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IMDbPro

Küss den Frosch

Originaltitel: The Princess and the Frog
  • 2009
  • 0
  • 1 Std. 37 Min.
IMDb-BEWERTUNG
7,2/10
179.487
IHRE BEWERTUNG
BELIEBTHEIT
2.052
85
Küss den Frosch (2009)
A fairy tale set in Jazz Age-era New Orleans and centered on young Princess Tiana, a frog prince who desperately wants to be human again, and a fateful kiss that leads them both on an adventure through the bayous of Louisiana.
trailer wiedergeben2:32
20 Videos
99+ Fotos
Animal AdventureFairy TaleFeel-Good RomanceHand-Drawn AnimationRomantic ComedyAdventureAnimationComedyFamilyFantasy

Eine Kellnerin, die von einem eigenen Restaurant träumt, macht sich auf, um einen Froschkönig zurück in einen Menschen zu verwandeln. Nachdem sie ihn geküsst hat, muss sie sich dann aber dem... Alles lesenEine Kellnerin, die von einem eigenen Restaurant träumt, macht sich auf, um einen Froschkönig zurück in einen Menschen zu verwandeln. Nachdem sie ihn geküsst hat, muss sie sich dann aber dem gleichen Problem stellen.Eine Kellnerin, die von einem eigenen Restaurant träumt, macht sich auf, um einen Froschkönig zurück in einen Menschen zu verwandeln. Nachdem sie ihn geküsst hat, muss sie sich dann aber dem gleichen Problem stellen.

  • Regie
    • Ron Clements
    • John Musker
  • Drehbuch
    • Ron Clements
    • John Musker
    • Greg Erb
  • Hauptbesetzung
    • Anika Noni Rose
    • Keith David
    • Oprah Winfrey
  • Siehe Produktionsinformationen bei IMDbPro
  • IMDb-BEWERTUNG
    7,2/10
    179.487
    IHRE BEWERTUNG
    BELIEBTHEIT
    2.052
    85
    • Regie
      • Ron Clements
      • John Musker
    • Drehbuch
      • Ron Clements
      • John Musker
      • Greg Erb
    • Hauptbesetzung
      • Anika Noni Rose
      • Keith David
      • Oprah Winfrey
    • 317Benutzerrezensionen
    • 234Kritische Rezensionen
    • 73Metascore
  • Siehe Produktionsinformationen bei IMDbPro
    • Für 3 Oscars nominiert
      • 10 Gewinne & 42 Nominierungen insgesamt

    Videos20

    The Princess and the Frog: Trailer #1
    Trailer 2:32
    The Princess and the Frog: Trailer #1
    The Princess and the Frog: Teaser Trailer
    Trailer 2:31
    The Princess and the Frog: Teaser Trailer
    The Princess and the Frog: Teaser Trailer
    Trailer 2:31
    The Princess and the Frog: Teaser Trailer
    "Louis" from The Princess and the Frog
    Clip 1:17
    "Louis" from The Princess and the Frog
    "Mama Odie" from The Princess and the Frog
    Clip 1:22
    "Mama Odie" from The Princess and the Frog
    The Princess and the Frog: "Kiss the Frog"
    Clip 3:22
    The Princess and the Frog: "Kiss the Frog"
    The Princess And The Frog: Return To The Animated Musical
    Clip 3:23
    The Princess And The Frog: Return To The Animated Musical

    Fotos213

    Poster ansehen
    Poster ansehen
    Poster ansehen
    Poster ansehen
    + 209
    Poster ansehen

