IMDb-BEWERTUNG
7,0/10
2338
IHRE BEWERTUNG
Füge eine Handlung in deiner Sprache hinzuTwo brilliant young women discover their own voices in a repressive orthodox culture where females are forbidden to sing, let alone speak out.Two brilliant young women discover their own voices in a repressive orthodox culture where females are forbidden to sing, let alone speak out.Two brilliant young women discover their own voices in a repressive orthodox culture where females are forbidden to sing, let alone speak out.
- Auszeichnungen
- 1 Gewinn & 10 Nominierungen insgesamt
Tikva Dayan
- Rabbinit
- (as Tiki Dayan)
Seffy Rivlin
- Rabbi Hess
- (as Sefi Rivlin)
Hayah Shalit
- Seminary Girl
- (as Ilayah Shalit)
Empfohlene Bewertungen
I saw this film tonight and was utterly blown away...It seems that the quality of Israeli films has drastically increased in recently years, but this film in particular hits all the right notes of comedy and tragedy that truly inspire.
The plot is multifaceted and contains multiple layers and questions. Indeed, it is far more ambitious in the tale it weaves than most.
A lesser film would settle for the storyline of the uptight girl taught a life lesson as she helps an elder, or the uptight girl falling in love and learning to live life not by the rules, or else maybe tentatively learn to question her religious upbringing, but this film manages to weave all of these elements together and truly make them sing.
The characters are without exception well fleshed out and wonderful. They all feel like real human beings rather than caricatures. In particular, the main love story is poignant and well fleshed out. The tragedy of forbidden desire is truly a tangible ingredient in the film's brew.
One of my favorite things about non-American cinema in general, but especially Israeli film, in fact, is the way they show love and the human body in a beautiful and sensual fashion without over dramatizing or being untrue. Last years Haboah ("The Bubble") did this exceptionally well, as does this film...
This was a truly powerful film that challenged notions of religious authority and hierarchy will simultaneously treating them with the utmost respect and a mysterious power. Absolutely worth seeking out and seeing.
The plot is multifaceted and contains multiple layers and questions. Indeed, it is far more ambitious in the tale it weaves than most.
A lesser film would settle for the storyline of the uptight girl taught a life lesson as she helps an elder, or the uptight girl falling in love and learning to live life not by the rules, or else maybe tentatively learn to question her religious upbringing, but this film manages to weave all of these elements together and truly make them sing.
The characters are without exception well fleshed out and wonderful. They all feel like real human beings rather than caricatures. In particular, the main love story is poignant and well fleshed out. The tragedy of forbidden desire is truly a tangible ingredient in the film's brew.
One of my favorite things about non-American cinema in general, but especially Israeli film, in fact, is the way they show love and the human body in a beautiful and sensual fashion without over dramatizing or being untrue. Last years Haboah ("The Bubble") did this exceptionally well, as does this film...
This was a truly powerful film that challenged notions of religious authority and hierarchy will simultaneously treating them with the utmost respect and a mysterious power. Absolutely worth seeking out and seeing.
I don't have too much to add to the previous comments but I wonder why there have been no comments since last October. This movie must be hiding for the right opportunity(ies) to be seen.
I previewed this movie as part of an upcoming Jewish Film Festival and it was far and away the best drama that I have seen, perhaps in several years.
I thought the Orthodox Jewish milieu was going to be a turn-off but that only added to a great story, directing, acting, setting, and scenery.
The actresses seemed to be familiar types from other, English-language, films but they probably were not. Just a very good experience.
I previewed this movie as part of an upcoming Jewish Film Festival and it was far and away the best drama that I have seen, perhaps in several years.
I thought the Orthodox Jewish milieu was going to be a turn-off but that only added to a great story, directing, acting, setting, and scenery.
The actresses seemed to be familiar types from other, English-language, films but they probably were not. Just a very good experience.
10janet-f
"Secrets" is a film about everything. Just when you think you know what the main theme of the film is, it shifts direction subtly. I think you have to know at least one person who is like a character in this film to find it believable, or you possibly might just be interested in unfamiliar cultures. Practically every event in this film could not possibly happen in the US, but the movie is not a fantasy.
What are the secrets that the viewer gradually comes to understand? They are things people don't tell other people. They are things that people don't know about themselves. They are a culture's basic assumptions that normally go unquestioned. They are ancient Jewish mystical practices that are not supposed to be talked about. They are insights into biblical writings that were never uncovered before. They are little twists of language, like how many M's are in a sentence. They are what happens to people when they face death.
And the secrets of what makes this an amazing film? They are the uniformly great performances, the cinematography that lovingly caresses the city of Sfat (or Zefat, as the Israel road signs say), the beautiful and moving music, and the the questions that haunt the viewer emotionally and intellectually afterward.
What are the secrets that the viewer gradually comes to understand? They are things people don't tell other people. They are things that people don't know about themselves. They are a culture's basic assumptions that normally go unquestioned. They are ancient Jewish mystical practices that are not supposed to be talked about. They are insights into biblical writings that were never uncovered before. They are little twists of language, like how many M's are in a sentence. They are what happens to people when they face death.
And the secrets of what makes this an amazing film? They are the uniformly great performances, the cinematography that lovingly caresses the city of Sfat (or Zefat, as the Israel road signs say), the beautiful and moving music, and the the questions that haunt the viewer emotionally and intellectually afterward.
Living in a secular society and not being religious myself this movie was like visiting another planet. It's a world where religion is taken seriously. And when I say religion I don't mean believing in God (or G-d, as in the sub-titles), but rather the understanding of what God said is studied seriously. Again, while I'm not religious, I admired the fact that the girls took it so gravely seriously. I admit I cannot make a judgment on the accuracy of the movie as a depiction of Orthodox Jews, but the world is filled with societies where women are treated as less then men so it wouldn't surprise me if it was true. As a movie, it was funny and dramatic and entertaining and never lost my interest for a moment. I saw this at the Toronto International Film Festival 2007, but I hope this gets some North American release.
It may be a honor to be nominated, but there can only be one winner. Unfortunately this great 2007 film had the misfortune to be competing with The Band's Visit, and outstanding film. Fortunately, it is eligible this year for a GLADD award for a feature film in limited release.
The performances by Fanny Ardant as Anouk, Ania Bukstein as Noemi, and Michal Shtamler as Michel (That's Michelle!) were outstanding.
It was a powerful and fascinating look at a very patriarchal society, and a glimpse that even Jews have differences of opinion on their religion (Are they Protestant?).
Funny, compelling, sure to anger you over the treatment of women, warm and tender: it is an excellent film.
The performances by Fanny Ardant as Anouk, Ania Bukstein as Noemi, and Michal Shtamler as Michel (That's Michelle!) were outstanding.
It was a powerful and fascinating look at a very patriarchal society, and a glimpse that even Jews have differences of opinion on their religion (Are they Protestant?).
Funny, compelling, sure to anger you over the treatment of women, warm and tender: it is an excellent film.
Wusstest du schon
- VerbindungenFeatured in Sharon Amrani: Remember His Name (2010)
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Box Office
- Bruttoertrag in den USA und Kanada
- 122.094 $
- Eröffnungswochenende in den USA und in Kanada
- 19.536 $
- 30. Nov. 2008
- Weltweiter Bruttoertrag
- 264.006 $
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