IMDb-BEWERTUNG
7,2/10
18.727
IHRE BEWERTUNG
In einer fremden Stadt, in der jeder Mensch über alle Vernunft zufrieden zu sein scheint, kommt ein neuer Mann in die Stadt und schürt Ärger, indem er zu viele Fragen stellt.In einer fremden Stadt, in der jeder Mensch über alle Vernunft zufrieden zu sein scheint, kommt ein neuer Mann in die Stadt und schürt Ärger, indem er zu viele Fragen stellt.In einer fremden Stadt, in der jeder Mensch über alle Vernunft zufrieden zu sein scheint, kommt ein neuer Mann in die Stadt und schürt Ärger, indem er zu viele Fragen stellt.
- Auszeichnungen
- 26 Gewinne & 9 Nominierungen insgesamt
Trond Fausa
- Andreas
- (as Trond Fausa Aurvåg)
Aldun G. Magnaes
- Gutt som kliner
- (as Audun G. Magnæs)
Mette K. Haugen
- Jente som kliner
- (as Mette Karin Haugen)
Gard Petersen
- Forvalter 1
- (as Gard Pedersen)
Benny Glaerum
- Forvalter 2
- (as Benny Glærum)
Empfohlene Bewertungen
Totally different, with loads of understatement and black comedy, this is a film few get to see, but those who do will remember it. This movie creates its own universe, and is fascinating in every way. What it is about? Estrangement, I believe. Probably up to the viewer, but I found that this movie tries to say something about the coldness and emptiness behind all the designer furniture and perfect facades. Don't know if I'm right. But this movie really got to me. See it. I really hope the team behind this movie makes more movies, and that they will continue to do so in their own, some kinda weird style. And I forgot: The Casting here i superb, with Trond Fausa Aurvåg being perfect in the role as the Bothersome Man, who doesn't understand where he is, what he is doing and why. The acknowledgment of not understanding the purpose of life (in the city), is what makes him bothersome. All the others do as they are told, and pretend (?) to be happy. This movie is a good and humorous comment on life in 2006.
The whole movie made me think of the first circle of Dante's Inferno, Where the souls who 'fool' themselves in believing that they are happy go to. They never realize they are actually in an inferno, but nothing is enjoyable, they just move on without any emotion. In that sense Dante thought that they the were in the worse part, as they would never actively try to change their situation. Nobody can die in that place, but trying to certainly does hurt. I am not sure if the writer based his story on this medieval manuscript or not, but the resemblance is absolutely striking.
I didn't enjoy the movie when I was watching it, as I was expecting a climax which never came. Nevertheless, it made me think afterwards and now I actually think it's a good film - it surely does stick.
I didn't enjoy the movie when I was watching it, as I was expecting a climax which never came. Nevertheless, it made me think afterwards and now I actually think it's a good film - it surely does stick.
Andreas arrives in a strange, inhuman place, where everything seems perfect. He's given a good work, everyone is kind to him and to everyone, and he really doesn't trouble too much even in finding a beautiful girlfriend. But in this no-named city Andreas finds soon that a perfect commercials-type world is really not a paradise. Really one of the better movies i've seen this year. The attractive plot is perfectly supported by a smart direction where every single component (cool desaturated photography; cold symmetrical design; unemotional acting; slow, highly controlled camera movements) helps in building an unique weird atmosphere that will keep the audience suspended until the end. A sarcastic, ironic, bitter comedy that made me laugh ant think, as only best films are able to do. Nothing new, probably, in the analysis of the modern de-humanizer civilization, but really a smart work with great surprising ideas that will hardly be forgotten from whom had the luck to see it. Simply beautiful the amazing scene in the metro underground.
The Bothersome Man (2006)
Of course this is weird. It's a surreal version of dying and heaven (or hell) is a little shack in the middle of nowhere that is a way to get a second chance. At something. Life, maybe.
This is a little like the crop of comic serious surreal movies in the last twenty years where you part laugh and part are gasping in appreciation for the reality invented. I'm thinking "Eternal Sunshine of the Spotless Mind" or "Being John Malkovich" or even "Inception." And at first it's just a terrific experience, going with the flow, which is understated in broad expanses of deadpan landscape and people alike. Eventually you adjust to the newness and want a thread of meaning or something to carry it along.
