Illuminati

Angels and Demons is not too bad, it comes in a form of entertainment. It is more intense than Da Vinci Code. I remembered that I had to pry my eyes open during the middle part of Da Vinci Code. It is long, not much suspense and consists of babbling about. Yawn. But Angels & Demons, the sequel, is more intense, has more suspense and action. Tom Hanks gets not only to exercise his brain but also his legs. The adventure requires him to move from one place to another.

The story: Tom Hanks plays symbologist Robert Langdon. He has to solve a murder and at the same time, prevent a terrorist act against the Vatican. This time, he has Vittoria Vetra (Ayelet Zurer) to help him solve the mystery. The mystery plot and intense peril scenes kept me on the seat. Hans Zimmer's beautiful score makes the movie more epic. The adventure is an intense ride but not as intense as I thought. The sets are amazing too.

Overall: Fans of the book will flock the cinemas to catch this. Fans of the previous movie, Da Vinci Code, should also catch this. Those who like thrillers, this one may suit. This is supposed to be a fictional thriller which is not to be taken seriously.

Where Da Vinci code introduced us to Dr. Robert Langdon and his knack for solving puzzles, Angels and Demons ups the ante by providing a huge puzzle with an 8 hour limit.

With a cast of award winning actors, Ron Howard does a good job of directing a story that was easy to follow and even easier to accept. The Da Vinci code threw so many angles at you in such a short time that a quick bathroom break would leave you a bit confused on return. I didn't feel this was with Angels and Demons, the plot was straight-forward and the action kept the interest level peaked throughout.

Cardinal Strauss (Armin Mueller-Stahl) was easily my favorite character in the movie. His portrayal of the elitist, yet misunderstood rank of the Catholic Church was very good and combined with the victim of his treatment Camerlengo Patrick McKenna (Ewan McGregor), you will find yourself choosing sides immediately upon introduction. There isn't a great amount of Tom Hanks time as the film focuses more on story than character development and this did well with me being that I had more than enough introduction from the first movie.

Unfortunately I found Ayelet Zurer's character Vittoria Vetra to be an unnecessary femme assistant in the quest since her lines were a bit limited and seemed much like an afterthought. She does play a key role in the beginning of things but she soon fades into the background of being Langdon's "familiar" more-so than a necessary partner.

The plot is as such, one of the organizations that the Catholic Church wronged in the past (there have been quite a few) has sought revenge in a most artistic manner. Some men of the church are kidnapped and are set to be executed at specific times until an ultimate end to the church itself will happen. Dr. Robert Landon is brought in to help decipher the clues and teams up with the beautiful Vittoria Vetra, a scientist who witnessed a colleague die at the hands of the church's enemy.

Music staying relevant and the cinematography beautiful, I could chime on about this menial things but what makes Angels and Demons absolutely work is it's conclusion. It was by far one of the most amazingly surprising endings I have seen in a movie and I was impressed at how off-guard I was when it hit me. Like anyone else I appreciate a great wrap-up and this movie wraps it up quite tight and drops a pretty bow on it. Needless to say I left the theater pleased at the movie in it's entirety.

If you are religious and unsure if this movie will offend your Catholic principles. I can say that where The DaVinci code painted Catholicism as a shady cover-up group of sadists, Angels and Demons paints them with a much lighter brush. The church is shown as being a collective of good men who are made to suffer for the sins of evil and misguided men who wore their colors and even a few who have infiltrated their modern ranks.

I am sorry for all the readers, but I don't know where to begin.

Let me say at first that I'm not a big Dan Brown fan, but I read Angels & Demons with great pleasure. The book deals a lot with the eternal question of Science vs. Religion and that made me think a lot about that subject again. That big battle is totally lost in the movie.

A lot of the important lines in the book (CERN, Maximilian Kohler, the scepsis of the Swiss Guard, the love relationship between Robert and Vittoria, the Hassassin, the relationship between the Camerlengo and the pope) are lost in the movie screenplay. This makes the movie a very cut-down and over-simplified version.

