However, the film includes scenes set in a number of different locations around 1950's Chicago; this allows the film to show some of the racism that the Younger family faces as African Americans living in pre-Civil Rights America. The theme of racism is present in Hansberry's original play, but it may not be obvious to all readers. This film version does an effective job of illustrating this important theme so that viewers can understand the Youngers' story as one of struggle to overcome systemic discrimination.