L'affaire Farewell

Farewell is a spy drama set in Moscow/Russia in the early 1980's. It stars Guillaume Canet and Emir Custarica, both noted directors in their own rights.It is based on real events with the basic story correct though the nature of the two leading characters and a few events are somewhat changed or omitted.

The plot centres around the leaking of Russian intelligence to the French government. Sergei (Canet) works for the Russian secret service but has been recruited by (or volunteered to) the French government to pass intelligence data from his office. Sergei is doing this for purely moral reasons arguing that it will one day bring the system down and give his son a better future. His contact is a French engineer working in Moscow, Pierre, coerced in to helping by the French government and operating as Sergei's dropping point. The story develops around the personal relationship between Sergei and Pierre and also that of their families. Sergei is confident and casual but ultimately a little careless. While Pierre becomes paranoid and with his young family in tow begins to feel the stress.

The data turns out to industrial espionage on everything from the Space Shuttle to the US defence strategy and even secret communication codes. When the American are shown the information by the French (in a neat piece of one-upmanship) it is only a matter of time before action has to be taken and lives are in danger.

The pace is slow and constant and never flat. Tantalisingly delicate, a very light brush from the director allows the actors to communicate in manner rarely seen in Hollywood films. Similar with the cinematography which is used sparingly and always to accentuate the story. Watch out for the early scene where they first meet which simply says 'spies'. Then the scenes of northern Russia in winter.

This is a very smart film with excellent understated performances from all the cast. Watch out for several more famous actors in cameo and small roles. Fred Ward playing Ronald Reagan looks positively weird though they get away with it.

If you arrived here before viewing be sure, it is well worth watching. Spy Game plus.

I had some previous knowledge of the Farewell-affair, so i came in knowing pretty much what to expect. On the whole they seemed to pull it off pretty well. The one thing that did grate me though were the scenes with Ronald Reagan in them. The acting and dialogue in those are way under par for the movie and seriously impacted my enjoyment of the rest of it.

But yeah. If you want the reverse Snowden then this is the movie for you. The pacing is all right. It is not horribly complicated, as far as spy thrillers go.

A tense dropoff here, an escape here, some exposition of character motivation, some family drama, a whiff of secrecy and an outcome which is never in doubt.

We just returned from seeing this film as part of the Annual French Film Festival at Boston's Museum of Fine Arts, 7/10/10. In the U.S., we have an expression sometimes used to express one's admiration for a certain talented actor/actress who is riveting to watch on screen.I will use this expression here w/ regards to the lead actor, " I could watch Emir Kusturica read the phone book". It is his performance more than any other single factor, that causes me to think very highly of this film.It is a rare thing to watch a film about a real life hero without seeing a film that is also maudlin, clichéd or too simplistic.

But in "Farewell" I felt that the story was compelling,and the screenplay was well written,economical, completely believable and well acted.There were no unnecessary scenes and the whole thing mostly made sense, as sad as that sense was.The cinematography was crummy, but you can't have everything.Besides,I was so mesmerized by K's performance that I didn't really care that much about the cinematography, because my eyes were always focused in on him.As I exited the theater I felt like I had just been hit by a truck, and I am still feeling this film.

It's 1981 in Moscow. Pierre Froment (Guillaume Canet) is low level French diplomat who meets Soviet colonel Sergei Gregoriev (Emir Kusturica). Sergei is dismissive of the young diplomat at first. He has a rebellious son at home. He wants to change the world, change the USSR, and sees himself as a patriot. He has an affair with a colleague. Mitterrand keeps the information closely guarded using the information as currency with American president Reagan. Sergei is given the code name 'Farewell'.

Based on a book, this has the sound of truth and that's what so compelling. It's not a Bond movie or even a gritty convoluted spy thriller. The meetings are so mundane and so easy. It's not a movie high in tension except for the ending. This is a spy movie with the feel of the real world. It's about a flawed human being but he's never inhuman. There are many changes to the real story. All I know is that it has a sense of the real world.

Serguei Kostine's book 'Bonjour Farewell' serves as the source of the historical moments of one of the most important fractures in the Cold War in 1981 - the act of valor of Sergei Gregoriev - and the script for this very important and controversial film was written by Eric Reynaud and Christian Carion who also directed this stunning film (he is best remembered for his brilliant 'Joyeux Noël' which incidentally starred many of the actors in this film). It is a disturbing movie to watch, a film that was condemned by the Russian government, disallowing filming in Moscow - except for some undercover camera work for an apparent Coca-Cola commercial, and refusing to allow Russian actors to take part in the project. It reveals the brutality of the Communist regime of the time, a period Russia would prefer to remain occult

The story is somewhat convoluted, a fact that makes it even more revealing of the nature of espionage work at the time. Sergei Gregoriev (Emir Kusturica) passes secret documents to French spy Pierre Froment (Guillaume Canet) living in Moscow with his wife (Alexandra Maria Lara), documents so important that Froment must take extraordinary risks to pass them to the US Government. In the US President Reagan (Fred Ward) must balance the importance of these documents with the balance of relationships with the French government under François Mitterrand (Philippe Magnan) it is a tense struggle for power and at the crux of it is Froment and the ultimately captured Gregoriev who is tortured to reveal his French espionage contact. The rush to finish at the end of the film is breathtaking and heartbreaking. There is a conversation between Froment and the US Feeney (Willem Dafoe) that places the soul of the Cold War years in perspective.

Every aspect of this film is involving - the acting is first rate from everyone involved, the pacing is in the fashion edge of the seat direction, and the sharing of the innermost secrets of espionage is information we all should study. A reenactment of the Reagan/Gorbachev era as well defined as any film has dared to show us. Not only is this excellent filmmaking, but it is also information about a man's (Sergei Gregoriev) sacrifice that deserve honor.

Grady Harp