IMDb-BEWERTUNG
6,0/10
6773
IHRE BEWERTUNG
Füge eine Handlung in deiner Sprache hinzuThe near future. Like tomorrow. In a world marked by closed borders, corporate warriors, and a global computer network, three strangers risk their lives to connect, break through the barrier... Alles lesenThe near future. Like tomorrow. In a world marked by closed borders, corporate warriors, and a global computer network, three strangers risk their lives to connect, break through the barriers of technology, and unseal their fates.The near future. Like tomorrow. In a world marked by closed borders, corporate warriors, and a global computer network, three strangers risk their lives to connect, break through the barriers of technology, and unseal their fates.
- Auszeichnungen
- 6 Gewinne & 8 Nominierungen insgesamt
Sean Garnhart
- Rudy's Commander
- (Synchronisation)
Montserrat Revah
- Luz's Computer
- (Synchronisation)
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Sleep Dealer takes place in tijuana,Mexico, in a not so distant future.The world is heavily militarized, the boarders are closed and there's a global computer network to which people connect(trough nodes in their skin) that makes several kind of experiences possible like upload of memories and cyber labor.When Memo, a young man, accidentally gets his father killed; he decides to go to the city and look for a job. Soon he decides to get nodes implanted...Sleep Dealer is a very legitimate take on the future by the director Alex Rivera and at the same time it deals with some interesting issues like globalization,immigration and the coexistence of humans and technology.Obviously since this is a low-budget movie, the special effects are not impressive and a bit dated but that shouldn't keep you from enjoying this flick.The acting is average, what is truly great here is the premise,the inspiration behind all of it and the very smart concept of the movie. With a big budget and more resources this movie could had been truly amazing. Having said that, if you're a fan of sci-fi movies this is definitely a must-see.
7/10
7/10
Well, the above reviewer beat me to my warning: If you are some god forsaken film student, or "Hollywood" film buff, you will hate this film. The structure is open and allows for a great deal on viewer interpretation that most US film goers hate, and even fear. But I love, I love the director giving me images and direction, and then letting fill in some inferences and this not clearly delineated.
The film makes excellent cinematic use of cultural and social cyphers, and (I hate to say this almost for fear of "tainting" it; a slight magical realism to cast a wide net of meaning, not to tell some stupid plot arc formula. It is a brilliant, exciting, deeply satisfying movie (finally some one is talking abt these issues cinematically, and making a great movie), and I even found it fun. A well crafted daring film.
The film makes excellent cinematic use of cultural and social cyphers, and (I hate to say this almost for fear of "tainting" it; a slight magical realism to cast a wide net of meaning, not to tell some stupid plot arc formula. It is a brilliant, exciting, deeply satisfying movie (finally some one is talking abt these issues cinematically, and making a great movie), and I even found it fun. A well crafted daring film.
Science fiction as a genre exposes two things about a culture: our hopes for the future, and our fears for the future. What foreign science fiction does for us then is tap directly into the hopes and fears of a culture that is alien to us.
The story of Memo mixes the Mexican condition with a cautious approach to an exciting technology. While "nodes" allow people to directly connect their brains to an Internet of sorts, "sleep dealers" construct cheap, unsafe sweatshops where noders can perform dirt-cheap labor for developed nations, without leaving home.
There are plenty of eye-opening layers of apprehension for the future that are taken straight from the Mexican psyche: the construction of the authoritarian Del Rio Dam in Memo's village echoes the ongoing "water rights" controversies throughout Central America; the closed border with America echoes isolationist fears; the ability of an American corporation to send warships into Mexican villages not only with impugnity but complete openness echoes fears of American corporate-driven hegemony.
Flag-wrapped Americans will deride this movie as Anti-American at worst; cultural ignorance at best. But it is a different sort of cultural ignorance that remains ignorant of the sentiments illustrated in this well-done foreign film.
The story of Memo mixes the Mexican condition with a cautious approach to an exciting technology. While "nodes" allow people to directly connect their brains to an Internet of sorts, "sleep dealers" construct cheap, unsafe sweatshops where noders can perform dirt-cheap labor for developed nations, without leaving home.
There are plenty of eye-opening layers of apprehension for the future that are taken straight from the Mexican psyche: the construction of the authoritarian Del Rio Dam in Memo's village echoes the ongoing "water rights" controversies throughout Central America; the closed border with America echoes isolationist fears; the ability of an American corporation to send warships into Mexican villages not only with impugnity but complete openness echoes fears of American corporate-driven hegemony.
Flag-wrapped Americans will deride this movie as Anti-American at worst; cultural ignorance at best. But it is a different sort of cultural ignorance that remains ignorant of the sentiments illustrated in this well-done foreign film.
In the US we are inured to dealing with corporate service centers with call takers that speak barely understandable English. This form of remote cross border servicing is one of the characteristics of globalization of work made possible by the internet. What this film does is imagine the next logical step: the similar globalization of manual labor. By means of robotics and the WWW, the film depicts a world where robotic drones in the US do all kind of menial and dangerous work while the brains that control the drones sit or stand in a third world country. It's the ultimate dreamworld for the US of A: work without the annoyance of immigrants.
