Ong Bak 2

This followup to the hit Ong Bak has nothing to do with the original Ong Bak, and it seems like the producers were simply trying to cash in on the name, but boy- why did they have to? This movie stands upto itself on its own. Tight editing, lots of superb fight sequences, lots of innovative battle techniques, minimal storyline meaning minimal time wasted on anything but the raw action that we are there to see; all makes it a great movie impossible to miss. You get glued to your seat and wont even blink. Somebody wrote he was bored, which I tried hard to understand- but couldn't. Man, action movies don't get bigger or better than this. Its like Gladiator meets Apocalypto meets Rambo, only better. Raw gut wrenching intensity makes it a pleasure to watch. Don't miss this.

With a storyline reminiscent of Japanese video games and Samurai classics, it is nice to see this genre back on the big screens. The action sequences muscle out the storyline a bit, but they remain quite spectacular to watch. Tony Jaa clearly left a piece of his soul on the celluloid for the next generation to remember him by. The scenes are beautifully framed, full of color and contrast. All I felt that was missing was a control pad between my fingers and the freedom to take the character around the village to search for hidden treasure.

If the movie leaves you scratching your head a little at the end, you are not alone. However I suspect that it implies that a sequel is in the works and I am in favor for that. It is great seeing the epic martial art films back on the big screen, with a devoted cast ensuring the audience that they will get their money's worth. It is the best film in this genre that I have seen in a good long while.

Tony Jaa is back in his first directorial effort (co-directing to be more specific) and the man delivers everything you would expect from a solid martial arts flick, and then some more.

The spiritual sequel to Ong Bak is quite an ambitious film, showing a wide diversity of fighting styles, using ancient thai history as the background. Jaa has certainly done his homework, because the movie has a strong old school HK vibe, but with a crude and gritty look. The plot is pretty much your standard martial arts/shaw bros 101 premise: hero takes revenge of his fallen comrades/family and so on, he begins as a weak victim to transform into a kick-ass machine. Nothing that any respectable MA movie aficionado haven't seen before, but the movie does it right and believable enough to engage the viewer. Not a complex story, but the motivations of the characters are convincing enough to move things on.

The fight sequences are effective, never repetitive and quite intense. I mean, if you can't enjoy a movie that has everything from crocodile fights to ninjas, samurais, elephants, people fighting like crows and leopards, a guy that throws daggers and another guy that uses explosives then you might want to report back to mother ship, because the goods of this planet are just too much for you. The abrupt ending, while anti-climatic, doesn't kill the mood of the film.

Far better from what anyone could expect, no idea why this go trashed by some people. Is no classic but it's a perfectly decent time waster. Which is more from what it can be say about other movies stuffing multiplexes these days.

Set in 15th Century Thailand, the subtitled "Ong Bak: 2" brings little that is new to the martial-arts genre - but a barrel load of impressive fight scenes and an authentic look make it worthwhile viewing for the aficionado. It's the oldie about a young boy who is trained to become a righteous warrior, standing up for the innocent and the helpless against a cruelly oppressive regime.

As noted, there isn't much in the way of storytelling, dialogue and characterization to distinguish "Ong Bak: 2" from the countless other films in this category, but the battle scenes are impressively staged and mounted, with a brutality that, while it makes them hard to watch at times, seems an accurate reflection of the era in which it's set. Moreover, directors Panna Rittikrai and Tony Jaa (who plays the lead role) never feel the need to prettify the setting, offering up a screen full of snaggle-toothed, matted-locked extras to go along with all the muck and mud.

Tien, ace martial arts fighter and tamer of elephants, takes on a half-a-dozen opponents at a time, slicing-and-dicing and karate-chopping them into the dust, only to have them rise again to face a second, third, even fourth humiliating go-round at his punishing hands. It's 100% absurd and just about everything a die-hard martial arts fan could wish for from such a film.

If you watch this with the first one in mind, you may be surprised to say the least. Because apart from the title and Tony Jaa as leading man, there is nothing much this has in common with the other movie. Well maybe the elephant too, sort of. But this plays in a totally different era. And Tony's character is young for the first third of it.

As we don't see him for quite some time, there will be quite a lot of time where you will have to "wait" for the action too. Having said, when the action starts, it's quite mesmerizing. And the end ... battle is quite the things to behold. Then again there is also the crocodile scene, which is set near the start to give the viewer something. Though it may be the highlight of the movie for some too though. The ending may seem sudden and quite unsatisfying ... which makes sense - because Part 3.