Black Sheep

After reading an extremely negative review of this, which COMPLETELY missed the point, I thought I'd write a far more 'accurate' review. In my opinion, this is one of the best of this type of horror movie i've seen. It's right up there with Peter Jackson's early work and Evil Dead. All the negative things the other reviewer was saying, the poor dialogue, and acting, the unrealistic effects, were deliberate, after all, the effects were done by highly skilled and trained effects people at WETA Workshops - who of course did Lord of The Rings. It is a horror comedy packed with clichés and subtle allusions, and full of New Zealand humour, which i concede probably doesn't translate well internationally. NZ is primarily a farming nation, we're a huge exporter of lamb, Farming is a huge part of our culture, and this blends that with our history of offbeat, slightly dark, and idiosyncratic cinema. It is a clever, quintessentially kiwi, homage to such previously mentioned horror comedies (or comedic horrors). That's what i like about it, it is a lot cleverer than it looks. I thoroughly enjoyed every minute of the film. If you like Peter Jackson's early stuff, you'll like this. Just don't expect it to be s***-your-pants scary.

Black Sheep is the sort of film that will appeal to fans of Pete Jackson's and Sam Raimi's early horror comedies - especially Braindead and Bad Taste (Jackson) and the Evil Dead series (Raimi). Like these low budget 'schlockers' Jonathan King's film is well made and does not take itself seriously. Unlike these films, however, Black Sheep is not very self-consciously low budget. Since the film consistently parodies low-brow, low-budget horror films, the film-makers were able to very nicely exploit the gimmickry of these films without losing any artistry or credibility along the way.

Black Sheep is the story of two brothers from a New Zealand sheep farming family. Henry Oldfield (Meister) is terrified of sheep and has alienated himself from his family estate in order to seek therapy. Angus (Feeney) is a sociopath, sadist and rising provincial politician who loves sheep. Angus, of course, wants to make better sheep. And predictably, has genetic scientists set up in a barn on the estate who are performing grisly and disturbing experiments which somehow result in rabid, homicidal zombie sheep and were-sheep. A couple of macrobiotic eco-warriors are thrown into the mix (a brilliant touch) to round out the cast.

Of course, the plot is the weakest element in this film. But this is completely consistent with the film's mission as a genre and self-parody. The strongest elements are the excellent (though still hilarious) effects and art design by WEDA, directing and editing, the fine cast, fun characters and good script. King directs the film economically (a rarity in this genre) and the final cut wastes not a frame. The film is also very nicely shot - each scene - especially the sheep stampedes - is engaging and nicely paced. Every horror genre cliché is presented at one time or another, and most are exploited mercilessly.

Great film for fans of the genre. Not recommended for others.

This movie tickled my funny bone. Its got that great Kiwi humor, this the huge amounts of swearing, Maori jokes, and Kiwiana icons. Look out for the part with the Watties sauce, and the crazy Asian guy running across the screen.

The actors are pretty good, and Weta workshop must have been in their element with the splatter style film. You get a fright, then laugh because you realise its a psycho sheep. Sheep? C'mon. Some people may never be able to return to the farm again, but me? I have a whole new respect for the woolly guys. Put this move at the top of your must see list!

Oh, come ON people, stop ragging on it so bad! It's a horror comedy about KILLER SHEEP for crying out loud! How high-brow do you expect the humor to be?? How could you even think that it's trying to achieve the level of something like LOTR??! You say that they could substitute any animal in for the sheep & get the same cliché situations, but they didn't use just any animal, they used SHEEP, and there's something really hilarious about a 'menacing' medium shot of a sheep standing in a field looking at the camera. :) I just saw it at a midnight IFF screening & it was fun & cheesy, yet I dunno how campy you could call it, because the special fx were pretty amazing - kudos for weta for the animatronic puppets, morphing sequences & really good gross-out gore. Yes, it made the audience groan at some of the baa-a-a-ad jokes, but most of the time we were all laughing hysterically & clapping & cheering at the sheer ridiculousness of it all! I think the vast majority of the audience left the theatre with smiles on their faces & in a good mood! I highly recommend this film for anyone who wants a good laugh & enjoys sheep jokes. I mean, come on, it's not hard to appreciate the silliness of this. Go out & support this movie! I challenge you to sit through it & not laugh!

At first blush, it reads like an SNL skit that the writers decided not to use at the last minute. Murderous genetically-altered sheep on a rampage? Even Roger Corman never went there, and maybe it was for a reason...

And that reason was because writer/director Jonathan King needed to claim this baby for his own, and he has made the most of the opportunity. "Black Sheep" has that same kooky, OTT vibe of the mad scientist/monster flicks of the Fifties and Sixties with a more post-modern sensibility, much in the same affectionately twisted tone adapted by similar movies like "Tremors", "Feast", "Slither", the often-mentioned "Shaun of the Dead", and the film that this will be most compared to (and rightly so) - "Dead-Alive", the splat-tastic horror/comedy opus created by fellow Kiwi filmmaker gone "big time", Peter Jackson.

The plot is classic creepfest kitsch with a New Zealand transplant. Henry Oldfield (Nathan Meister) has been terrified of sheep for most of his life, the result of a horrific prank played on him in childhood by his crippled, bitter brother, Angus (Peter Feeney). Fifteen years later, Henry has gone back Down Under to tend to unfinished business - meaning facing his fears and selling off his half of the family sheep farm to his brother.

Meantime, Angus has concentrated on increasing the fortunes and finances of the family business by turning it over to a disgraced geneticist (Tandi Wright) for whom the farm has become one big test tube. Hippie activists Experience (Danielle Mason) and her sometime boyfriend, Grant (Oliver Driver) are out to expose Angus's subsidized experiments for the crimes against nature and ecology that they are. But as well-intended as their efforts are, everyone knows how true the old saying is about the best-laid plans...

Not surprisingly, the success of the entire film lies in the engaging cast, the goofy-yet-solid script, the beautiful cinematography, but most of all in the practical on-set and visual effects provided by Peter Jackson's own WETA Workshop and WETA Digital companies. And all quarters deliver fabulously, resulting in a great, loopy time at the movies that will have you giggling, gasping or gagging, sometimes all three simultaneously.

With the right frame of mind, I think that most horror fans or just casual viewers who like the occasional off-beat entertainment should find something to like here. Everyone else can just revisit the Merchant-Ivory section of the video store and steer clear.