Der Harvard-Symbologe Robert Langdon arbeitet mit einem Atomphysiker zusammen, um einen Mord zu lösen und einen terroristischen Akt gegen den Vatikan während eines der wichtigsten Ereignisse... Alles lesenDer Harvard-Symbologe Robert Langdon arbeitet mit einem Atomphysiker zusammen, um einen Mord zu lösen und einen terroristischen Akt gegen den Vatikan während eines der wichtigsten Ereignisse innerhalb der Kirche zu verhindern.Der Harvard-Symbologe Robert Langdon arbeitet mit einem Atomphysiker zusammen, um einen Mord zu lösen und einen terroristischen Akt gegen den Vatikan während eines der wichtigsten Ereignisse innerhalb der Kirche zu verhindern.
- Regie
- Drehbuch
- Hauptbesetzung
- Auszeichnungen
- 1 Gewinn & 5 Nominierungen insgesamt
- Cardinal Baggia
- (as Marco Fiorini)
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Let me say at first that I'm not a big Dan Brown fan, but I read Angels & Demons with great pleasure. The book deals a lot with the eternal question of Science vs. Religion and that made me think a lot about that subject again. That big battle is totally lost in the movie.
A lot of the important lines in the book (CERN, Maximilian Kohler, the scepsis of the Swiss Guard, the love relationship between Robert and Vittoria, the Hassassin, the relationship between the Camerlengo and the pope) are lost in the movie screenplay. This makes the movie a very cut-down and over-simplified version.
Would the movie be any good if I hadn't read the book? I still doubt it. From scene 3 on, the movie is a 'chase-movie' without interruption. There is no time for contemplation or depth. No story-line, no backgrounds. It's just a chase movie in a GREAT decorum.
You would think that with a running time of about 140 minutes a movie is able to bring more. Much more.
So I guess with the bulk of the budget going toward the sets, the ensemble cast had to be correspondingly scaled down. Ayelet Zurer tried to step into the female void left by Audrey Tautou, but given Tautou's character then having a lot more stake in the film, Zurer's scientist Vittoria had a lot less to do other than just waiting in the wings to change some batteries on a canister filled with anti-matter. In the book she's the fodder of course for Langdon to converse his vast knowledge of the Vatican, the Illuminati and the great feud between the two, but here she's neither love interest, nor his intellectual equal.
Ewan McGregor on the other hand, chews up each scene he's in as Camerlengo Patrick McKenna, who is temporarily taking care of the Papal office while the other prominent cardinals are in the Sistine Chapel to elect a new Pope. And he plays Patrick with that glint in the eye, with nuances enough to let you know there's more than meets the eye. There's no surprises here for readers of the novel, but McGregor's performance here is one of the highlights of the film as Hanks plays well, Tom Hanks.
The book itself is rich with arguably accurate content as always, and had a lot more plot points on science versus religion, and a wealth of information that Dan Brown researched and linked together in an engaging fictional piece of work. While reading the book some years ago, I thought that should a film be made of it, it's easy to lapse and dwell more on the set action pieces. Sadly, that's what this Ron Howard film did, with a pace that doesn't allow a temporary breather. Unlike the first film where you had the characters sit down for some "discussion time" over a cup of tea, this one moved things along so quickly, it's like reading the book all over again, page after page being skipped just to get to the thick of the action.
Catholic reviewers have called Angels & Demons harmless, because I guess it didn't dwell on its many controversies, unlike The Da Vinci Code which struck a raw nerve at the centre of the faith. And if anything, this film served as a great tourism promotional video with a nice showcase of the many prominent touristy landmarks that would entice many around the world to go pay a visit. Naturally certain areas like the catacombs beneath St Peter's Basilica, and the Vatican archives remain out of bounds, but the walk along the Path of Illumination, now that's almost free.
Nothing new for those who have read the book other than to see it come alive, but for those who haven't, this film may just compel you to pick up Dan Brown's novel just to read a bit more about the significance about the landmarks, and characters such as Galileo, Michelangelo and Bernini who are intricately linked to the plot, but much left unsaid. Satisfying pop-corn entertainment leaving you with nothing spectacular.
There are some things in the book that would appear very implausible in the movie form. I am not giving any spoilers, except to say the ending of the movie is handled in a slightly different way. How Leonardo Vetra was found is also different. Those who see the movie might be interested in reading the book to get the full details of the story. Some minor details are are also cut from the movie.
