Fall 39

The beginning intrigued me. What is the entity in question, and why is it tormenting Lilith, and her parents before her? Why do the parents blame Lilith when she is clearly a victim? This is the main thing Case 39 has going for it: you won't know at first what type of movie it will end up being. Later in the film, though, it has chosen its bag of clichés and sticks to them. Which bag? Ah, that would be telling.

This being said, the common devices director Alvart chooses for the film still work, and Ferland (Lilith) does a good job in a demanding role for a girl who was twelve or thirteen years old when the movie was completed, on 2007. It was finally released in October of 2010, the month of Ferland's sixteenth birthday.

Why you should see it You enjoy things, other than your annoying upstairs neighbor, that go "bump" in the night. You still find Zellweger to be as adorable as she was the first time she said "you had me at hello," and not nearly as annoying as that line became upon its 300th repetition. You like your paranormal phenomena to surround pale, creepy kids.

Why you shouldn't see it You're terribly afraid of hornets, heights, shotguns, ovens, carving knives, bodies of water, forks, and blunt objects, and you don't feel up to confronting all of these phobias within the space of two hours.

Social Worker Emily (Zellweger) takes in 10-yr old Lillith (Ferland) whose parents tried to kill her.

Things kind of get wrapped up within the first 15-minutes and what else is there to do you ask yourself. Well, things aren't quite what they seem and by now, you will have figured it all out. But, again, it's in the telling that makes this a good movie and you stay with it.

This is billed as a horror movie and you know I don't review horror movies (hey, I have to sleep at night). Okay, so I took a chance. See? The acting is first rate by all and the pace is very good. There is a certain amount of tension and suspense and you won't sleep here.

Now, although you have figured things out, you have not figured out how this ends or should end, or will end …..whatever. That occupies your mind quite a bit. And, along the way, you find yourself jumping at certain things. Not really horror though, but could have been.

Renee Zellweger really got into her character to such a point I was mimicking her moves at times. I felt as though I was there. You'll see.

Violence: Yes. Sex: No. Nudity: No. Language: Yes, but only one or two F-bombs

This film is about a social worker taking a young girl into her home, as the girl's parents tried to kill her.

Though Renee Zellweger is not particularly convincing as a social worker, she conveys her feeling of threat very well, making her stressed out character vivid. The plot is good, as at first it makes you feel so sympathetic and sorry for the girl, then it slowly prepares you for something entirely different. The story is so engaging and scary, that I wanted to see more of what's going to happen, yet I wanted to see less because it's scary. "Case 39" is successful in creating a suspenseful atmosphere, full of threat and uncertainty. I don't know why "Case 39" is having trouble getting distribution and and a release date, as I find it a very scary horror film.

It's a decent movie. I liked very much some cinematographic concepts cleverly used here to build solid tension, and mystery effect. We are used to very straight way of telling very straight stories, but sometimes it's good to move the camera off the basics a little (even if the story isn't very original), just to tell something more by the picture, than only what the picture depicts. Mr Bogdanski (DP) and Mr Alvart (DIR) have used some of those "tricks" carefully and wisely, gaining few disturbing shots which actually describe the feel of the whole movie. The story is simple, predictable, and has the "yep, I've seen this before" factor, but THOSE few (yes, only few) weird shots puts this movie slightly above the average. And there are Callum Keith Rennie, Kerry O'Malley and Ian McShane who work in the same business here with DP and Director - giving very intense and disturbing appearances in supporting, yet the movie tone establishing roles (especially Rennie not being too demonic). I'm glad that screenplay had provided them few very good sequences to play in.

But let's be frank - that's not enough to break the limits. We have to remember some major flaws: First - the movie is very predictable. Very. Second - Jodelle Ferland plays in a simple, cheap way, using far away easier acting methods, than her character needs. Third - a promise of originality made by DP and Director in the first part of the movie, is never kept because of the second half, where everything is put in WYSIWYG manner, known from shitty Hollywood.

Summing all up - You CAN watch it with a pizza and a beer, but hardly believable that you WILL manage without those. :)

Case 39 (2009)

The clever plot isn't quite clever enough to keep you going through the whole movie, but almost. And both Renee Zellwegger as the passionate and trapped social worker and Jodelle Ferland as the adorable but mysterious child are quite amazing. Both are actors at the best of their powers, Zellwegger limited only by the role and the writing, which is very good but not quite flexible enough to let her show as many of those perplexed and touching nuances she is so good at (seen equally in "Bridget Jones's Diary" and "Nurse Betty"). But it's possible Ferland has the role of her life here. She's not only playing a precocious child, but is clearly a precocious young actress, bright, expressive, surprising, and not merely cute. By the way she was fifteen when it was filmed, even though she looks and acts, in most ways, like she's ten.

You can't ignore the plot, of course, since this is a plot driven movie saved by two great actresses, not the other way around. And the story is a little bit of a formula with a twist. The twist is good, but it is singular. Eventually we are carried from a personal and social drama with some evil people to a supernatural drama. It's here where things get scariest, but also where things wobble slightly in terms of believability or logic, if logic has any place here. For example, once the antagonist is shown to have really limitless powers of some kind (possibly imaginary), why does this person not have the power to just kill someone out and out? There is dangled the idea that this bad force depends on fear to proceed, but this isn't developed clearly, or maybe you have to see it twice to get.

On the other hand, if you just go with the flow, it's really increasingly scary. There are some scenes, like the woman in the hospital room that turns into a kind of large oven, that are chilling and really well done. Certainly Zellwegger's character is able to find the outlines of logic as she tries to survive by outsmarting the situation, and we're on her side. Eventually it comes to a dramatic climax, and it's pretty exciting. A sleeper, for sure.