    Topbesetzung60

    Ändern
    Anika Noni Rose
    Anika Noni Rose
    • Tiana
    • (Synchronisation)
    Keith David
    Keith David
    • Dr. Facilier
    • (Synchronisation)
    Oprah Winfrey
    Oprah Winfrey
    • Eudora
    • (Synchronisation)
    Bruno Campos
    Bruno Campos
    • Prince Naveen
    • (Synchronisation)
    Michael-Leon Wooley
    Michael-Leon Wooley
    • Louis
    • (Synchronisation)
    Jennifer Cody
    Jennifer Cody
    • Charlotte La Bouff
    • (Synchronisation)
    Jim Cummings
    Jim Cummings
    • Ray
    • (Synchronisation)
    Peter Bartlett
    Peter Bartlett
    • Lawrence
    • (Synchronisation)
    Jenifer Lewis
    Jenifer Lewis
    • Mama Odie
    • (Synchronisation)
    Terrence Howard
    Terrence Howard
    • James
    • (Synchronisation)
    John Goodman
    John Goodman
    • 'Big Daddy' La Bouff
    • (Synchronisation)
    Elizabeth Dampier
    • Young Tiana
    • (Synchronisation)
    Breanna Brooks
    • Young Charlotte
    • (Synchronisation)
    Ritchie Montgomery
    Ritchie Montgomery
    • Reggie
    • (Synchronisation)
    Don Hall
    Don Hall
    • Darnell
    • (Synchronisation)
    Paul Briggs
    Paul Briggs
    • Two Fingers
    • (Synchronisation)
    Jerry Kernion
    Jerry Kernion
    • Mr. Henry Fenner
    • (Synchronisation)
    Corey Burton
    Corey Burton
    • Mr. Harvey Fenner
    • (Synchronisation)
    • Regie
      • Ron Clements
      • John Musker
    • Drehbuch
      • Ron Clements
      • John Musker
      • Greg Erb
    • Komplette Besetzung und alle Crew-Mitglieder
    • Produktion, Einspielergebnisse & mehr bei IMDbPro

    Benutzerrezensionen317

    7,2179.4K
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    Empfohlene Bewertungen

    8Sleepin_Dragon

    It relaunched my interest in Disney.

    A Waitress has ambitions of owning her own restaurant, but a chance meeting with a Prince details her plans.

    I will start by saying I'm something of a traditionalist when it comes to Disney, I love the classics, I found some of the later offerings very disappointing, it was suggested I may like this one, I'm glad I listened, I really enjoyed it.

    It's as if Disney took some of the greatest elements from its illustrious history, forged them together, and put a unique twist on them.

    The visuals are great I thought, it's a skilled animation, it's bright, it's detailed, it flowed so well. Great music also.

    The characters are a hoot, I love that Tiana is a smart cookie, she has the backstory, she's sassy, but she's smart, she's a somewhat different Disney Princess.

    It's heaps of fun, I really liked the humour, it's funny, I also loved the villain, Doctor Facilier was a menacing figure, I loved the way his shadow operated independently.

    8/10.
    9PirateWolfy

    2D Animation is Back! Blue Skies and Sunshine Guaranteed!

    The Princess and the Frog is one of the most highly anticipated films of the year. It marks Walt Disney Animation Studio's return to 2D animation, to recapture the era of amazing movies like The Little Mermaid, Aladdin and Beauty and the Beast – timeless tales that have reached audiences across the world. However, unlike these previous movies, The Princess and the Frog does something new. It's an updated take on the classic fairy tale, set in Jazzy New Orleans filled with witch doctors, Maldonian princes, southern lovesick daughters, Jazz playing alligators and even Cajun fireflies! In the midst of all this jazz is Disney's first black princess, Tiana, and her story.

    Tiana is a young girl who wants to follow her father's dream and open up her very own restaurant. She works hard, never taking a chance on Prince Charming to sweep her off her feet - she is a realist Disney 'princess' - and that makes her stand apart from the rest. And speaking of breaking from tradition, Prince Naveen is another fresh take on the classic Disney prince. He gets a fair amount of screen time and shows us that princes are more than just stuffy suits. The pair has great chemistry as frogs and their intertwining journey is full of laughs and heart tingling moments sprinkled with some good old Disney magic. Disney Animation Studios has pulled it off again; they have conjured up something fresh and new and have made it entertaining. Perhaps we can expect greater things for the future because this is a pretty good start.

