Midnight Meat Train

Mahogany (Vinnie Jones) is big bad butcher, whose weapon of choice is a mallet and an ice hook. Day after day, night after night he takes the 2 am train to hell, where unsuspecting passengers are massacred and then hung up like dead meat.

Leon (Bradley Cooper) is an up and coming photograph, who is trying to make it critically, but so far his work has been unable to break it. His biggest fan and believer is his beautiful fiancée Maya (Leslie Bibb). One chance session in the subway changes the direction of his life. First he photographs a model being harassed by some thugs and after saving her from them takes a picture of her entering the 2 am train...

Clive Barker has really been prolific with all the horror he has caused come to life on the big screen. It is enough to mention that his stories was the backbone of such classics as Hellraiser or Candyman. That said he has also been raped as a horror writer with atrocities such as Rawhead Rex.

This movie doesn't hit the highs or the lows, but I must say it was pretty decent and definitely one of the best genre movies I have seen lately. No matter has essentially idiotic the plot I have to say it did cut loose of the copycat phase in horror cinema we are currently at. It had a certain freshness to it not only in the way it was told, but also in subject matter itself. I won't go as far as to say it was breakthrough original, but it was darn intriguing all the way through.

I normally rate a good horror movie based on gut feeling. The moment you can't wait to know what will happen at the end of the movie or in the next scene for that matter and at the same time you have to fight with yourself to continue watching - that lets you know this horror flick is actually pretty good.

Definitely full of flaws and the graphic gore isn't my kind of horror meal. Acting was great and tech credits all round were superb. Ryûhei Kitamura deserves accolades for this horror movie. Maybe not a classic, but given the far fetched material he had to work with it is a triumph.

A great movie i must say. Its been a long time there comes a movie that hits you in head. I mean literally. This is perhaps the most under-rated horror movies of the 2008. The reason might be the gruesome violence and the nature of it. Surely this is not for the faint of heart. The movie has a great storyline and the more you see you more you are involved within and you have to see the ending. I won;t comment much on the story. You have to see it to believe it. But i will say that it is not to be missed. and trust me you will think twice travelling in subway at midnight after watching this great piece of horror genre.

Definitely not what I'd call a good film. However there are quite a few good things about it. Unfortunately, some things in the film that should be pretty straightforward, defy basic logic. There is a lack of focus to authenticity here at times, or just plain lazy filmmaking in certain parts that take away from the production. Overall though, the film is very watchable, and many horror fans will likely find enough good things in it to at least be mildly satisfied when it's all said and done. There are some good ideas and visuals in this film at times. The story and vision here could've worked even better, that is if the screenplay and finished product was just a little more thoughtful overall. 6/10.

It was a shame that this was dumped to direct to video by Lions gate. I remember seeing a trailer for it at the theater when watching another movie. Although it didn't get the theatrical run it deserved, The Midnight Meat train is a fantastic adaptation of a short story by Clive Barker. Japanese director Ryuhei Kitamura did a nice job in his American debut. This is a very original story that was executed well on the big screen. The film was nicely shot, well acted with lots of gore and nice atmosphere. Bradley Cooper gives a really strong early performance as the lead and Vinny Jones was fantastic as the iconic butcher Mahogany. This is a pretty dark and disturbing horror flick that is very brutal, but still comes across as a classy production. Some of the CG effects are a little cringeworthy, but as a whole this film looks great and is massively underrated in my opinion.

There's something deeply disturbing about the 'show biz' politics and intrigues that managed to exile such a well made film to the 'dollar theaters'. On the other hand, horror purists of all calibre will probably get a kick out of seeing the visceral shocks and convoluted twists Riuhei Kitamura and Clibe Barker have prepared for our enjoyment in the environment of a seedy, rundown theater. If the disturbed denizens of 42nd Street have all but disappeared, scared away by the gloss and glitz of the cineplex and the popcorn munching crowd that inhabits it, perhaps the final bastion of grindhouse cinema can be found in watching a brutal, bloody shock horror film in an empty theater with row upon row of sticky floor and no one but a handful of genre enthusiasts there with you.

There's also something deeply disturbing about the mentality of the movie-watching public. That a, by the look of it, worse sequel (and I'll be surprised if it's any better than its predecessors) will gross more than MMT, simply because of a household franchise name, a shot of a tape player and someone musing off screen "I want to play a game...", seems to confirm UK grinders Napalm Death motto "the public gets what the public doesn't want".

That's not to say that MMT is an excellent horror flick. No, far from it. But it does exactly what it says on the tin and then some. If the pace slackens a bit after the balls-to-the-wall pummeling that is the first half hour, it is salvaged by Kitamura's (intentional or not) decision to channel the dark, neon-noir of David Fincher.

If the CGI blood is a sign of things to come in the field of mainstream American horror or a leftover from Kitamura's days in Japan, that's for him to know. What Kitamura brings in his cinematic baggage however is his distinct stylistic hallmarks - when the camera repeatedly spins around a train wagon in motion, one will be hard pressed not to recall a similar rotating camera trick from AZUMI. A long overhead crane shot seems to combine the off-kilter axis games of Argento with Tarantino's now-famous crane shot in KILL BILL.

If some people complain that the editing and style appear to be too music video-ish, I will respectfully disagree and point them in the direction of such atrocities as DOOMSDAY and HELL RIDE. Kitamura at least understands rhythm.

The 'novelty' of staging a slasher in a subway train is what gives MMT the first push. The other is the inspired casting choice of having Vinnie "Mean Machine" Jones in the role of the baddie. The third is the distinctly Clive Barker-ish twist that ends the film - not exactly my cup but that's because my sensibilities are totally different from Barker's.

MMT might never quite reach its full potential story-wise, but it's fast-paced and brutal, exactly what the title promises. 7.5/10