IMDb-BEWERTUNG
7,2/10
18.735
IHRE BEWERTUNG
In einer fremden Stadt, in der jeder Mensch über alle Vernunft zufrieden zu sein scheint, kommt ein neuer Mann in die Stadt und schürt Ärger, indem er zu viele Fragen stellt.In einer fremden Stadt, in der jeder Mensch über alle Vernunft zufrieden zu sein scheint, kommt ein neuer Mann in die Stadt und schürt Ärger, indem er zu viele Fragen stellt.In einer fremden Stadt, in der jeder Mensch über alle Vernunft zufrieden zu sein scheint, kommt ein neuer Mann in die Stadt und schürt Ärger, indem er zu viele Fragen stellt.
- Auszeichnungen
- 26 Gewinne & 9 Nominierungen insgesamt
Trond Fausa
- Andreas
- (as Trond Fausa Aurvåg)
Aldun G. Magnaes
- Gutt som kliner
- (as Audun G. Magnæs)
Mette K. Haugen
- Jente som kliner
- (as Mette Karin Haugen)
Gard Petersen
- Forvalter 1
- (as Gard Pedersen)
Benny Glaerum
- Forvalter 2
- (as Benny Glærum)
Empfohlene Bewertungen
I saw this movie yesterday and can't stop thinking about it. I moved to Norway four months ago, and have tried ever since to find the origin of the strange emptiness i felt. When I saw this film I was striken with the brilliant snapshot of this society. Yes, this is all true!!! I too found a great job with a great pay, and I live with my norwegian boyfriend in a nice apartment downtown. But, so far everyone I have met have left me with that tasteless, empty feeling I had never had before - this is what this movie is about. Dinner parties with nothing to say to each other but emotionless comments, long silences, no stress, a creepy calm, and frozen smiles of niceness. This Scandinavian nightmare is perfectly rendered in Den Brysomme mannen. See this movie!!!
I heard an interview with the main actor who said that the film was not intended to be a horror movie but he himself would describe it as mental horror. I strongly subscribe to that.
It is not clear why he travels to this place, but everything there is monotonous, no bright colors, no honest smiles, nothing personal. Everything is ordered and everyone seems to be satisfied living this kind of life. Our "hero" though from the beginning seems to be misplaced and feels it himself.
What makes this film so important and good is the remarkable similarity to life in many large cities or even countries nowadays. You have to function, you are not supposed to let your colleague know your weaknesses, you show off on your wealth, your car, etc., and most of all you lack the true love of life that children have. Naturally, in this film you see neither children nor old people - they simply do not fit in a society of strong workers.
I would recommend this film to everyone - and make sure that this utopia does not come true!
It is not clear why he travels to this place, but everything there is monotonous, no bright colors, no honest smiles, nothing personal. Everything is ordered and everyone seems to be satisfied living this kind of life. Our "hero" though from the beginning seems to be misplaced and feels it himself.
What makes this film so important and good is the remarkable similarity to life in many large cities or even countries nowadays. You have to function, you are not supposed to let your colleague know your weaknesses, you show off on your wealth, your car, etc., and most of all you lack the true love of life that children have. Naturally, in this film you see neither children nor old people - they simply do not fit in a society of strong workers.
I would recommend this film to everyone - and make sure that this utopia does not come true!
First of all, forget all the Christian stuff (heaven, hell, purgatory). You are in Norway.
The director intended well to show it is shot in Oslo, it is easy to recognize the places. It is a sharp look at the values that rules the country and at the lack of sentiments and feeling of the Norwegian society.
Note that Andreas - does he arrive to Oslo by his own will - does not really has a job, but a place in the society that give him access to "happyness": - an apartment - a convertible - friends from the work place - a girl, who has only interest for kitchens - another girl who cannot say I want but only I may The girls are cruelly described, but again the 1st one is the typical Norwegian "witch" (sorry to use this word, I translate literally from Norwegian) and the second the everyone's girl friend; both are typical characters of the Norwegian society.
Andreas has other values, is sensitive and want to make choices: warm chocolate and children.
It is deep buried in the cellars of the old buildings of Oslo housing old people; the room at the end of the tunnel is a typical grandma Norwegian kitchen.
The soundtrack is Peer Gynt, almost the Norwegian national anthem, adding again to that lost paradise's nostalgia.