    One of the strongest aspects of this musical is, of course, the music! Randy Newman has provided an array of songs, from bouncy piano songs to gospel to Broadway. There is no one single style of music and Newman serves up a diverse platter accompanied by stunning animation. There are several songs in the movie, perhaps more than needed, but all catchy while bringing a yet another flavor to New Orleans. The downside to these songs is that they are many, short and have the task of pushing story. Their presence feels like designated intervals, sometimes jarring up moments which could have been executed wonderfully without any song.

    Pacing and story are the main challenges The Princess and the Frog faces. Too much happens and it happens too fast. There is an engaging plot, obstacles are overcome through action and songs also push the story forward. This leaves us very little time for dwelling in scene. I personally think this is why the movie doesn't feel quite up to par with The Little Mermaid, Aladdin, Beauty or The Lion King – there are very few moments which rely on deeper truths or engage with characters' inner struggles and relationships. I wish the directors would have slowed down and let us have a bit more interaction rather than relying on action and songs to advance plot. Also, some crucial events relied on coincidence when they could've been worked into the plot more skillfully. Despite these minor drawbacks, the Princess and the Frog still delivers an entertaining story.

    Personally, I think the darker a Disney film is, the more interesting it will be. It lends a sense of reality and tells me that despite its catchy songs and humor, the movie takes itself seriously. Princess and the Frog definitely takes itself seriously. One of the main reasons I wanted to see this film was because of Dr. Facilier. He makes the film tastefully dark and shows us that even a Disney story can chill audiences. The voodoo world is intoxicating, full of intrigue and Facilier's theme song tells us he is a villain with style rivaling the likes of Jafar or Scar. However, unlike the previous villains, Facillier doesn't constantly trump the heroes after his first appearance. Villains kind of get a backseat in the movie - some people might not like this so beware!

    Despite its darker side, the movie is surprisingly funny and downright hilarious. Like the old classics, the movie is timeless in a way. It doesn't reference any modern pop culture. There are lots of things that made audiences laugh, some more than others. There is no one type of humor strung throughout the whole film. Without giving anything away, I would also like to say the humor gets pretty risqué at times but it's welcoming because it tells us Disney is not excluding anyone from the audience.

    There are some very spectacular moments of animation in this film. The characters are drawn in the 90's classic Disney style and don't have extremely stylized or exaggerated features that we've seen in later works like Emperor's New groove or Home on the Range. This blast from the past is a breath of fresh air. 2D animation is here to stay.
    9diac228

    Ladies and Gentlemen, the Disney Renaissance has returned.

    Michael Eisner will forever be known as the man that attempted to totally kill Disney animation. After the disastrous efforts of Home on the Range, what was once a staple of the Walt Disney Company was becoming a thing of the past. Traditional animation was dead in Disney, and this was definitely one of the major contributors towards the shift in upper-upper management and his departure. Now with Pixar and John Lasseter on board, Disney pulls absolutely no punches in their return to tradition. There's a new princess, she happens to be black, and they happen to twist a classic story so much that you have literally no clue in which direction the writers were going. The major question is: can Disney revive its Renaissance quality that it experienced in the 90s? Can they ever duplicate such magic again? The answer is a resounding yes.

    Princess and the Frog is the best traditionally animated flick (from ANY company) since The Emperor's New Groove. Princess Tiana is the most sophisticated and most mature Disney princess since Belle. The villain here is the best since Hades from Hercules. Prince Naveen is the best prince since Prince Eric (and even then, Naveen is one of the better princes out there). The music here is actually some of the best music from any Disney movie past and present. The animation here is the best since The Lion King. Basically, to sum things up, Princess and the Frog is an excellent effort from Disney and a superb return to Renaissance quality that the company sorely missed and needed.

