Exiled

A fitting homage to himself – Johnnie To…

Johnnie To is a heck of an amazing director and without a single question of doubt, Exiled is very much a movie that is all about himself – Johnnie To. It doesn't really make a difference as to whether or not this movie is a sequel to The Mission, as it stands on its own feet more than adequate enough. Exiled is a perfect example of a Johnnie To movie and perhaps a movie that is paying homage to his vast library of work. The action is stylish, the actors are well drawn and indeed the direction is almost perfect. It certainly isn't To's most important movie, but Exiled shares a lot of his themes. With an outstanding cast, ranging from leading roles to cameo performances, To have created a movie dream for his fans. Those that never liked To's crime thriller, will not have their opinion turned around, but for people like Neo, it is a beautiful experience.

The movie goes like this: Wo (Nick Cheung), a gangster who went into exile for a few years after attempting to kill Boss Fay (Simon Yam), returns to Macau with his wife (Josie Ho) and their newborn baby, hoping to settle down. There he meets his four friends, two commissioned by Boss Fay to kill him and the other two coming to aid him. The five hit men open the film with a carefully designed gunfight that brings out both enormous tension and peculiar elegance.

It must be worth noting that full credit must be given to the actors of this flick. Anthony Wong showed exactly why he is one of the best actors in HK. The ease of his performance lies in his simple acting method and yet it is still so damn effective. There some highlighting scenes that involves the ever dependable Francis Ng, who is probably one of the few actors in the world that can overact and still is just as menacing to watch. A regular in almost all Johnnie To's flicks, Lam Suet is once again the laughing stock and his comic timing is all the more welcomed. Who can forget Simon Yam's expression, when he realizes that he got shot in the penis? A funny moment of cinema and when that can happen, you just know that Johnnie To is in top form tonight. Recent additions to To's cast of actors, include the ever improving Nick Cheung and the underrated Richie Ren. Cheung has definitely matured under the direction of this master of crime dramas. The movie moves along at a brisk pace and within every shot, you can almost sense, the art of Johnnie To.

Perhaps, I have been referring to the director more than about the movie itself, but don't get me wrong, this is very much a movie filled with To's usual trademarks and ultra simple yet effective soundtrack. What's so great about Exiled, is that you won't give a thing about whether the movie is believable or not, as the ride alone is so smooth and entertaining to endure. May be, you really have to love To's art of directing, before you can fully embrace the beauty of his work. Each gun shots remind the audience of an aspect of his past efforts and the shot of the red bull can seamlessly flying through the air in slow motion sets the tone of the gunplay. It is fascinating to realize that it is only in recent years that To's talent is finally recognized internationally.

All in all, Exiled isn't really a film that requires any sort of reviews, as it is very much a film for the fans of the filmmaker. In some movies, you can always identify the flaws, but somehow, for this particular movie, it is seemingly impossible to do so. Everything seemed so perfect and even the impossible seems so possible. To have created something special and perhaps it is feeling that might not occur again. It is a movie that allows the audience to relax and sit through in an enjoyable afternoon and lifting up their feet onto the table. It is that relaxing and at the same time, allowing the audience to constantly reflect. Johnnie To loves the toss of a coin and seems to suggest that fate exists in life. It is ironic out about some extremely random or minor characters always succeeds in the world of To – the chick ends up with a bucket load of gold, when everyone else is down on the floor. It is an aspect of filmmaking that will only work in a Johnnie To's film, showing that luck and being at the right place of the time, plays an important role in the determination of your life. Exiled is a heck of beautiful film and by the end of the film, as ironic as it seems to be – somehow a smile will appear at the edge of your face… (Neo 2006)

I rate it 9/10

• www.thehkneo.com

If you favor your gun play elegantly crafted and choreographed-EXILED is the film for you. This Asian action pix could have worked just as easily as a western for Sergio Leone had it been set in the American old West. And, Hong Kong cult director, John Woo has covered this same ground in many of his films. EXILED is set on the territory of Macao just before the Communist takeover in late 1999. Two groups of hit-men meet up again for a few bloodthirsty and challenging capers, yet we more than suspect that no one will get out alive. Johnny To, the director, has consciously placed the action in the forefront at the expense of the storyline. However, in these types of action/adventure yarns it is not the tale, but the execution which is of prime concern. The narrative is glacially paced, rather than suspenseful, yet the 'pink mist' of the stylishly orchestrated gunfights more than make up for it. In the case of EXILED, 'Style' trumps 'Substance', and it works!

Johnny To has returned with yet another HK gangland movie following his Election movies, and with the casting of the usual suspects in lead roles, it might, to some, become quite tiresome after a while. Not that the actors are bad in their roles, but perhaps with too much familiarity too soon, it may become difficult to tell one apart from the other, or at least character wise.

