Anderland

What we have here is a film perfect for anyone that participates in the world of post-industrialism: those who sit in their privatized home, earning money by buying and selling sensual-less commodities and perpetuating a system that values little other than the preservation of self.

The beautiful filming (I always appreciate fix 35s and soft boxes) makes it an even stranger place to travel through, both enjoyable to look at but frightening to comprehend (perhaps that's overly dramatic, but its true).

Andreas' journey through his hell is overwhelmingly tragic. His quest is honorable, laudable, and precious. The conclusion is necessary and we are left not sure if he's better off, which is the perfect conclusion.

Breve! Highly recommended to all people who view their world with a critical eye and especially to those who don't (perhaps it will encourage a reflection or two).

Andreas arrives in a strange, inhuman place, where everything seems perfect. He's given a good work, everyone is kind to him and to everyone, and he really doesn't trouble too much even in finding a beautiful girlfriend. But in this no-named city Andreas finds soon that a perfect commercials-type world is really not a paradise. Really one of the better movies i've seen this year. The attractive plot is perfectly supported by a smart direction where every single component (cool desaturated photography; cold symmetrical design; unemotional acting; slow, highly controlled camera movements) helps in building an unique weird atmosphere that will keep the audience suspended until the end. A sarcastic, ironic, bitter comedy that made me laugh ant think, as only best films are able to do. Nothing new, probably, in the analysis of the modern de-humanizer civilization, but really a smart work with great surprising ideas that will hardly be forgotten from whom had the luck to see it. Simply beautiful the amazing scene in the metro underground.

A man is taken by bus to a stop in the middle of nowhere from whence he is collected and taken to the city and his job as an accountant in an office of other white collar workers, happily eating together at lunchtime and sitting in front of computers during the day. Soon he gets himself a girlfriend and they move in together, decorating their home and having dinner parties and small-talk. All is wonderfully happy and modern but yet something just doesn't seem right.

I was recommended this by another IMDb user who I have come to know as quite an intelligent young man and so I decided to go on his advice and give this film a shot. He also advised I come to it with as little knowledge as possible, so beyond his recommendation and basic comments on content, I knew very little about it. I was glad of both this advice and also the recommendation because this film is a great idea that is really well expanded and delivered. On the face of it the film comes over like it is a short film, so simple and concise is its idea and so oddly does it deliver a simple concept, but it is a feature and the 90 minutes goes by quickly and satisfyingly.

The film is built on the feeling that there must be more to life than the safe warmth that the majority of us in the Western world are used to and it really nails it in this regard. For the majority of the film we are of course allowed to feel our main character's sense of unease and pain at the lack of passion and spark in life, but this comes in the small moments – the alternative view is not over played to make this more obvious. Instead the "emotionless norm" is presented in a way that is entirely recognisable; interior design and wall colours are the subjects of discussion, bland office work pays for it all – and trust me that as a man in his mid-30's, this is something I know about! It isn't overplayed though – it is normal and familiar and as a result all the more chilling as part of the film.

By making the "horror" so very normal and so familiar in its polite banality, the film survives the later twists when things get more extreme and weird – because we are already with it as an idea. It does always feel like a short film though because the idea never really comes to a satisfactory conclusion and those looking for a big reveal or ending will be disappointed – however those fans of short films where the "idea" is the thing rather than the answer will be pleased (as I was). To me the conclusion was fittingly simple because it works well with the idea as this world of the others being a happy place as long as you all go by the rules and don't be an outsider – it also kept me on board that the film made "rebelling" so very reasonable – Andreas was only looking for something a bit deeper, more meaningful than the colour of tiles – and again this is a "rebellion" that many people will be able to relate to as well.

The whole film reminded me very much of short films in terms of tone and content but also of some of the rather odd films that the Cohen brothers have made in the last 10 years where the tone is a lot of the story. I really liked the direction and composition here – the film always looks "normal" but by having everything so very clean and lacking in chaos or untidiness, it does contribute to the overall feeling of this world of being passionless and only "happy" on a very superficial level. It is all very well done and I enjoyed its relatable oddness very much – and it is this sense of the familiar that really makes it work very well and at the same time produces the cold horror of it. A really great little film in the mould of a short, very simple but also very cleverly done. Thanks Danny!

The whole movie made me think of the first circle of Dante's Inferno, Where the souls who 'fool' themselves in believing that they are happy go to. They never realize they are actually in an inferno, but nothing is enjoyable, they just move on without any emotion. In that sense Dante thought that they the were in the worse part, as they would never actively try to change their situation. Nobody can die in that place, but trying to certainly does hurt. I am not sure if the writer based his story on this medieval manuscript or not, but the resemblance is absolutely striking.

I didn't enjoy the movie when I was watching it, as I was expecting a climax which never came. Nevertheless, it made me think afterwards and now I actually think it's a good film - it surely does stick.

One of the best films I've seen in a long time, precise in its vision, and beautiful and highly imaginative in its realization. I can't say much without giving it away, and I don't recommend you actually read that much about this movie before seeing--just see it.

But ah, one must come up with ten lines of text to have a review listed on IMDb. Conundrum. What can I do? Tell you about the film? Nope. Can't do it. I think I enjoyed this movie precisely because saw it with no preconceptions. Please you do the same.

I suppose this can be said: the acting is excellent and understated, and what I have come to love about foreign movies is that the movies are actually about the MOVIES, not the stars.