Star Trek

For folks who dissed this movie, and the second, because it wasn't the Star Trek of yester year, get over it. Roddenbury rolling over in his grave? Oh, please. The events in the first movie somehow made all the other off-shoots impossible? Yikes! How does anything in this movie affect the series with Piccard, Janeway, etc.? Give it a break, eh?

Yeah, both movies had some corny lines and one or two ridiculous scenarios (Spock and Uhura making out?), but the first two movies in this reboot were great fun. The actors were brilliant even when their lines weren't, the action decent. Was either movie award-worthy? No, but not every movie has to be in order to enjoy it. I wasn't disappointed. Both kept me very well entertained. Sometimes it's good just to sit back, relax, enjoy, and not take everything so damn seriously.

Now, the third installment is altogether another matter. While it did have its moments, it was really terribly written. There is a limit to how much even good actors can do with pervasively bad lines, and how much slop a viewer can put up with. And if Hollywood doesn't stop with their "wokeness", I think I'll have to stick with foreign flicks.

I have to confess to being one of those people who never thought they should 'reboot' the original Star Trek franchise. William Shatner and co were so engrained in their respective roles that I didn't think anyone could fill their exact shoes (even if they were supposed to be their younger selves).

I was wrong.

Star Trek (XI) is undoubtedly the best of the franchise since The Wrath of Khan. If follows the early years of the most famous crew in sci-fi history. Yes, every actor nails his or her character (possibly with the minor exception of Simon Pegg as Scotty, but that's a minor gripe). Also, this isn't just 'Star Trek The Early Years' - the story cleverly weaves in the old mythology - I won't say too much on that in case you're not aware of how it all plays out.

I will say that (if you can forgive JJ Abrams slightly overused 'lens flare effects') it is the most exciting of all the Trek movies. There's plenty of action and decent special effects. It doesn't quite rival Star Wars - it seems to be able to maintain its 'alternativeness' to the other great sci-fi franchise. It doesn't just breathe new life into the franchise (Star Trek X was a little disappointing), it makes 'Trek' accessible to the masses. If you don't know your Tribbles from your Borg, it really doesn't matter - this starts everything again and you don't need to know the backstory - you only need to be in for a good, popcorn-munching, sci-fi ride.

May this franchise live long and prosper.

There was no way that this reboot was going to avoid all references to either the original series of Star Trek or the other spin-off series - anyone going in to see this film had to accept that as a given. But any cheesy bits (of which there were relatively few) are blown away by the sheer beauty and bravado of this film.

I was a fairly big Trekkie in my youth, but in the last 10 years only really kept up with it by watching a few new episodes here and there and seeing the big screen outings (OK, I admit that I have all 10 films on special edition DVD - £47 was a bargain!) - but Abrams' vision here has me thinking the new franchise will be even better than what has come before.

What made this film special for me was not the story (remarkably good, bearing in mind that, like the first film in any new franchise, it's backbone was character development). What made this film for me was the....photography? Can you even call CGI photography? Well, either way, this film was a visual feast. The way that scale was conveyed was breath-taking. I'm not sure whether I read this somewhere or if I can take credit for it myself, but the difference came in the way that Abrams shoved aside the traditional Star Trek view of Enterprise as a lumbering naval ship and took a more Star Wars-esquire dogfight approach. This has set a high standard for a new era of Star Trek that I hope will spawn at least a couple more films.

It's not that I wasn't impressed with the character development, the acting, the script or the story - it's just that this film looked so gorgeous that I haven't been able to think of anything else since I saw it last night! But sufficed to say, this was overall an excellent feature. It might not quite deserve a 100% rating, but it's worth more than 90% in my eyes - so, by rounding up, it gets 10/10 from me! Final warning: see this film in the cinema. Do not wait for it to come out on DVD. It. Will. Not. Do. It. Justice.

JJ, you've won a fan!

As someone with a longstanding fondness for most things Trek (I've seen most of the movies and quite a few of the shows), I have to say that JJ & Co did a fine job with this picture; the character dynamics were broadly satisfying, the action scenes entertaining and the set pieces well put together. Most of all I was impressed with the lightness of touch of the whole venture - it would be very easy to criticise the picture for making what could be considered significant changes to certain parts of Trek lore, but given that the changes were accomplished with such comfort and confidence makes them, in my view, perfectly acceptable.

With regards to the acting characterisation, everyone was pretty much solid, with perhaps the exception of Sulu, who I thought didn't have much to do. Kudos, though, to Zoe Saldana's loveliness as Uhura and also, especially, to Chris Pine as Kirk - I had always thought Spock was my favourite character, but it looks like I may have to reassess; Pine lives and breathes that Kirk moxie exquisitely and he'll be great fun to watch in future instalments.

With regards to plot, it's pretty good; there is a decent sense of internal logic to it, without it being too overwrought. True, there are a number of points where you might think, "Blimey, that's serendipitous," but as I'd already suspended my disbelief to accept the possibility of time travelling green-blooded alien from the planet Vulcan, these things really didn't bother me at all. Plus there were a number of points in the movie where they were saying, "We were pulling this kind of shtick 20+ years ago, and you loved it then; run with us on this one," and I was happy to.

Oh, and most importantly of all, the movie is fun; it has the good sense to not take itself too seriously, despite remaining well aware of that sense of pomp and importance that all great character dramas should have, and that isn't a bad thing at all.

How this movie will bear up to repeat viewings, I'm not certain yet, but at the premiere, it was a blast.

Addendum: It's a month plus since I originally wrote this and I have seen the film three times in total now - the opening ten minutes remain a manipulative marvel that the remainder of the film struggles to match, the coincidences and conveniences seem even more far fetched than ever and the jokes seem even more silly BUT I still fancy seeing it again, so I guess it must work for me.

I should start this by saying that I always leaned more toward Star Wars than Star Trek. I've memorized much of the Star Wars epic sci-fi fantasy and numerous characters, but the universe of Star Trek is one I have not really explored. The beauty of this film is that you can be a hard core Trek-fan or a simple lover of sci-fi or action and still find this an incredibly enjoyable movie. I myself was surprised when I first saw it, seeing all the relatable humor it was pouring out, but unlike the redundant idiocy of let's say Michael Bay, the jokes are welcome and don't go too far.

The cast is pretty well put together, and each character is pretty memorable and involved quite well. Eric Bana was excellent as Nero, not to mention Bruce Greenwood is awesome as well. Zachary Quinto is the beloved Spock and for one of those hyper-intelligent characters it's a character you will end up feeling emotionally drawn to. The story never drags at all and it's all together a pretty well written piece of sci-fi I must add. To be honest Chris pine is great in the movie, it's just that at times he too much of an archetype 'bad-ass', dare I say it? How many times have I seen a drunken protagonist in a bar starting a fight with a guy and/or trying to get a girl who views him as trash. Other than that, though, he does fine, and the rest of the cast is no less than good.

The cinematography was beautiful on its own, let alone the action scenes. Speaking of which, a new bar for space battles has been set. And the score by Michael Giacchino and Alexander Courage was not too shabby. In fact I thoroughly embraced it. I consider it a must see, being one of those rare sci-fi gems anyone can enjoy.