Nick Cheung plays Wo, a man exiled for his misdeed against Boss Fay (Simon Yam), and who has returned and settled down in Macau with is wife (Josie Ho) and infant child. Sent to finish Wo off is Anthony Wong's Blaze, and Fat (Suet Lam). However, standing in their way is Tai (Francis Ng) and Cat (Roy Cheung), who will not let their buddy go down without a fight. In truth, all of them were buddies once, and having some sent on a mission to finish off another, this broke down their relationship, becoming a decision of forsaking personal friendship for the call of duty.

And it is precisely the themes of brotherhood, loyalty and honour that make this film a worthwhile watch, despite its clichés in characters and familiar actors taking on the roles. You can probably think of no better other. Would you defy orders and give up your mission, thus transforming from hunter to prey, or would you seek a compromise in order to save your own skin? Triad life is always black and white - if you're not with somebody, then you're against him. Told in two distinct acts, it's almost like watching a Japanese "ronin" movie, given how the storyline developed, and the issues and dilemma faced by our merry men.

The film is quite 80-ish in presentation and storyline, and filled with plenty of beautifully choreographed poetic violence and gunplay, reminiscent of how John Woo would do his, but minus the doves and nursery rhymes and music. There are enough tension filled moments with its numerous Mexican standoffs, which to me are the highlights of the movie. The excellent stringed soundtrack playing in the background building tension during the calm moments, before erupting into a free-for-all, all-man-for-himself, who-shot-first pumping of lead into the air, keeping you guessing who will emerge unscathed. The pace is deliberately slow most times, in order to build up to the chaotic crescendos of blazing guns. And to some it might be a tad frustrating with many "poser" moments where the ensemble cast stand around, shades on, with a gun in one hand and a cigarette in the other, for good measure. They make good posters, but to the impatient, they'll scream to have things move on.

There are plenty of supporting characters like Cheung Siu-Fai as a middleman broker, Gordon Lam as an upcoming gangland boss, and Ritchie Ren's take as a sharpshooting cop. Again their familiar faces lend some weight to their roles, it doesn't add more depth as compared to the leads. Simon Yam is again the crazed and charismatic leader of the mob, with Francis Ng taking on a more subdued role together with Anthony Wong, who actually had the best role amongst the offering as the man faced with the colossal task of deciding where his loyalties lie.

Unlike Election with its political undertones, Exiled in my opinion steered quite clear and is what it is, a good old fashioned HK triad picture with heavy focus on friendship and brotherhood. Perhaps the only observatory comment made is the ineffectiveness of the police, more due to cowardice rather than corruption.

Exiled is what i call a stylish film, it doesn't strive to be realistic it simply wants to entertain the audience. So if you're expecting a constant barrage of action, you'll probably be a little disappointed, however the high drama and acting make this film very enjoyable.

The film has some well known faces like internal affairs Anthony Wong and Ip mans Simon Yam, both of these actors are great but i'd have to say Anthony Wong put on the most memorable performance in Exiled. Some of the action sequences are incredible, with dozens of extras in nearly every scene.

A précis of this film is, Very Dramatic and a nostalgic eastern action movie, I really enjoyed it and i think you will to.

I saw this film at the Toronto International Film Festival. Among lovers of Hong Kong cinema, Johnnie To is legendary. He had three films showing in this year's festival (Election (2005) and Election 2 (2006) screened together, as well as this film) and this was my first experience seeing one of his films. I'll be seeking out some others. Exiled is an incredibly well- constructed film. It's like a Swiss watch, with every scene precisely set up and choreographed and nothing wasted. To has created a self-contained world and set his characters loose in it. Set just around the time of Macau's reversion to the Chinese government, it concerns a group of hit men who come together when their boss orders a hit on one of them. Two pairs of men arrive at the target's new home. The first to warn him, the second to kill him. After a kinetic set piece involving three shooters, precisely 18 bullets, and the target's wife and infant son, the group ends up helping still-alive Wo move furniture into his new place, before settling down to eat.

The mixture of action, comedy, and sentiment is probably a staple of Hong Kong gangster films, but I found it fresh. The plot continues when the assassins agree to give Wo some time to carry out one last job to make some cash for his soon to be widowed wife and orphaned child. Things don't go as planned, however, and the film bumps along from set piece to set piece until an inevitable but satisfying end. Each choreographed set piece is set up in such a way as to heighten the anticipation, and you almost don't mind that none of these trained killers seems to be a very good shot. It's enough that they're all ludicrously macho, swilling scotch from the bottle and smoking as they fire bullets at each other.

Seeing this one on the big screen is a must, just for the sound. The musical score, by Canadian Guy Zerafa, veered between James Bond and spaghetti westerns, with a bit of mournful harmonica thrown in. It worked perfectly, as did the fact that the viewer can hear every single shell casing hit the ground throughout the film. Even the gunshots themselves seemed different from those in American films, with less blast and more metallic sounds. It certainly helped create atmosphere. While this and the choreographed gunplay never let you forget you're watching a created thing rather than any semblance of reality, that actually made me more appreciative of the creator. He's certainly created another Johnnie To fan.