Der respektlose James T. Kirk versucht, dem Erbe seines Vaters gerecht zu werden, während Commander Spock ein Auge auf ihn hat, als ein rachsüchtiger zeitreisender Romulaner schwarze Löcher ... Alles lesenDer respektlose James T. Kirk versucht, dem Erbe seines Vaters gerecht zu werden, während Commander Spock ein Auge auf ihn hat, als ein rachsüchtiger zeitreisender Romulaner schwarze Löcher erzeugt, um die Föderation einen Planeten nach dem anderen zu zerstören.Der respektlose James T. Kirk versucht, dem Erbe seines Vaters gerecht zu werden, während Commander Spock ein Auge auf ihn hat, als ein rachsüchtiger zeitreisender Romulaner schwarze Löcher erzeugt, um die Föderation einen Planeten nach dem anderen zu zerstören.
- Regie
- Drehbuch
- Hauptbesetzung
- 1 Oscar gewonnen
- 27 Gewinne & 95 Nominierungen insgesamt
- Uhura
- (as Zoë Saldana)
- Officer Pitts
- (as Antonio Elias)
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Yeah, both movies had some corny lines and one or two ridiculous scenarios (Spock and Uhura making out?), but the first two movies in this reboot were great fun. The actors were brilliant even when their lines weren't, the action decent. Was either movie award-worthy? No, but not every movie has to be in order to enjoy it. I wasn't disappointed. Both kept me very well entertained. Sometimes it's good just to sit back, relax, enjoy, and not take everything so damn seriously.
Now, the third installment is altogether another matter. While it did have its moments, it was really terribly written. There is a limit to how much even good actors can do with pervasively bad lines, and how much slop a viewer can put up with. And if Hollywood doesn't stop with their "wokeness", I think I'll have to stick with foreign flicks.
I was a fairly big Trekkie in my youth, but in the last 10 years only really kept up with it by watching a few new episodes here and there and seeing the big screen outings (OK, I admit that I have all 10 films on special edition DVD - £47 was a bargain!) - but Abrams' vision here has me thinking the new franchise will be even better than what has come before.
What made this film special for me was not the story (remarkably good, bearing in mind that, like the first film in any new franchise, it's backbone was character development). What made this film for me was the....photography? Can you even call CGI photography? Well, either way, this film was a visual feast. The way that scale was conveyed was breath-taking. I'm not sure whether I read this somewhere or if I can take credit for it myself, but the difference came in the way that Abrams shoved aside the traditional Star Trek view of Enterprise as a lumbering naval ship and took a more Star Wars-esquire dogfight approach. This has set a high standard for a new era of Star Trek that I hope will spawn at least a couple more films.
It's not that I wasn't impressed with the character development, the acting, the script or the story - it's just that this film looked so gorgeous that I haven't been able to think of anything else since I saw it last night! But sufficed to say, this was overall an excellent feature. It might not quite deserve a 100% rating, but it's worth more than 90% in my eyes - so, by rounding up, it gets 10/10 from me! Final warning: see this film in the cinema. Do not wait for it to come out on DVD. It. Will. Not. Do. It. Justice.
JJ, you've won a fan!
I was wrong.
Star Trek (XI) is undoubtedly the best of the franchise since The Wrath of Khan. If follows the early years of the most famous crew in sci-fi history. Yes, every actor nails his or her character (possibly with the minor exception of Simon Pegg as Scotty, but that's a minor gripe). Also, this isn't just 'Star Trek The Early Years' - the story cleverly weaves in the old mythology - I won't say too much on that in case you're not aware of how it all plays out.
I will say that (if you can forgive JJ Abrams slightly overused 'lens flare effects') it is the most exciting of all the Trek movies. There's plenty of action and decent special effects. It doesn't quite rival Star Wars - it seems to be able to maintain its 'alternativeness' to the other great sci-fi franchise. It doesn't just breathe new life into the franchise (Star Trek X was a little disappointing), it makes 'Trek' accessible to the masses. If you don't know your Tribbles from your Borg, it really doesn't matter - this starts everything again and you don't need to know the backstory - you only need to be in for a good, popcorn-munching, sci-fi ride.
May this franchise live long and prosper.
Wusstest du schon
- WissenswertesIn the scene where Kirk is taking the Kobayashi Maru test, he is eating an apple, which is also what he is eating while recounting his tale of taking the Kobayashi Maru test in Star Trek II - Der Zorn des Khan (1982). (According to director J.J. Abrams in the Blu-ray audio commentary, this was not intended to be a reference to The Wrath of Khan. At one point, he was simply told that lead actors seem cocky eating apples.)
- PatzerAfter Spock boards the Vulcan ship on board the mining vessel, Kirk is seen walking through some pipes. His Starfleet phaser has switched to a Romulan gun (longer barrel and no lights), before switching back to the Starfleet one again in the next scene. He actually acquires the Romulan gun a few scenes later.
- Zitate
Spock Prime: James T. Kirk!
James T. Kirk: Excuse me?
Spock Prime: How did you find me?
James T. Kirk: Whoa... how do you know my name?
Spock Prime: I have been and always shall be your friend.
James T. Kirk: Wha...
[shakes head]
James T. Kirk: Uh... look... I-I don't know you.
Spock Prime: I am Spock.
James T. Kirk: Bullshit.
- Crazy CreditsThe first part of the closing credits is styled after the opening credits of Raumschiff Enterprise (1966), where the starship Enterprise blasts off into space as a monologue describes its mission, and then the cast names appear as the famous "Star Trek" theme music plays.
- VerbindungenEdited into De wereld draait door: Folge #4.157 (2009)
- SoundtracksTheme from 'Star Trek' TV Series
Written by Alexander Courage & Gene Roddenberry
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- Auch bekannt als
- Star Trek - Die Zukunft hat begonnen
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Box Office
- Budget
- 150.000.000 $ (geschätzt)
- Bruttoertrag in den USA und Kanada
- 257.730.019 $
- Eröffnungswochenende in den USA und in Kanada
- 75.204.289 $
- 10. Mai 2009
- Weltweiter Bruttoertrag
- 385.681.768 $
- Laufzeit
- 2 Std. 7 Min.(127 min)
- Farbe
- Sound-Mix
- Seitenverhältnis
- 2.39 : 1(original ratio)