Would the movie be any good if I hadn't read the book? I still doubt it. From scene 3 on, the movie is a 'chase-movie' without interruption. There is no time for contemplation or depth. No story-line, no backgrounds. It's just a chase movie in a GREAT decorum.

You would think that with a running time of about 140 minutes a movie is able to bring more. Much more.

This is an OK adaptation of the breath taking book of Dan Brown. I can't say it is novel or very good but they made a movie that you can enjoy. Given the excellent story, the result could have been better though. The movie is pretty long but at the end I was feeling like some things were missing. Sound effects and sound tracks were very good. Acting was well done but the character development phase was very weak. For people who didn't read the book, things may look happening too quickly. From my point of view, instead of trying to put as much as stuff from the book, they could have tried to do the important scenes more proper. What makes the book very good was all the puzzle like story combined with the excellent portrait of Vatican. You see neither of it in the movie. Too much rush and using the time not in a good way, these are main problems of the movie. So, it is worth watching but could have been done better.

Tom Hanks returns as Dan Brown's symbologist Robert Langdon in his first adventure Angels & Demons, which Hollywood decided to make after The Da Vinci Code, given the latter's more controversial subject striking a raw nerve on the faith itself. The Catholic Church was up in arms over the first film, but seemingly nonchalant about this one. And it's not hard to see why, considering Ron Howard had opted to do a flat-out action piece that serves as a great tourism video of Rome and Vatican City, and would probably boost visitor numbers given the many beautiful on-location scenes, save for St Peter's Square and Basilica which was a scaled model used.

So I guess with the bulk of the budget going toward the sets, the ensemble cast had to be correspondingly scaled down. Ayelet Zurer tried to step into the female void left by Audrey Tautou, but given Tautou's character then having a lot more stake in the film, Zurer's scientist Vittoria had a lot less to do other than just waiting in the wings to change some batteries on a canister filled with anti-matter. In the book she's the fodder of course for Langdon to converse his vast knowledge of the Vatican, the Illuminati and the great feud between the two, but here she's neither love interest, nor his intellectual equal.

Ewan McGregor on the other hand, chews up each scene he's in as Camerlengo Patrick McKenna, who is temporarily taking care of the Papal office while the other prominent cardinals are in the Sistine Chapel to elect a new Pope. And he plays Patrick with that glint in the eye, with nuances enough to let you know there's more than meets the eye. There's no surprises here for readers of the novel, but McGregor's performance here is one of the highlights of the film as Hanks plays well, Tom Hanks.

The book itself is rich with arguably accurate content as always, and had a lot more plot points on science versus religion, and a wealth of information that Dan Brown researched and linked together in an engaging fictional piece of work. While reading the book some years ago, I thought that should a film be made of it, it's easy to lapse and dwell more on the set action pieces. Sadly, that's what this Ron Howard film did, with a pace that doesn't allow a temporary breather. Unlike the first film where you had the characters sit down for some "discussion time" over a cup of tea, this one moved things along so quickly, it's like reading the book all over again, page after page being skipped just to get to the thick of the action.

Catholic reviewers have called Angels & Demons harmless, because I guess it didn't dwell on its many controversies, unlike The Da Vinci Code which struck a raw nerve at the centre of the faith. And if anything, this film served as a great tourism promotional video with a nice showcase of the many prominent touristy landmarks that would entice many around the world to go pay a visit. Naturally certain areas like the catacombs beneath St Peter's Basilica, and the Vatican archives remain out of bounds, but the walk along the Path of Illumination, now that's almost free.

Nothing new for those who have read the book other than to see it come alive, but for those who haven't, this film may just compel you to pick up Dan Brown's novel just to read a bit more about the significance about the landmarks, and characters such as Galileo, Michelangelo and Bernini who are intricately linked to the plot, but much left unsaid. Satisfying pop-corn entertainment leaving you with nothing spectacular.