IMDb-BEWERTUNG
4,4/10
32.238
IHRE BEWERTUNG
Als ein mysteriöses Mobiltelefonsignal ein apokalyptisches Chaos verursacht, ist ein Künstler entschlossen, seinen kleinen Sohn in New England wiederzufinden.Als ein mysteriöses Mobiltelefonsignal ein apokalyptisches Chaos verursacht, ist ein Künstler entschlossen, seinen kleinen Sohn in New England wiederzufinden.Als ein mysteriöses Mobiltelefonsignal ein apokalyptisches Chaos verursacht, ist ein Künstler entschlossen, seinen kleinen Sohn in New England wiederzufinden.
Jeffrey Lee Hallman
- Hog Tied Man
- (as Jeffrey Hallman)
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"Quite a problem these cell phones have caused." Clay Riddell (Cusack) has just landed and is talking to his wife about getting together with his kid again. When his phone dies he begins to look for change when all of a sudden he hears screaming and everyone in the airport falls to the ground. What happens next is unthinkable and now, in a type of post apocalyptic world Clay and a small group of survivors try to make it back to his family, before it's too late. I had no idea what to expect from this movie. I liked the fact that it was a Stephen King book, though I never read it, and the idea of technology leading to some sort of downfall is scary in its possibility. All of the excitement started to slowly fade away when the movie fell into what it really was
another zombie movie. The symbolism of cell phones turning people into zombies wasn't lost on me and the movie did have a message in that sense, but it essentially became just another generic zombie movie. Overall, not terrible and this is worth seeing, but I just feel it could have been so much more than another in the line of zombie movies. I give this a B-.
This variation of the zombie apocalypse borrows from films like 28 Weeks Later or Kaufman's Invasion of the Body Snatchers. That is to say, it relies more on psychological tension than on graphic violence (but still contains some graphic violence.) The first act is pretty good, intense, sharp, adopting a fast pace that dispenses us of the genre's clichés. That won't last as it will turn into standard fare. Finally, in the 3rd act, the writer completely drops the ball and doesn't even bother ending his story properly. He just takes the easiest way out and deserves some boos for it.
Bad storytelling is enough to make a movie bad and a rating low. Here however, I balance it with the impressive beginning and the excellent visuals. Also worth mentioning is Samuel L. Jackson who, for the first time in 20 years, portrays a human being instead of his perpetual annoying caricature.
Bad storytelling is enough to make a movie bad and a rating low. Here however, I balance it with the impressive beginning and the excellent visuals. Also worth mentioning is Samuel L. Jackson who, for the first time in 20 years, portrays a human being instead of his perpetual annoying caricature.
Considering I went into Cell with abysmally low expectations, it turned out to be not too bad. Not that this necessarily means that it's all good, but there are some good things I can say about this. I'm pretty sure, from what I've heard about the book (at best it's liked but not loved, sort of a middle-tier King work, not one of his triumphs but not a failure either, something fun he could knock off in a month or two as one of those 'hey this is happening in the real world, I'll use it for one of my spooktacular stories' things) that this actually makes for an accurate assessment. It's a standard-issue zombie-ish story of people being infected and going bugf*** insane, only this time King (who also gets a screen writing credit) adds a kind of bird-pulse-hive-mind thing that only gets explained enough to move the plot along.
Maybe in the book it was explained more or better; here, it seems like some weird and borderline lame (or just lame) device to keep us sort of on our toes, like, 'oh, hey, this time they're *not* vomiting blood on one another or eating brains, and any gunshot can kill them, not just the head, gotcha, thanks.' But more lame than that is the generic story thing of 'well, my son and ex are somewhere, and I'm gonna go find them' when, naturally, it's not going to be pretty or something he likes when he finds out (that he being Cusack, who is doing the best he can with fairly weak-tea material). Meanwhile, Samuel L Jackson does his best Ken Foree (intentional or not) from Dawn of the Dead, and is a reason to see the movie - even in the midst of some mediocre writing or plotting, or moments that can make one groan, he's there to work and it's not something to be embarrassed about on his resume.
As for the action, it's... fair. I guess I may be tired of seeing action shot with the shutter off (that's when the camera has this function that makes it go, oh, nevermind, you know it when you see it), and I think Tod Williams is a competent director of action but not one who can make things as thrilling as it should be. By the time you see one character go to a door slowly - not in this, I mean in any other movie you've ever seen in your lives - you've seen them all, and this has a lot of that. And while at one time I felt apprehensive about Eli Roth being the director, as he was attached for a period of time after the book first came out (his movies tend to be Dumb with a capital, sometimes double, D), now I'd be curious as to what he might have changed or made more visceral or f***ed up.