And this mostly succeeds most of the time. Which is not quite like a brilliant knock you over film. Jump in and wallow with the main character, who seems to have some kind of free will but within an invisible restraint. I mean, taking a ride back to life for some kind of reappraisal, even if you know it's all a mirage, means maybe being radical and not a bit submissive.
Not for this Norwegian. The humor comes and goes, the logic certainly goes more than comes, but the mood, the charm and ease of all the characters is enjoyable, almost heavenly, in a weird not quite coincidental way. I would check this out. I know a lot of people will get bored in the first few minutes because the wry dry humor, the lack of dialog, and even the lack of anything quite happening will drive them batty. But you know if you're not like that, and can get into a "Paris Texas" or "Dead Man" or lightweight Ingmar Bergman sensibility. Try it. I liked it a lot, even if I got a bit restless by the last third.
Of course this is weird. It's a surreal version of dying and heaven (or hell) is a little shack in the middle of nowhere that is a way to get a second chance. At something. Life, maybe.
This is a little like the crop of comic serious surreal movies in the last twenty years where you part laugh and part are gasping in appreciation for the reality invented. I'm thinking "Eternal Sunshine of the Spotless Mind" or "Being John Malkovich" or even "Inception." And at first it's just a terrific experience, going with the flow, which is understated in broad expanses of deadpan landscape and people alike. Eventually you adjust to the newness and want a thread of meaning or something to carry it along.
And this mostly succeeds most of the time. Which is not quite like a brilliant knock you over film. Jump in and wallow with the main character, who seems to have some kind of free will but within an invisible restraint. I mean, taking a ride back to life for some kind of reappraisal, even if you know it's all a mirage, means maybe being radical and not a bit submissive.
Not for this Norwegian. The humor comes and goes, the logic certainly goes more than comes, but the mood, the charm and ease of all the characters is enjoyable, almost heavenly, in a weird not quite coincidental way. I would check this out. I know a lot of people will get bored in the first few minutes because the wry dry humor, the lack of dialog, and even the lack of anything quite happening will drive them batty. But you know if you're not like that, and can get into a "Paris Texas" or "Dead Man" or lightweight Ingmar Bergman sensibility. Try it. I liked it a lot, even if I got a bit restless by the last third.
What we have here is a film perfect for anyone that participates in the world of post-industrialism: those who sit in their privatized home, earning money by buying and selling sensual-less commodities and perpetuating a system that values little other than the preservation of self.
The beautiful filming (I always appreciate fix 35s and soft boxes) makes it an even stranger place to travel through, both enjoyable to look at but frightening to comprehend (perhaps that's overly dramatic, but its true).
Andreas' journey through his hell is overwhelmingly tragic. His quest is honorable, laudable, and precious. The conclusion is necessary and we are left not sure if he's better off, which is the perfect conclusion.
Breve! Highly recommended to all people who view their world with a critical eye and especially to those who don't (perhaps it will encourage a reflection or two).
The beautiful filming (I always appreciate fix 35s and soft boxes) makes it an even stranger place to travel through, both enjoyable to look at but frightening to comprehend (perhaps that's overly dramatic, but its true).
Andreas' journey through his hell is overwhelmingly tragic. His quest is honorable, laudable, and precious. The conclusion is necessary and we are left not sure if he's better off, which is the perfect conclusion.
Breve! Highly recommended to all people who view their world with a critical eye and especially to those who don't (perhaps it will encourage a reflection or two).
Wusstest du schon
- WissenswertesThe car used to pick up Andreas at the gas station is a Panhard 24, a French car not made since 1968.
- VerbindungenFeatured in Drugoe Kino: Ataraxiaphobia: The Bothersome Man (2007)
Top-Auswahl
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- The Bothersome Man
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- Budget
- 14.000.000 NOK (geschätzt)
- Weltweiter Bruttoertrag
- 379.331 $
- Laufzeit
- 1 Std. 35 Min.(95 min)
- Farbe
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- Seitenverhältnis
- 1.85 : 1
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