    The movie focuses on a hard-working waitress (Anika Nosi Rose) that is saving money to open up her own restaurant, which was a dream her father had always been chasing. Her father also taught her that it's not enough to just wish for something, you have to also work to accomplish what you want in life. Tiana lives her life on this lesson, much to the disdain of others. After a few twists and turns (I don't want to spoil the plot too much), she becomes a frog thanks to Prince Naveen (Bruno Campos), whom is a prince that is very different from the norm in terms of personality and even royalty status. Along the way they will meet a wide assortment of characters, ranging from a charismatic magician (Keith David, in an amazing role), a friendly firefly (Jim Cummings), a music-loving alligator (Michael-Leon Wooley), and many others. The movie clocks in at less than 100 minutes, but moves at such a fast pace, you'll get a lot more material than your average hour-and-a-half movie.

    Let's just put this out there: Disney treated Tiana and her surroundings perfectly and without overdoing any boundaries whatsoever. New Orleans has an incredibly energetic look, and just enhances the themes and plot of the movie. Accompanying the Louisiana flavor is the incredible score of Randy Newman, which uses a wide variety of sounds and genres from the Deep South (and also is mixed in with a little Newman touch).

    Can we praise the animation one more time? Sure, why not. The movie looks absolutely beautiful, and doesn't rely on just a simple palette of colors. Thanks to technology and an obvious overload of effort, this is one of the most (if not the most) colorful and vibrant-looking Disney animated movies of all-time. Some of the added computer effects only enhance the sophistication of the animation (I rhymed). One final note, the visual humor in Princess and the Frog is very fast-paced, to the style of the severely underrated Emperor's New Groove. You need a watchful eye on certain scenes to catch all the jokes.

    If there was anyone that was going to save Disney's traditional animation, it would be Ron Clements and John Musker. These two were the most responsible for the Disney Renaissance, directing Little Mermaid, Aladdin, and Hercules. They once again provide a beautiful story, and direct the movie with plenty of flair and energy. The musical sequences fit the pacing of the flick, and while there wasn't an outstanding track like "Be Our Guest," "Friend Like Me," or "Under the Sea," the repertoire of musical numbers overall was quite impressive. A key part to a great animated movie is having a villain just as complex and/or engaging as the heroes; and the "Shadow Man" not only has the best musical number, but also has the most flair of any of the supporting characters. Now we can forgive them for directing Treasure Planet.

    The biggest reason for the successful quality in Princess and the Frog comes from the Pixar touch. Pixar obviously lent a hand here, as this movie contains some of the most sentimental and touching animated footage since the epic heartbreak moment in Lion King when Simba sees Mufasa motionless. While the movie never nails the emotional torture that Up succeeded (then again…few films ever will), Princess and the Frog will make you cry just as easily as it can make you laugh. Don't let that bring you down though, because this movie carries an upbeat tempo throughout the entire run.

    Bottom Line: If you enjoyed the Disney Renaissance (From Little Mermaid to Tarzan, before the downfall spiral started), then it is up to you to watch this movie. This movie has all the energy, quality, sentimentality, and superb animation of the 90s Disney flicks, and is inches away from Pixar status. Pixar has saved Disney altogether, and Princess and the Frog is hopefully going to save Disney traditional animation, granted it gets the praise and success it truly deserves. Unlike what we have been seeing in the past, Disney did not half-arse this time. Blending the old-school qualities with a new-school outlook on where the status of animation and storytelling is headed, Princess and the Frog is a fun, entertaining, and fulfilling ride from start to finish.
    8DonFishies

    Disney returns to its roots, with a vengeance

    When Toy Story was first unleashed on the scene back in 1995 to resounding success, it was the beginning of the end for traditionally hand drawn animated films. They were a dying breed, and as Pixar picked up steam (and inspired countless rivals), Disney began focusing more on the wave of the future and not of the past. But nostalgia is a funny thing, and can help lead to some of the best ideas. And that is where The Princess and the Frog fits in.

    Instead of using the now traditional method of computer animation, The Princess and the Frog is like a trip right back into the early 1990s. Tiana (Anika Noni Rose) is a hardworking woman living in Jazz-era New Orleans with dreams of owning her own restaurant. She is an inspiring individual, but she lacks the wealth needed to buy and restore any buildings. But a chance encounter with a frog, who claims he is actually visiting Prince Naveen (Bruno Campos), leads to a kiss that makes Tiana a whole lot more amphibian.