Cell goes through the motions, has some decent atmosphere, and a couple of those strange touches that I'm sure come from that primordial cavern that is King's sub(or regular)consciousness - such as the whole aspect of how these beings screech and them come together (which is a fascinating sight to me), or Stacy Keach having the whole football stadium of infected asleep listening to the... is that the yodeling from that Christopher Lee mashup from LOTR online(?) But there's not enough of it to make it stand out; while I haven't seen enough of it to make a full comparison, my gut tells me this is, to the lay-person, Walking Dead lite, with some good actors doing their best and only rising to meet the absolute minimum required.
... okay, maybe the ending is a little terrible, but my rating still stands.
Maybe in the book it was explained more or better; here, it seems like some weird and borderline lame (or just lame) device to keep us sort of on our toes, like, 'oh, hey, this time they're *not* vomiting blood on one another or eating brains, and any gunshot can kill them, not just the head, gotcha, thanks.' But more lame than that is the generic story thing of 'well, my son and ex are somewhere, and I'm gonna go find them' when, naturally, it's not going to be pretty or something he likes when he finds out (that he being Cusack, who is doing the best he can with fairly weak-tea material). Meanwhile, Samuel L Jackson does his best Ken Foree (intentional or not) from Dawn of the Dead, and is a reason to see the movie - even in the midst of some mediocre writing or plotting, or moments that can make one groan, he's there to work and it's not something to be embarrassed about on his resume.
As for the action, it's... fair. I guess I may be tired of seeing action shot with the shutter off (that's when the camera has this function that makes it go, oh, nevermind, you know it when you see it), and I think Tod Williams is a competent director of action but not one who can make things as thrilling as it should be. By the time you see one character go to a door slowly - not in this, I mean in any other movie you've ever seen in your lives - you've seen them all, and this has a lot of that. And while at one time I felt apprehensive about Eli Roth being the director, as he was attached for a period of time after the book first came out (his movies tend to be Dumb with a capital, sometimes double, D), now I'd be curious as to what he might have changed or made more visceral or f***ed up.
Cell goes through the motions, has some decent atmosphere, and a couple of those strange touches that I'm sure come from that primordial cavern that is King's sub(or regular)consciousness - such as the whole aspect of how these beings screech and them come together (which is a fascinating sight to me), or Stacy Keach having the whole football stadium of infected asleep listening to the... is that the yodeling from that Christopher Lee mashup from LOTR online(?) But there's not enough of it to make it stand out; while I haven't seen enough of it to make a full comparison, my gut tells me this is, to the lay-person, Walking Dead lite, with some good actors doing their best and only rising to meet the absolute minimum required.
... okay, maybe the ending is a little terrible, but my rating still stands.
First... I did not know anything about this awesome, and I can't say that enough, awesome book becoming a movie. I have had to read this book at least 10 times over the last few years and some of my most favorite life quotes came from this book. So when I saw this as a movie and John as the main role I knew it was going to be amazing. I mean if I could cast the main character myself it would be John.
BUT... Well, if the director had made a movie out of the book, it would have been amazing. If the movie had any of the most notable and required pieces of the plot it would have been amazing. If the director had even read anything to do with the book, even the dust jacket, it would have been amazing. But he didn't, he didn't, he didn't.
SO... The movie sucked. I don't like to use that type of "language" when reviewing anything, but there is no other choices here. Everything about the movie was wrong and I gave it a lot of room, a lot of space to make errors and not flow the same. Because ultimately you want to be surprised by the movie. You ultimately want the director to make it his own just a little bit, put his spin on something and have it shine even more. And I did, I watched the movie to the very end. Checked behind the credits and everything. And now I wish I would have gone on for the rest of my life without knowing this movie existed.
IF... Now one might think by my review that had you not read the book, you might have liked it but sadly that is not true. This is not only the worst adaptation of a book ever, but it is also just poorly put together, scripted, acted, and there is no redeemable quality anywhere.
Such as... The sound effects were horrible, the video tried to be dark and creepy, but it was just bland. There was very little action or scare factor other than some BOO moments from the "zombies type people." If you didn't see something coming from a mile away it is because it made no sense. The ending was a little baffling on how horrible it was. I mean I am actually trying to think of one thing. Just one that I can say and would take this movie from a 1 star to at least a 1.5 star. But I can't. I can't think of a single thing that I can look back on and say that was cool/nice/awesome/not terrible.
Lastly... So I will leave you with this. I am actually praying that I reach you before you watched this movie. I am hoping one of your not nice friends didn't play a prank on you and made you pay for this movie. It is my desire that this review has reached you before you have wasted one single heartbeat within the vicinity of this horrible, horrible film mistake. And I thank you for reading my review and I am sorry to those that I did not reach in time.
