IMDb-BEWERTUNG
3,2/10
25.447
IHRE BEWERTUNG
Füge eine Handlung in deiner Sprache hinzuDuring their first year of high school, four best girlfriends face off against the domineering student body President, who wants to split them up into different social cliques.During their first year of high school, four best girlfriends face off against the domineering student body President, who wants to split them up into different social cliques.During their first year of high school, four best girlfriends face off against the domineering student body President, who wants to split them up into different social cliques.
- Regie
- Drehbuch
- Hauptbesetzung
- Auszeichnungen
- 5 Nominierungen insgesamt
Chelsea Kane
- Meredith
- (as Chelsea Staub)
Stephen Ford
- Cameron
- (as Stephen Lunsford)
Empfohlene Bewertungen
I was just reading some comment before i decided to make my own, this guy honestly believes this film deserves a 10/10 rating. Yes that's right, according to this guy the film Bratz is a perfect masterpiece with impeccable acting, dialogue and story, backed up by Oscar worthy directing and screenplay. At least that's what a film with a 10/10 rating should be. Bratz is not. This is possibly the *worst* film i have ever seen. This film does not even deserve a 1/10 it is that bad. Im not trying to spite this film, i am honestly speaking my feelings for this film here, i have never felt more insulted, never have i cringed so much in a film and i actually felt embarrassed by some of the scenes i have had the misfortune of watching.
Stay away from this film at all costs. It will scar your brain forever.
Stay away from this film at all costs. It will scar your brain forever.
Ugh. The first words that came out of my mouth when I found out my friend's sister wanted to see this for her birthday. First off, I have never bothered to play with Bratz dolls once in my life, nor will I ever. This movie has got to have some of the worst dialog in a movie ever. (Note to script writers: If you really have to put "OMG" as an actual spoken line, then I think it's time to rethink your career) After this monstrosity finally ended, I looked to my friend and we looked to her sister, who then informed us that the movie was horrible. In the words of the Bratz Girls: "Like OMG! No way!" Seriously, if you want to ruin someone's birthday, then I recommend Bratz: The Movie.
I genuinely think it's a good movie, it's got a below average plot and the acting is from about E-list actors, but there's something really nice about it, it's really quite nostalgic for me and the fact I could relate with this when I was younger, idk but generally it's really appealing and although it's got shitty reviews, it's on Netflix and Lovefilm, won't cost you any extra but I do recommend it. The film in itself is about 4 girls who are completely different however, they still have a close bond, but as they go through school they get split apart by the things they like and within two years, they've almost forgotten each other. They vow to change however it's difficult and that's all I'm really gonna say, it's pretty corny but it's not bad once every so often, eh?
If you missed the ridiculously shallow ego-trip of Hilary Duff "Material Girls" last year, don't worry, here's another shallow teen movie for you that steals so much from Mean Girls that it hurts. The movie is based on the ugly dolls with the same name with perfect bodies and lots of money - only in the movie, the blond girl doesn't have any money at all. But don't worry, when she really needs it (for a dress), her friends have gift certificates.
Sure enough, no one would like to see a movie with a bunch of fat teens running around acting silly but did the movie have to star four slender girls with attitude problems? Because let's face it, these girls think that appearance is the most important thing in the world. They're seriously not much better than their enemy - Meredith. And by the way - how did the word 'brat' become a positive word? For me it's still a very negative word meaning that your parents have spoiled you.
Bratz doesn't want to give its core audience (small girls) a good message. It wants them to realize how important fashion and appearance is - and if you have an ugly outfit on - always make sure to keep a fashion emergency kit with you. Ugh.
Sure enough, no one would like to see a movie with a bunch of fat teens running around acting silly but did the movie have to star four slender girls with attitude problems? Because let's face it, these girls think that appearance is the most important thing in the world. They're seriously not much better than their enemy - Meredith. And by the way - how did the word 'brat' become a positive word? For me it's still a very negative word meaning that your parents have spoiled you.
Bratz doesn't want to give its core audience (small girls) a good message. It wants them to realize how important fashion and appearance is - and if you have an ugly outfit on - always make sure to keep a fashion emergency kit with you. Ugh.
Let me be clear here first of all: I'm in my twenties, and I saw Bratz, but not for any kind of simple lewd intentions at gawking at sexy teens in gobs of make-up and slutty clothes. My intentions were a little more pure, on a movie-geek level. Or rather, I went in with the expectation that it *would* be a bad movie, and even one that would go to such ridiculous lengths as to be awesomely bad, to the level of something like Ghost Rider, where taking it seriously would provide brain damage, and by not would give some form of entertainment (especially if you have friends to make jokes with during the movie, which for something like Bratz isn't inappropriate to 'ruin' for the rest of the audience). It's a staggering, warped view of high school life, the connections made in 'cliques' and social order, and about the bonding between girls who can't get enough of talking to each other through their web-cams. It also has enough montages to kill a few horses, Jon Voight with not only a prosthetic nose but a statue of his head with the same fake nose, a fluffy dog who gets beauty treatment along with her owner, a mariachi band that lives at the house of the Hispanic girl of the Bratz (and, for some reason, this doesn't seem too out of place, especially when they show up at talent shows), and...Jesus, did I mention the montages?