    Although it pales in comparison to the simply magnificent Up, The Princess and the Frog is like a dream come true for anyone who has ever enjoyed Disney films. All the adventure, music and wonder that made classics out of Aladdin, Beauty and the Beast, The Little Mermaid and The Lion King is back and in full form. The trailers predicted the return of a Disney dynasty long thought extinct, and thankfully they were right on the money.

    While I had some hesitation towards how gimmicky it sounded for the film to finally make a princess out of an African-American, it actually works in the film's favour. Right from the start, we know we have seen predictable animated and live action films that play out exactly the same as this film does. But throwing in this new invention of a different breed of spunky and independent princess, one so closely timed to the election of President Obama, makes the film more original than any of its contemporaries. While Tiana's attitude is a little bothersome at first, it blossoms into something beautifully inspiring for young girls primarily, but for just about anyone who has ever had a dream before. She is every bit as developed as Cinderella, Snow White, Ariel, Belle or any of the other countless "princesses" Disney has thrown into the mix since 1937.

    But while there is a lot of predictability in the script, (even with the clever additions of the likes of a trumpet-playing crocodile aptly named Louis (Michael-Leon Wooley) and a backwoods-speaking firefly named Ray (Jim Cummings)), the film's success rests solely on the visuals on display. Right from the start, we are thrust into this classical looking New Orleans, where even the darkest depths of the bayou seem all the more brightly lit when drawn by Disney animators. There is just such reverence and bravura shown throughout the film that one wonders why hand drawn animation was ditched in the first place. This film only proves how vibrant and imaginative the format can be, and how much easier it lends itself to varying styles. The "Almost There" musical sequence near the beginning of the film is done in a style totally unlike anything else in the film, and is so incredibly well done that you may not even notice. But something like this could never be manipulated or maintained anywhere near as wonderfully in a fully computer generated movie. This speaks volumes for how affective this film is, and that is only in one sequence.

    The voice cast is not filled to the brim with well known stars, but each actor voices their part with so much enthusiasm that you may think they all are. Rose, known likely best for her role in the amazingly well choreographed but fatally flawed Dreamgirls, is a clear standout as Tiana. She breathes life into this amazingly well rounded individual unlike anything I ever imagined. She made the audience smile, laugh and weep with her all at once, and never broke a beat when she did it. Much the same goes for Campos, who gives a fun and energetic voice to the off-the-wall prince. Wooley and Cummings are simply excellent in their roles, instantly bringing back memories of treasured Disney characters. Small roles by John Goodman, Terrence Howard and even Oprah Winfrey are all well done.

    But this wondrous return to hand drawn animation is not without its problems. The film spends a bit too much time in the middle focusing on Tiana and Naveen, and almost throws away any potential built up for the evil voodoo witch doctor, Dr. Facilier (Keith David). He is a commonly used archetype, but David is just so brilliantly sinister in the role that he practically begs to be shown more than he actually is. His development is stilted, and what easily could have amounted for more pathos and motivation is simply squandered away for more of a love story. It is understandable why it is done, but it is nonetheless disappointing and acts as a bit of a black hole in the story.

    Another issue of course, is the underlying stereotypical content in the film. It is not horrendously racist and offensive like I originally assumed, but the conventions are still at play here, and are not entirely glossed over in all instances. Mama Odie (Jenifer Lewis) comes off as being played a bit too close to racist conventions, as do many jive-talking individuals who give the twins in Transformers: Revenge of the Fallen a run for their money.

    But in the end, The Princess and the Frog is a triumph of animation and imagination. It is an enjoyable ride from start to finish, and just may be the start of something beautiful for Disney. Let's just hope that they see the potential in it too.

