Während des Zweiten Weltkriegs gerät eine junge Frau, Wang Jiazhi, in ein gefährliches Spiel emotionaler Intrigen mit Mr. Yee, einer mächtigen politischen Persönlichkeit.Während des Zweiten Weltkriegs gerät eine junge Frau, Wang Jiazhi, in ein gefährliches Spiel emotionaler Intrigen mit Mr. Yee, einer mächtigen politischen Persönlichkeit.Während des Zweiten Weltkriegs gerät eine junge Frau, Wang Jiazhi, in ein gefährliches Spiel emotionaler Intrigen mit Mr. Yee, einer mächtigen politischen Persönlichkeit.
- Regie
- Drehbuch
- Hauptbesetzung
- Nominiert für 2 BAFTA Awards
- 28 Gewinne & 56 Nominierungen insgesamt
- Mr. Yee
- (as Tony Chiu Wai Leung)
- Old Wu
- (as Tsung-Hua Tuo)
- Lai Shu Jin
- (as Chih-ying Chu)
- Liang Jun Sheng
- (as Ko Yu-Luen)
- Tsao
- (as Kar Lok Chin)
Empfohlene Bewertungen
The costumes, sets, lighting and the drama of the story make LUST, CAUTION a simply elegant journey with characters that jump off the screen with fury, passion and of course, love tinged with revenge. The film is long, but you can't take your eyes away from the film for one moment as you might miss the brilliant dialog and performances. LUST, CAUTION, makes you think of what it is to be occupied by a power that treats its captured denizens in a world of anger and bitterness and creates a world of hatred and revenge as we see in this intelligent and important film. May LUST, CAUTION continue to gain an audience as it heads into the Kudo season.
I think this is a very personal film for Ang Lee - betraying his private thoughts on his homeland, on sexuality, on truth, on love.
Here in Asia, one shared event in our history binds us all - the Japanese occupation during WWII and all the horrors that came with it.
To retell the anguish of that time through a torrid affair between a collaborator (traitor) and a spy is a brave commentary on how we Asians respond to traumas both personal and collective.
Mr Lee raises unearths some complex emotions towards identity and truth, as revealed in only the most intimate moments between illicit lovers in times of extreme duress.
That Lee chose to make such a film after his phenomenal success in Hollywood, and during this period of phenomenal progress for modern China, gives Lust Caution a heightened sense of relevance and urgency, a film that can potentially invite questions on what it deeply means to be Chinese, to be Asian.
Lee is a master, Tony Leung is divine, Tang Wei is a slow-burning revelation. I highly recommend this film to Asians and non-Asians alike.
Ang Lee is a genius. He's so good at capturing the emotions of his characters and actors. It's like he unfolds them so that everything on the inside is laid bare. From The Ice Storm to Brokeback Mountain to Lust, Caution he shows you real people and how they love and damage and betray each other, and more specifically how it feels. That's true talent. Anyone can point a camera. This is something else entirely.
The film itself is the best espionage film I've ever seen, but that's not all it is. It's very much like a noir and a war film and romance is probably the genre that is represented least. I've read a few reviews mentioning love and falling in it. There is some of that but I think maybe those people might want to give this one another go. They might have missed the point.
Who should see this? Adults. But I'm not saying that because of the sex scenes. I'm 33. I don't know if I would have completely grasped the emotional complexity of this film 10 years ago. I think you need to have been kicked around a bit by life to fully appreciate what's happening here. Anyone who likes old movies, sad movies, good movies. Bogart fans, noir fans, costume design fans should all enjoy it. I sincerely hope it gets some recognition around Oscar time. It's my favorite this year so far.
During the sex scenes I was holding my breath. Lee's slow burn toward these instant classic scenes was like foreplay leading to an explosive climax. Lee's themes of repression and double lives continue in LUST CAUTION. I look forward to savoring and arguing about this film for years to comes.
This is a spectacular piece of cinema, the colours, the flow, the story all ignite and leave a glow, the performances of the two leads is out of this world, especially from Tang Wei who goes from innocence incarnate to sensuous seducer via an awkward introduction and a brutal baptism of torture and torment, all under the direction of one of the greatest film makers of his day, leaving you under no illusion the depths people will go to in order to achieve their aims, legitimate or otherwise.
Wusstest du schon
- WissenswertesDirector Ang Lee made Tony Leung Chiu-wai study the performances of Marlon Brando in Der letzte Tango in Paris (1972), Humphrey Bogart in Ein einsamer Ort (1950) and Richard Burton in Fliehende Pferde (1977), to give him a sense of wounded masculinity, which Lee felt was right for the character of Mr. Yee.
- PatzerIn the café scene where Mak Tai Tai is calling her comrades the ringer heard through the phone both times is a modern ringer, which wasn't used until the 1970s/early 1980s.
- Zitate
Old Wu: Don't tell me what to do! You listen to me! Yee murdered my wife and both my children. But I could still eat with him at the same table! That's what an agent must be able to do! I'd like nothing better than to kill him with my own hands. But if letting him live another few days is valuable, then we must! Keep him hooked, and keep me informed. Don't do anything without my order. Remember... For an agent there is only one thing... Loyalty. To the party, to our leader, to our country. Understand?
Wong Chia Chi: Don't worry. I'll do whatever you say.
Old Wu: Good. Very good. All you need to do is keep him trapped. If you need anything...
Wong Chia Chi: What trap are you talking about? My body? What do you take him for? He knows better than you how to put on an act. He not only gets inside me... he worms his way into my heart like a snake. Deeper. All the way in. I take him in like a slave. I play my part faithfully... so I, too, can get to his heart. Every time... he hurts me until I bleed... and scream. Then he is satisfied. Then he feels alive. In the dark... only he knows it's all real.
Old Wu: That's enough.
Wong Chia Chi: That's why... That's why I can torture him until he can't stand it any longer... and still I go on until we collapse from exhaustion.
Old Wu: Enough!
Wong Chia Chi: And when he finally comes inside me, I think maybe this is it. Maybe this is when you'll rush in and shoot him in the back of the head... and his blood and brains will cover me!
Old Wu: Shut up!
- Alternative VersionenAn R-Rated version was made for the home video market for sale in places that doesn't carry NC-17 films (e.g. supermarkets). The run-time of the R-rated version is only ~30 seconds less but features ~70 seconds of alternative footage to soften the rating.
- SoundtracksKlavierstücke Op. 118 No. 2 Intermezzo
Composed by Johannes Brahms
Performed by Alain Planès
(p) 2007 Decca Label Group
Top-Auswahl
Details
- Erscheinungsdatum
- Herkunftsländer
- Offizieller Standort
- Sprachen
- Auch bekannt als
- Lujuria y traición
- Drehorte
- Ipoh, Perak, Malaysia(students on the tram: Jalan Chung On Siew)
- Produktionsfirmen
- Weitere beteiligte Unternehmen bei IMDbPro anzeigen
Box Office
- Budget
- 15.000.000 $ (geschätzt)
- Bruttoertrag in den USA und Kanada
- 4.604.982 $
- Eröffnungswochenende in den USA und in Kanada
- 63.918 $
- 30. Sept. 2007
- Weltweiter Bruttoertrag
- 67.091.915 $
- Laufzeit
- 2 Std. 37 Min.(157 min)
- Farbe
- Sound-Mix
- Seitenverhältnis
- 1.85 : 1