Although they did film in Rome, they had to recreate interior shots. Since I went on a walking tour of Rome the day before the movie I can say that the interior sites are authentic in look and feel. Kohler is not in the movie and not much is shown about CERN. Hanks does a good job and there are some interesting scenes involving the Vatican archives. Of course they had no access to that area and I am not sure if anyone actually knows what the Vatican archives look like. Eyelet Zurer has her break in this movie as Victoria Vetra and does a good job as eye candy for Hanks.
This movie should be received better by the critics and public, but you never know. Ron Howard mentioned several times in interviews and as we saw him and the cast before the movie, that this is just a movie.
The story: Tom Hanks plays symbologist Robert Langdon. He has to solve a murder and at the same time, prevent a terrorist act against the Vatican. This time, he has Vittoria Vetra (Ayelet Zurer) to help him solve the mystery. The mystery plot and intense peril scenes kept me on the seat. Hans Zimmer's beautiful score makes the movie more epic. The adventure is an intense ride but not as intense as I thought. The sets are amazing too.
Overall: Fans of the book will flock the cinemas to catch this. Fans of the previous movie, Da Vinci Code, should also catch this. Those who like thrillers, this one may suit. This is supposed to be a fictional thriller which is not to be taken seriously.
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- WissenswertesCrew members visited Vatican City as tourists and extensively photographed the city to capture as much detail as possible, knowing they were unlikely to be allowed to film there, so that they could recreate the sets as faithfully as possible.
- PatzerThe blast from the antimatter bomb is described as about 5 kilotons. This is 1/3 of the Hiroshima blast. The thermal and radiation blast, even from several thousand feet, would have destroyed the Vatican and killed everyone below.
- Zitate
Camerlengo Patrick McKenna: Christianity's most sacred codices are in that archive. Given your recent... entanglement with the Church, there is a question I'd like to ask you first here in-in the office of His Holiness.
[Walks towards Robert Langdon]
Camerlengo Patrick McKenna: Do you believe in God, sir?
Robert Langdon: [pause] Father, I simply believe that religion...
Camerlengo Patrick McKenna: I did not ask if you believe what man says about God. I asked if you believe in God.
Robert Langdon: [pause] I'm an academic. My mind tells me I will never... understand God.
Camerlengo Patrick McKenna: And your heart?
Robert Langdon: [pause] Tells me I'm not meant to. Faith is a gift... that I have yet to receive.
Camerlengo Patrick McKenna: [pauses to consider his words] Be delicate with our treasures.
- Crazy CreditsAt the very beginning, when the Columbia girl is standing holding aloft the torch, it flickers like the anti-matter.
- Alternative VersionenThe UK release was cut, this film was originally shown to the BBFC in an unfinished version. The BBFC advised the distributor that the film was likely to receive a 15 classification but that the requested 12A classification could be obtained by making reductions in four scenes. In particular the BBFC suggested that sight of blood splattering onto a character's face, sight of a character screaming in pain as he burns, sight of a wound being injected and sight of a character self-immolating and burning should all be reduced. When the finished version of the film was submitted, all these reductions had been made satisfactorily and the film was classified 12A.
- VerbindungenEdited into Yoostar 2: In the Movies (2011)
- SoundtracksGregorian Chant: Requiem Aeternam-Introitus (VI)
from "Liturgia Defunctorum, Missae Pro Defunctis"
Traditional
Performed by Schola of the Hofburgkapelle, Vienna
Hubert Dopf S.J.
Courtesy of Decca Music Group Limited
Under license from Universal Music Enterprises
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Details
- Erscheinungsdatum
- Herkunftsländer
- Offizieller Standort
- Sprachen
- Auch bekannt als
- Ángeles y demonios
- Drehorte
- Produktionsfirmen
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Box Office
- Budget
- 150.000.000 $ (geschätzt)
- Bruttoertrag in den USA und Kanada
- 133.375.846 $
- Eröffnungswochenende in den USA und in Kanada
- 46.204.168 $
- 17. Mai 2009
- Weltweiter Bruttoertrag
- 485.930.816 $
- Laufzeit2 Stunden 18 Minuten
- Farbe
- Sound-Mix
- Seitenverhältnis
- 2.39 : 1