Henry Durand ist ein junger Bundesagent, der einen schwierigen Auftrag erhält: Er soll seine Mutter und ihren Freund ausspionieren, der verdächtigt wird, eine Bande von Kunstdieben anzuführe... Alles lesenHenry Durand ist ein junger Bundesagent, der einen schwierigen Auftrag erhält: Er soll seine Mutter und ihren Freund ausspionieren, der verdächtigt wird, eine Bande von Kunstdieben anzuführen.Henry Durand ist ein junger Bundesagent, der einen schwierigen Auftrag erhält: Er soll seine Mutter und ihren Freund ausspionieren, der verdächtigt wird, eine Bande von Kunstdieben anzuführen.
- Agent Fedler
- (as John Valdeterro)
- Agent Cisneros
- (as Tarri Markell)
- Albanian Chef Victor
- (as Rocky Savastano)
Empfohlene Bewertungen
few other positive/negative thoughts: the introductory scene gave me a bad first impression, i got afraid this would be some "b" rated feature. another dumb scene would be the one having 30 or so FBI agents briefed on a possible theft of a statue(30...heh...give me a break)but once passing the "fat" Meg Ryan and getting the "regular" sized one, things picked up for me))) she and Antonio Banderas are interesting and fun to watch , a whole different approach as compared with "the assassin". the plot is quiet lame, the heist makes no sense at all, but good enough to work for a "feel good" comedy in the end. there is even a "twist" that only makes matters worse as seen from a plot integrity aspect. the Albanian family is the funniest "gig" i think.
well my score would 6 and that mostly because Antonio Banderas is in great shape, even if comedies are not really his domain.Meg Ryan is good too but towards end her character has nothing original to offer, too stereotypical.
it's boring, not funny, flat and predictable . nothing in this movie is interesting nor original, it's not comedy, not romantic, not thriller and not action. i've never felt uninterested of completing watching a movie that Meg Ryan appears in before.
if you are Meg Ryan fans then i recommend to avoid this movie. if your not, then avoid this movie as well.
First, it isn't necessary for a movie like this to be smart or particularly realistic, but it should have some integrity so that we can actually believe in the characters. Here, in the prologue, we see Henry Durand (Colin Hanks), who clearly has a close relationship with his Mom, Marty (Meg Ryan), leaving home and Mom behind to start a job with the FBI. Flash forward three years, and Henry returns home -- apparently, without even once having visited or talked to his Mom in all that time. Now I'm sure the FBI requires a certain amount of secrecy, but it sure doesn't require its agents to cut off all communication with their nearest and dearest for three years. Right off the bat, the phoniness of the set-up sinks any chance at viewer empathy with any of the characters.
Second, the characters themselves are about the most unlikeable I can think of in any romantic comedy I've ever seen. I'd rather spend a weekend locked in a cell with Barbara Stone (Bette Midler's character in "Ruthless People") than 15 minutes with the insufferably egotistical, vapid Marty Durand. Ryan is just awful here, and I usually enjoy her performances. She badly overplays Marty's zany qualities with ticks and vocal histrionics that are way over-the-top, and she seems to have lost whatever limited gifts she had for physical comedy. Maybe the knife slipped and the surgeons cut something else out when they were redesigning her face. She looks like she's trying to look like Michelle Pfeiffer and failing miserably. It has to be the worst performance of her career, and probably the worst of the year. Hanks, perhaps trying to counterweight Ryan's annoying performance, is as lifeless as a paperweight. He glowers and scowls through the film. Neither Antonio Banderas nor Selma Blair have enough to do to make much of an impression, though Banderas manages at least to be somewhat charming through the muddle of the storyline. Actually, the only genuinely funny performance in the film is from Trevor Morgan, in a small part as a young stud Ryan dates.
The film piles bad jokes one on top of the other and beats to death what wasn't particularly funny the first time -- the Italian chef who pines for Marty, the FBI agents' jokes about how hot Marty supposedly is, etc. I guess it does this because it has nothing else to do. There's just nothing going on here, no romance, almost no comedy, certainly no suspense, and we lost logic in the first five minutes. The only thing that can recommend this movie is seeing the crack-up of a once gifted actress. There's a certain fascination in that, Ryan's performance is a slow-moving train wreck. I hope she gets it together and comes back in better form next time.
Wusstest du schon
- WissenswertesMeg Ryan plays the mother to Colin Hanks' character. Hanks is the son of Tom Hanks, who co-starred with Ryan in Joe gegen den Vulkan (1990), e-m@il für Dich (1998), and Schlaflos in Seattle (1993).
- PatzerWhen Henry first talks with Enrico on the front lawn, the police car's position changes from being alongside Enrico's car to being behind it.
- Zitate
Eddie: You were doing some sort of secret ops sort of stuff, right?
Henry Durand: Yeah.
Eddie: Would you tell me about it?
Henry Durand: If I did, it wouldn't be a secret.
- Crazy CreditsA montage of crew candids, behind-the-scenes footage, and outtakes accompanies the closing credits.
- VerbindungenReferences Die Reifeprüfung (1967)
- SoundtracksAt Last
Written by Mack Gordon (ASCAP) and Harry Warren (ASCAP)
Performed by Eva Cassidy
Published by EMI Feist Catalog, Inc. (ASCAP)
Courtesy of Blix Street Entertainment
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Details
- Erscheinungsdatum
- Herkunftsländer
- Sprache
- Auch bekannt als
- Eine Affäre Undercover
- Drehorte
- Produktionsfirmen
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Box Office
- Budget
- 17.000.000 $ (geschätzt)
- Weltweiter Bruttoertrag
- 7.963.718 $
- Laufzeit
- 1 Std. 59 Min.(119 min)
- Farbe
- Sound-Mix
- Seitenverhältnis
- 2.35 : 1