But for all of this, if one is in the right frame of mind, it's hilarious, even achingly and hysterically, funny material, whether it was intentional or not. Frankly, I'm sure that the filmmakers didn't quite know what they were doing outside of making a big long commercial with the intellectual value of Tropicana fruit punch. But on those levels it almost works at times at looking like an unintentional satire; what is one to make of the symbolism of the heightened security at the high school envisioned by the school emblem and trophies: a hand holding an ax, with little figures holding the axes all over the school in one form or another? It also makes for some ample absurd moments when just seeing the four Bratz having a fight amongst themselves about sticking together or going off into their other interests (naturally, they have only one aptitude a piece, one soccer, one cheer-leading, one science, and one journalism/singing), and as well the diabolical attempts to thwart all of their fun by the nasty, less than one-note daughter of the principle, who goes for a 2nd super sweet sixteen party even after she's turned 16.
Maybe if you're already quite a young girl, seeing this movie might not matter too much in the grand scheme of things as far as real psychological impact. But at the same time if one were to look objectively, Bratz's message is a little scrambled and quite off in any positive aspect. Does one stick with friends or act individualist or, um, like, go into another clique or another table? How about staying fashionable, in the glammed up style that the girls go to lengths to do- leading up to, of course, the Bratz mobile that they walk out of to the climactic talent show- even in the face of peril? It really doesn't serve any artistic integral purpose whatsoever either. So, in the end, it works best as a so-bad-it's-still-bad-but-uproarious treat for those who gorge on works that slip by in pop culture that are so sapped with the vigor of commercialism that to read through the mixed messages would take a pot of coffee and a fine-toothed comb. But along the way, it's got montages, and songs, LOTS of songs- which are, as one might imagine who doesn't listen to Radio Disney, the worst trash possible right now. Brattitude!!
But for all of this, if one is in the right frame of mind, it's hilarious, even achingly and hysterically, funny material, whether it was intentional or not. Frankly, I'm sure that the filmmakers didn't quite know what they were doing outside of making a big long commercial with the intellectual value of Tropicana fruit punch. But on those levels it almost works at times at looking like an unintentional satire; what is one to make of the symbolism of the heightened security at the high school envisioned by the school emblem and trophies: a hand holding an ax, with little figures holding the axes all over the school in one form or another? It also makes for some ample absurd moments when just seeing the four Bratz having a fight amongst themselves about sticking together or going off into their other interests (naturally, they have only one aptitude a piece, one soccer, one cheer-leading, one science, and one journalism/singing), and as well the diabolical attempts to thwart all of their fun by the nasty, less than one-note daughter of the principle, who goes for a 2nd super sweet sixteen party even after she's turned 16.
Maybe if you're already quite a young girl, seeing this movie might not matter too much in the grand scheme of things as far as real psychological impact. But at the same time if one were to look objectively, Bratz's message is a little scrambled and quite off in any positive aspect. Does one stick with friends or act individualist or, um, like, go into another clique or another table? How about staying fashionable, in the glammed up style that the girls go to lengths to do- leading up to, of course, the Bratz mobile that they walk out of to the climactic talent show- even in the face of peril? It really doesn't serve any artistic integral purpose whatsoever either. So, in the end, it works best as a so-bad-it's-still-bad-but-uproarious treat for those who gorge on works that slip by in pop culture that are so sapped with the vigor of commercialism that to read through the mixed messages would take a pot of coffee and a fine-toothed comb. But along the way, it's got montages, and songs, LOTS of songs- which are, as one might imagine who doesn't listen to Radio Disney, the worst trash possible right now. Brattitude!!
Wusstest du schon
- WissenswertesPaula Abdul was originally hired as the film's executive producer, fashion designer, and dance choreographer. During an episode of Hey Paula (2007), she received an email on her Blackberry firing her from this movie.
- PatzerDylan is deaf, so he couldn't have known what to dance to at Meredith's Sweet 16 when she previewed Yasmin dancing "La Cucaracha". However, Dylan can lip read. From the dance Yasmin was doing in the video, it's not hard to guess what song it was.
- Crazy CreditsAs the opening credits roll in, each actress who plays the Bratz has her name appear in frame alongside the respective character they play.
- SoundtracksSummer's Gone
Performed by The Slumber Party Girls
Written by Ron Fair (as R. Fair), Stefanie Ridel (as S. Ridel), M. Modesto,
A. Sheth
Produced by Ron Fair, Stefanie Ridel, Moises Modesto & Ashish Sheth
Co-Produced by Tal Herzberg
(Fabulonomous Music/ASCAP, Rombia Melodies/ASCAP)
Top-Auswahl
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- How long is Bratz?Powered by Alexa
Details
- Erscheinungsdatum
- Herkunftsland
- Offizieller Standort
- Sprachen
- Auch bekannt als
- Bratz: La película
- Drehorte
- Studio City, Kalifornien, USA(suburban scenes)
- Produktionsfirmen
- Weitere beteiligte Unternehmen bei IMDbPro anzeigen
Box Office
- Budget
- 20.000.000 $ (geschätzt)
- Bruttoertrag in den USA und Kanada
- 10.010.209 $
- Eröffnungswochenende in den USA und in Kanada
- 4.208.455 $
- 5. Aug. 2007
- Weltweiter Bruttoertrag
- 26.013.153 $
- Laufzeit
- 1 Std. 50 Min.(110 min)
- Farbe
- Sound-Mix
- Seitenverhältnis
- 2.39 : 1
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