Joshua Kyte
BUT... Well, if the director had made a movie out of the book, it would have been amazing. If the movie had any of the most notable and required pieces of the plot it would have been amazing. If the director had even read anything to do with the book, even the dust jacket, it would have been amazing. But he didn't, he didn't, he didn't.
SO... The movie sucked. I don't like to use that type of "language" when reviewing anything, but there is no other choices here. Everything about the movie was wrong and I gave it a lot of room, a lot of space to make errors and not flow the same. Because ultimately you want to be surprised by the movie. You ultimately want the director to make it his own just a little bit, put his spin on something and have it shine even more. And I did, I watched the movie to the very end. Checked behind the credits and everything. And now I wish I would have gone on for the rest of my life without knowing this movie existed.
IF... Now one might think by my review that had you not read the book, you might have liked it but sadly that is not true. This is not only the worst adaptation of a book ever, but it is also just poorly put together, scripted, acted, and there is no redeemable quality anywhere.
Such as... The sound effects were horrible, the video tried to be dark and creepy, but it was just bland. There was very little action or scare factor other than some BOO moments from the "zombies type people." If you didn't see something coming from a mile away it is because it made no sense. The ending was a little baffling on how horrible it was. I mean I am actually trying to think of one thing. Just one that I can say and would take this movie from a 1 star to at least a 1.5 star. But I can't. I can't think of a single thing that I can look back on and say that was cool/nice/awesome/not terrible.
Lastly... So I will leave you with this. I am actually praying that I reach you before you watched this movie. I am hoping one of your not nice friends didn't play a prank on you and made you pay for this movie. It is my desire that this review has reached you before you have wasted one single heartbeat within the vicinity of this horrible, horrible film mistake. And I thank you for reading my review and I am sorry to those that I did not reach in time.
Joshua Kyte
When I first read Cell many years ago, I instantly thought it could be transferred to an amazing movie. (And funnily enough, even cast the same actors in my eyes for both Clay and Tom.)
However, the final product for the big screen was such a let down.. Though the scenes they took from the book were fairly accurate, they cut out at least 40% of the content. (Most of which is integral to the story telling and explaining what has actually happened.. The Raggedy Man / Red Hoodie Guy being one major oversight.)
I feel like if you hadn't read the book to begin with, you'll probably find yourself getting lost too easily.. There was a severe lack of pacing simply jumping from scene to scene and some changes which in my opinion were for the worst.
Overall I did still enjoy the movie, has a fairly unique concept and some very disturbing imagery, but had I have not read the book prior I don't think it'd be getting anywhere near 6/10 from me.
SUMMARY: GO READ THE BOOK INSTEAD, AN ABSOLUTELY AMAZING READ.
However, the final product for the big screen was such a let down.. Though the scenes they took from the book were fairly accurate, they cut out at least 40% of the content. (Most of which is integral to the story telling and explaining what has actually happened.. The Raggedy Man / Red Hoodie Guy being one major oversight.)
I feel like if you hadn't read the book to begin with, you'll probably find yourself getting lost too easily.. There was a severe lack of pacing simply jumping from scene to scene and some changes which in my opinion were for the worst.
Overall I did still enjoy the movie, has a fairly unique concept and some very disturbing imagery, but had I have not read the book prior I don't think it'd be getting anywhere near 6/10 from me.
SUMMARY: GO READ THE BOOK INSTEAD, AN ABSOLUTELY AMAZING READ.
Stephen King Movies Ranked by IMDb Rating
Stephen King Movies Ranked by IMDb Rating
See how IMDb users rank the feature films based on the work of Stephen King.
Wusstest du schon
- WissenswertesAmong many differences from the source material, in the book, the zombie-like infected continue to have their brains re-written every night and evolve further psychic abilities, including telekinesis, which allows them to fly. This is explained as the infection having unlocked the human brain's latent supernatural potential. This idea is only vaguely alluded to in the film when the survivors of the boys school explain that the human brain is like a computer and that this could be the next stage in human evolution.
- PatzerOn Tom McCourt's advice, Clay puts a cellphone in the fridge to cool the battery down to make the charge last longer yet he fails to do the obvious and turn it off. Also the theory of 'making a phone battery last longer by freezing it' is dubious at most, but the characters may not know any better.
- Zitate
Tom McCourt: Clay, I'm really sorry about your family.
Clay Riddell: Don't be sorry because there is nothing to be sorry about yet.
- Crazy CreditsAfter the closing credits have finished, the catalyst signal from the movie plays for approximately 5-10 seconds, with no image, as if attempting to convert the audience.
- VerbindungenFeatured in FoundFlix: Stephen King's CELL (2016) Ending Explained (2016)
- SoundtracksI am glad, I am very glad, because i'm finally returning back home
aka "Trololo song"
Music by Arkadiy Ostrovskiy
Performed by Eduard Khil
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- 1 Std. 38 Min.(98 min)
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