    8/10.
    8TheEverydayGeek

    One of Disney's Best Films in a Long Time

    Disney was at its best in the 90s. They came out with such great movies as Beauty and the Beast, The Lion King, and The Hunchback of Notre Dame. And then, they made bad movies like Home on the Range. Disney can make good movies, and they usually do. The Princess and the Frog is one of Disney's best movies. It has a great twist on a classic story, characters that made me care, and music that had me tapping my foot and wishing I was in New Orleans. The animation is so beautiful that I literally almost cried at the beginning of the film. Dr. Faciler is probably one of Disney's best villains. Keith David's voice is so creepy and fits perfect into the character. His song "Friends on the Other Side" is great and shows just how scary he can be. In most Disney movies, there are usually two or three songs that really stick with you. Every song in this movie was great. I still find myself humming "Down in New Orleans" everywhere I go. The bottom line is that Princess and the Frog is one of Disney's best and one of the best films of the year. The only question I can't answer is if it is better than Up. But if I have to answer, I'd say it's equal to it.

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    Handlung

    Ändern

    Wusstest du schon

    Ändern
    • Wissenswertes
      This is Walt Disney Animation Studios first musical film in which all of the voice actors do both the speaking and singing parts since Die Schöne und das Biest (1991).
    • Patzer
      Tiana is left-handed, but sometimes uses her right hand for writing and kitchen work. For much of European and American history, society considered using the left hand to be sinful or unnatural, so "lefties" often felt compelled to use the right hand in polite company.
    • Zitate

      Prince Naveen: Excuse me, but your accent, it is funny.

      Ray: I'm a Cajun, bro. Born and bred in the bayou! Y'all not from 'round here, are ya?

      Prince Naveen: Actually, we are from a place far, far away from this world.

      Ray: Go to bed! Y'all from Shreveport?

    • Alternative Versionen
      On ABC and Freeform broadcasts, the following line is omitted from When We're Human: When I'm human as I hope to be, I'm gonna blow this horn 'Til the cows come home And everyone's gonna bow down to me
    • Verbindungen
      Edited into The Rotten Tomatoes Show: Star Trek/Rudo y Cursi/Next Day Air (2009)
    • Soundtracks
      Never Knew I Needed
      Written and Performed by Ne-Yo

      Produced by Chuck Harmony

      Co-produced by Ne-Yo

      Recorded by Maejor (as Bei Maejor)

      Assisted by Chris Utley

      Mixed by Kevin 'KD' Davis

      Ne-Yo appears courtesy of The Island Def Jam Music Group

    Top-Auswahl

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    FAQ27

    • How long is The Princess and the Frog?Powered by Alexa
    • Is "The Princess and the Frog" based on a book?
    • Is a copy of the Grimm Brothers' "The Frog Prince" available to read online?
    • When and where does this film take place?

    Details

    Ändern
    • Erscheinungsdatum
      • 10. Dezember 2009 (Deutschland)
    • Herkunftsländer
      • Vereinigte Staaten
      • Brasilien
      • Kanada
    • Offizieller Standort
      • Official site
    • Sprachen
      • Englisch
      • Französisch
    • Auch bekannt als
      • La princesa y el sapo
    • Drehorte
      • Walt Disney Animation Studios - 500 S. Buena Vista Street, Burbank, Kalifornien, USA
    • Produktionsfirmen
      • Walt Disney Pictures
      • Walt Disney Animation Studios
    • Weitere beteiligte Unternehmen bei IMDbPro anzeigen

    Box Office

    Ändern
    • Budget
      • 105.000.000 $ (geschätzt)
    • Bruttoertrag in den USA und Kanada
      • 104.400.899 $
    • Eröffnungswochenende in den USA und in Kanada
      • 786.190 $
      • 29. Nov. 2009
    • Weltweiter Bruttoertrag
      • 267.056.816 $
    Weitere Informationen zur Box Office finden Sie auf IMDbPro.

    Technische Daten

    Ändern
    • Laufzeit
      1 Stunde 37 Minuten
    • Farbe
      • Color
    • Sound-Mix
      • Dolby Digital
      • SDDS
      • DTS
      • Dolby Atmos
    • Seitenverhältnis
      • 1.85 : 1

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