The final scene is shot at the house of common of Oslo and the people coming out of the building are meant to be the deputies or minister of the country and they tell Andreas that they did everything to make him happy, if I remember correctly, just before expelling him.
Although Andreas injures himself to show his feelings,the gore scenes may seem strange here but maybe the director use it to mock the conformity of the Norwegian cinema, as it has been mandatory for the last decade to show very violent scenes in almost every movie.
Is the bus also a typical character of the Norwegian society? I wonder because for celebrating the end of the studies , the Norwegian students have "party buses" this ritual marks the entering into the adult life, and Andreas coming from nowhere in a bus to this town. what do you think?
The director intended well to show it is shot in Oslo, it is easy to recognize the places. It is a sharp look at the values that rules the country and at the lack of sentiments and feeling of the Norwegian society.
Note that Andreas - does he arrive to Oslo by his own will - does not really has a job, but a place in the society that give him access to "happyness": - an apartment - a convertible - friends from the work place - a girl, who has only interest for kitchens - another girl who cannot say I want but only I may The girls are cruelly described, but again the 1st one is the typical Norwegian "witch" (sorry to use this word, I translate literally from Norwegian) and the second the everyone's girl friend; both are typical characters of the Norwegian society.
Andreas has other values, is sensitive and want to make choices: warm chocolate and children.
It is deep buried in the cellars of the old buildings of Oslo housing old people; the room at the end of the tunnel is a typical grandma Norwegian kitchen.
The soundtrack is Peer Gynt, almost the Norwegian national anthem, adding again to that lost paradise's nostalgia.
The final scene is shot at the house of common of Oslo and the people coming out of the building are meant to be the deputies or minister of the country and they tell Andreas that they did everything to make him happy, if I remember correctly, just before expelling him.
Although Andreas injures himself to show his feelings,the gore scenes may seem strange here but maybe the director use it to mock the conformity of the Norwegian cinema, as it has been mandatory for the last decade to show very violent scenes in almost every movie.
Is the bus also a typical character of the Norwegian society? I wonder because for celebrating the end of the studies , the Norwegian students have "party buses" this ritual marks the entering into the adult life, and Andreas coming from nowhere in a bus to this town. what do you think?
Totally different, with loads of understatement and black comedy, this is a film few get to see, but those who do will remember it. This movie creates its own universe, and is fascinating in every way. What it is about? Estrangement, I believe. Probably up to the viewer, but I found that this movie tries to say something about the coldness and emptiness behind all the designer furniture and perfect facades. Don't know if I'm right. But this movie really got to me. See it. I really hope the team behind this movie makes more movies, and that they will continue to do so in their own, some kinda weird style. And I forgot: The Casting here i superb, with Trond Fausa Aurvåg being perfect in the role as the Bothersome Man, who doesn't understand where he is, what he is doing and why. The acknowledgment of not understanding the purpose of life (in the city), is what makes him bothersome. All the others do as they are told, and pretend (?) to be happy. This movie is a good and humorous comment on life in 2006.
One of the best films I've seen in a long time, precise in its vision, and beautiful and highly imaginative in its realization. I can't say much without giving it away, and I don't recommend you actually read that much about this movie before seeing--just see it.
But ah, one must come up with ten lines of text to have a review listed on IMDb. Conundrum. What can I do? Tell you about the film? Nope. Can't do it. I think I enjoyed this movie precisely because saw it with no preconceptions. Please you do the same.
I suppose this can be said: the acting is excellent and understated, and what I have come to love about foreign movies is that the movies are actually about the MOVIES, not the stars.
But ah, one must come up with ten lines of text to have a review listed on IMDb. Conundrum. What can I do? Tell you about the film? Nope. Can't do it. I think I enjoyed this movie precisely because saw it with no preconceptions. Please you do the same.
I suppose this can be said: the acting is excellent and understated, and what I have come to love about foreign movies is that the movies are actually about the MOVIES, not the stars.
Wusstest du schon
- WissenswertesThe car used to pick up Andreas at the gas station is a Panhard 24, a French car not made since 1968.
- VerbindungenFeatured in Drugoe Kino: Ataraxiaphobia: The Bothersome Man (2007)
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- 14.000.000 NOK (geschätzt)
- Weltweiter Bruttoertrag
- 379.331 $
- Laufzeit
- 1 Std. 35 Min.(95 min)
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- Seitenverhältnis
- 1.85 : 1
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