While the near-reality sci-fi concept is clever, the film itself screens as an Hollywood B-movie. The acting and plot development styles will be familiar to the popcorn-eating crowd that populates the local shopping mall multiplex. The special effects are not that impressive (not surprising considering a 2.5 million dollar budget). There is a dated Star Wars bit with planes shooting at each other while flying through a canyon. It's tiresome if you don't dig this kind of infantile action scenes.
On the positive side, the film is peppered with clever manipulation of language, satirical takes on American impressions of foreigners, jabs at the excesses of capitalism, and inspired blending of present and future. The "coyotes" of today have been replaced by "coyoteks" who will, for a fee, pierce your skin with the appropriate hardware plugs (called nodes) that will enable you to directly connect your body to the internet and to vie for a job at a cyber "maquiladora". If you get such a job, you will send some of your salary to poor relatives back home in the countryside. Money transfers have been simplified, but there are so many fees and surcharges (think of your cell phone bill) that one third of the principal is pilfered by corporations and the government.
You can read more about this subject of remote work at the faux website www.cybracero.com (read cyber plus "bracero"). Check it.
On the net, users have gone beyond sharing personal data. Now they upload memories (yes, sucked out of one's brain) to the TruNode central database and sell them to interested readers. While plugged in -- literally -- TruNode will even sense if you are lying. More interesting or juicy memories, more money. It's the hyper-commercialization and surrender of the human soul.
The ultimate target is the privatization of water. Alas a sad development currently in progress. In good Hollywood fashion, a successful attack is gathered against that idea. The dream of revolt is not dead. Cyber poor of the world, rise up!
While the near-reality sci-fi concept is clever, the film itself screens as an Hollywood B-movie. The acting and plot development styles will be familiar to the popcorn-eating crowd that populates the local shopping mall multiplex. The special effects are not that impressive (not surprising considering a 2.5 million dollar budget). There is a dated Star Wars bit with planes shooting at each other while flying through a canyon. It's tiresome if you don't dig this kind of infantile action scenes.
On the positive side, the film is peppered with clever manipulation of language, satirical takes on American impressions of foreigners, jabs at the excesses of capitalism, and inspired blending of present and future. The "coyotes" of today have been replaced by "coyoteks" who will, for a fee, pierce your skin with the appropriate hardware plugs (called nodes) that will enable you to directly connect your body to the internet and to vie for a job at a cyber "maquiladora". If you get such a job, you will send some of your salary to poor relatives back home in the countryside. Money transfers have been simplified, but there are so many fees and surcharges (think of your cell phone bill) that one third of the principal is pilfered by corporations and the government.
You can read more about this subject of remote work at the faux website www.cybracero.com (read cyber plus "bracero"). Check it.
On the net, users have gone beyond sharing personal data. Now they upload memories (yes, sucked out of one's brain) to the TruNode central database and sell them to interested readers. While plugged in -- literally -- TruNode will even sense if you are lying. More interesting or juicy memories, more money. It's the hyper-commercialization and surrender of the human soul.
The ultimate target is the privatization of water. Alas a sad development currently in progress. In good Hollywood fashion, a successful attack is gathered against that idea. The dream of revolt is not dead. Cyber poor of the world, rise up!
Rarely does science fiction cinema depict the future of the 'third world', if at all. Alex Rivera's film, primarily set in the state of Oaxaca and the city of Tijuana, Mexico, certainly proves originality in its premise and vision of the future. But while Sleep Dealer's inventive depiction of the future of human labor, immigration and transnational borders is extremely interesting and thought provoking, Rivera fails to achieve engaging storytelling. The plot feels flat and characters seem one dimensional. Both actors remain unconnected with each other and the story. Their actions, at times, seem unmotivated and contradictory. I understand how this film could have been so much more, unfortunately it wasn't. Aside from director Rivera's critique on social and political progress, the story fails to break through.
Frankly, I admire Rivera more for his social, political and progressive vision rather than for his cinematic skills. The film, in the end, feels rough around the edges and leaves a bit to be desired But still a good effort from a first time director, especially for such an ambitious project.
6 out of 10.
Frankly, I admire Rivera more for his social, political and progressive vision rather than for his cinematic skills. The film, in the end, feels rough around the edges and leaves a bit to be desired But still a good effort from a first time director, especially for such an ambitious project.
6 out of 10.
Wusstest du schon
- WissenswertesWilhelm Scream - When man falls off of horse in the first sequence where Memo is watching TV (after "Are Your Nodes Dirty?")
- PatzerWhen Memo, at work operating the robot, helps the worker next to him who collapses, he is not wearing the contact lenses that he needs to operate the robot. (He did not have time to take them out.)
- VerbindungenReferenced in Film Junk Podcast: Episode 238: Zombieland (2009)
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Details
- Erscheinungsdatum
- Herkunftsländer
- Offizieller Standort
- Sprachen
- Auch bekannt als
- Торговець сном
- Drehorte
- Metepec, Mexiko(location)
- Produktionsfirmen
- Weitere beteiligte Unternehmen bei IMDbPro anzeigen
Box Office
- Budget
- 2.500.000 $ (geschätzt)
- Bruttoertrag in den USA und Kanada
- 80.136 $
- Eröffnungswochenende in den USA und in Kanada
- 35.050 $
- 19. Apr. 2009
- Weltweiter Bruttoertrag
- 107.559 $
- Laufzeit1 Stunde 30 Minuten
- Farbe
- Sound-Mix
- Seitenverhältnis
- 1.85 : 1
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