Life on Mars

I just read half a dozen reviews of "Life on Mars" from viewers who are obviously fans of the original. History has shown that remakes of anything rarely please those who are anxious to see it again. However, if you've never seen the original (which I haven't), I think you just may enjoy this particular remake. Never a fan of cops & robbers shows, I stumbled upon Life on Mars to fill my spare hour after Grey's Anatomy. Sam's return to 1973 was an enjoyable trip down memory lane for me! I was 10 years old in 1973, yet I knew every song and instantly connected with the clothes, the hair, and the times! I was outraged and entertained by Lt. Hunt (Keitel); he is politically incorrect (of the Archie Bunker variety), lacks any sort of conscience or scruples, and is a modern day cowboy who lacks the morals and ethics that have been so finely honed by society over the last 30 years. You can't help but love him and hate him all at the same time! Detective Tyler (our main man) is, by comparison, politically correct having arrived from the 21st century, and finds the 125th's whole approach to law enforcement to be downright barbaric! It's fascinating to watch someone from today try to relate to the ways of yesteryear!! The break-out fight scenes among the detectives, the love-hate relationships that are developing, and the subtle humor buried within all of it make for a fun hour of surprises and whimsy. All this from a cop show!! I love the music and poly suits and the references to past events. If they're a little challenged in getting the exact date right, who cares? The intent is to take you back to another place in time and it absolutely worked for me! Jason O'Mara's "Sam" is reminiscent of Mel Gibson's "Riggs" in Lethal Weapon - what's not to love??

Having never heard of this show prior to its debut on ABC, I absolutely loved the American version. After a few episodes, the characters really developed, and the actors seemed to gel more than in the start. A lot of humor involved Michael Imperioli and Keitel condescending women's rights and confused by 'Spaceman's' current attitudes that we take as common sense.

The British version is obviously amazing, but it's two separate countries, so the issues and slang used (along with the scenery), are very different. To be honest, I didn't understand a lot of the references in the British version. I wasn't even alive in the 70s. I am almost positive a lot went over my head in the American version as well. The basic premise, the hallucinations, and character names are really the few things both have in common. The idea of a re-make is to improve something that was done poorly yet remained popular (usually a cult classic) or alter a successful idea to reach new audiences, not produce a carbon copy. Ricky Gervais understood that concept when bringing us the Office. Even today, his characters evolve yet maintain his original, core personalities, yet that may be due to his current involvement as producer and writer.

From reading the other reviews, I believe it was impossible for fans of the original to view the American version as something attuned to our history. The anger seemed more directed at Americans for even attempting this version, not its content, the sharp, sarcastic dialog (after the growing pains), or the humor in the ideals held a mere thirty years ago. Be that as it may, the outcry was heard and new fans of the series were stripped of a potential classic before it had a chance to develop into its beautiful and savvy predecessor. Sometimes the translation is lost on its way overseas (like Coupling), but I do not think that was the case here. Every week I was eager for a new episode. Every week I laughed and got more involved with the growing complexities within each character. Due to this, the final episode will infuriate just about everyone. It was an idea meant to be led to slowly and with a lot of misdirection, yet the cancellation sped us to the "wow" moment too quickly. It became a moment of confusion, instead of revelation.

I would advise purchasing either version and cranking the volume. Otherwise, you're not going to hear the music over your own laughing and voiced epiphanies. Both soundtracks are stellar, and half the fun is guessing at the end of the series like with Lost, and I promise, you will fail as soon as you start trying.

Both versions have a place in my heart. Enjoy them!

Who can resist checking out a new series with a time-travel aspect? I couldn't - so I watched. The pilot was pretty good. The stories, however, looked as if they would get tiresome since he's perpetually in 1973. Fortunately, the show's developers leave a little hook at the end of each episode where he's flashing forward to the present time. What they they are going to do with it is unknown, but it keeps me interested and watching.

If you haven't seen the show, it's about a present-day police officer who is severely hit by a car while investing a crime. He wakes up as a police officer in 1973 and, in every episode, tries to figure out what happened and what he needs to do to get back.

After a slightly shaky start, the series is holding up. The constant references to what life was like in 1973 (esp. things we take for granted) keeps it interesting - but it's Jason O'Mara (who plays the lead character) who holds the show together. His style of skepticism, seriousness and conflict (1973 values vs. modern values) is really great to watch.

There are some similarities to Journeyman from NBC, but let's hope this one sticks around.

In some ways, it is.

When I first heard "Life On Mars" was being adapted for American television, I really didn't expect much. And when I first watched it, I was unimpressed. The British series is just SO original, and SO excellent. Who could replace the Gov? No one. Even now that my opinion of the show has changed, I still think he is irreplaceable. But that's okay! The American series has other things going for it, which I suspect largely stem from a bigger budget. The music is better, for one. Also, the attention to detail is immaculate. One of the joys of watching it is experiencing the atmosphere of 1973 New York. I also quite like Michael Imperioli as Ray— perhaps he's not as funny as Dean Andrews, but he's enjoyable to watch in a grittier kind of way. I also like Jason O'Mara as Sam Tyler. He brings a lightness to the role which was absent in John Simm's portrayal. Whereas Simm was often terribly serious and painfully moral (admittedly why we loved him—it is these traits which made his exchanges with Gene Hunt so entertaining), O'Mara's Sam Tyler immerses himself more in the time period. When he takes delight in 1973, so do we. One of the few elements damaged by the adaptation is DC Chris Skelton—played in the BBC series by the talent Marshall Lancaster. Jonathon Murphy fills the role in the ABC version and he is so extremely boring that I lament the adaptation of his character every time he appears in a scene. Finally, it's certain that Harvey Keitel has big shoes to fill but he's adequate. He's a professional and has a presence which embodies 1973 New York.

If you are a big fan of the British series, you will enjoy this show. And if you've only ever seen this adaptation, I encourage you to rent the original BBC series.

Keitel cannot save this awful remake of an excellent Brit series. How dumbed down are we going to go, folks? This is like taking a great novel and turning it into a Reader's Digest Condensed Book. Gone from this American version are: 1. THE MUSIC: the BBC version serves up actual smash hits from the era, many made right in the UK, while the US version largely serves up a cheesy soundtrack trying to mimic the authentic sound of the times. 2. ACTING. Period. 3. GOOD DIRECTING. Compare the time travel scene in episode 1 in both versions. The Brit version gets it right as the camera crescendos perfectly in time with the crescendo of Bowie's "Life on Mars." The U.S. version reduces that drama to a flattening camera angle change. 4. MANCHESTER, ENGLAND IN THE EARLY 70S - a much more unique canvas for the anachronisms to follow.

Oy! Watch the BBC version and skip this crap, unless you are only watching it for 1) Keitel or, 2) because you really like soap operas