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Puls

Originaltitel: Cell
  • 2016
  • 16
  • 1 Std. 38 Min.
IMDb-BEWERTUNG
4,4/10
32.212
IHRE BEWERTUNG
John Cusack and Samuel L. Jackson in Puls (2016)
At the Boston airport, Clay witnesses a scene of chaotic mayhem when an electronic signal turns hundreds of cell phone users into rabid killers. Desperate to find his estranged wife and son, Clay teams with a train driver to battle the horde of murderous "phoners" as the city descends into apocalyptic madness.
trailer wiedergeben2:31
4 Videos
47 Fotos
Dystopische Science-FictionZombie-HorrorAbenteuerAktionEntsetzenScience-FictionThriller

Als ein mysteriöses Mobiltelefonsignal ein apokalyptisches Chaos verursacht, ist ein Künstler entschlossen, seinen kleinen Sohn in New England wiederzufinden.Als ein mysteriöses Mobiltelefonsignal ein apokalyptisches Chaos verursacht, ist ein Künstler entschlossen, seinen kleinen Sohn in New England wiederzufinden.Als ein mysteriöses Mobiltelefonsignal ein apokalyptisches Chaos verursacht, ist ein Künstler entschlossen, seinen kleinen Sohn in New England wiederzufinden.

  • Regie
    • Tod Williams
  • Drehbuch
    • Stephen King
    • Adam Alleca
  • Hauptbesetzung
    • John Cusack
    • Samuel L. Jackson
    • Isabelle Fuhrman
  • Siehe Produktionsinformationen bei IMDbPro
  • IMDb-BEWERTUNG
    4,4/10
    32.212
    IHRE BEWERTUNG
    • Regie
      • Tod Williams
    • Drehbuch
      • Stephen King
      • Adam Alleca
    • Hauptbesetzung
      • John Cusack
      • Samuel L. Jackson
      • Isabelle Fuhrman
    • 345Benutzerrezensionen
    • 142Kritische Rezensionen
    • 38Metascore
  • Siehe Produktionsinformationen bei IMDbPro
  • Videos4

    Official Trailer
    Trailer 2:31
    Official Trailer
    Cell: Airport Outbreak
    Clip 1:49
    Cell: Airport Outbreak
    Cell: Airport Outbreak
    Clip 1:49
    Cell: Airport Outbreak
    Cell: Meeting Alice
    Clip 1:53
    Cell: Meeting Alice
    Cell: Middle Of The Night
    Clip 0:35
    Cell: Middle Of The Night

    Fotos46

    Poster ansehen
    Poster ansehen
    Poster ansehen
    Poster ansehen
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    + 41
    Poster ansehen

    Topbesetzung99+

    Ändern
    John Cusack
    John Cusack
    • Clay Riddell
    Samuel L. Jackson
    Samuel L. Jackson
    • Tom McCourt
    Isabelle Fuhrman
    Isabelle Fuhrman
    • Alice Waxman
    Clark Sarullo
    Clark Sarullo
    • Sharon Riddell
    Ethan Andrew Casto
    Ethan Andrew Casto
    • Johnny Riddell
    Owen Teague
    Owen Teague
    • Jordan
    Stacy Keach
    Stacy Keach
    • Charles Ardai
    Joshua Mikel
    Joshua Mikel
    • Raggedy
    Anthony Reynolds
    Anthony Reynolds
    • Ray
    Erin Elizabeth Burns
    Erin Elizabeth Burns
    • Denise
    Jeffrey Lee Hallman
    Jeffrey Lee Hallman
    • Hog Tied Man
    • (as Jeffrey Hallman)
    Mark Ashworth
    Mark Ashworth
    • Bartender
    Wilbur Fitzgerald
    Wilbur Fitzgerald
    • Geoff
    Catherine Dyer
    Catherine Dyer
    • Sally
    E. Roger Mitchell
    E. Roger Mitchell
    • Roscoe
    Alex ter Avest
    Alex ter Avest
    • Chloe
    Gaby Leyner
    Gaby Leyner
    • Maddy
    Rey Hernandez
    Rey Hernandez
    • Cop (Rick)
    • Regie
      • Tod Williams
    • Drehbuch
      • Stephen King
      • Adam Alleca
    • Komplette Besetzung und alle Crew-Mitglieder
    • Produktion, Einspielergebnisse & mehr bei IMDbPro

    Benutzerrezensionen345

    4,432.2K
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    Empfohlene Bewertungen

    1carlcasso

    What Book Did They Read ???????

    I remember reading this book and thinking what an amazing Movie it would make. With the right cast and script I knew this could be a winner. I waited for someone to make it and finally they did.

    We were getting John Cusack and Samuel L Jackson. How could they not make an amazing movie.

    I waited eagerly to view this long anticipated adventure and thought the day would never arrive when I could get the chance to see it.

    Then I did.

    Firstly it has very little in common with the book I read. the book is very clever and draws you into the story. The movie is not clever and the story is thrown at us.

    In The book we care about all the characters. In the movie we don't.

    I have to admit I walked out before the end. I just couldn't take anymore.

    Why oh why did they not just stick to the books narrative.

    I know you have to cut corners but they didn't cut corners, they invented new corners that had nothing to do with the story.

    I love Stephen King and have read all of his books but I'm tired of seeing them butchered by Movie makers who just don't understand the story.

    Save your money. Don't even bother renting this movie.

    Watch TV instead.
    5Nixon_Carmichael

    A decent film, despite itself.

    I am not a purist when it comes to adaptations, and I didn't hate this, at the same time I didn't love it.

    It almost would've worked better as a miniseries.

    Cell is a quasi zombie story by Stephen King, circa 2005, it's basically the thing Kirkman ripped off while developing The Walking Dead. The novel is a lumbering, melancholy at and times humorous take on the zombie genre and the mass market emergence of mobile communication devices.

    The filmmakers do their damnedest at placing it into a modern timeframe, but it's almost too well adapted. While I'm not against changes and remakes, they almost would've been better off just sticking to the material and going all in.

    Either way, I don't hate, it's just that the noncommittal to either the source material or the new take left the movie in a sort of state of limbo.

    Overall, I'm glad I saw the film, I just wish it was willing to pick a side and just run with it.
    5cosmo_tiger

    Not terrible and this is worth seeing, but I just feel it could have been so much more than another in the line of zombie movies

    "Quite a problem these cell phones have caused." Clay Riddell (Cusack) has just landed and is talking to his wife about getting together with his kid again. When his phone dies he begins to look for change when all of a sudden he hears screaming and everyone in the airport falls to the ground. What happens next is unthinkable and now, in a type of post apocalyptic world Clay and a small group of survivors try to make it back to his family, before it's too late. I had no idea what to expect from this movie. I liked the fact that it was a Stephen King book, though I never read it, and the idea of technology leading to some sort of downfall is scary in its possibility. All of the excitement started to slowly fade away when the movie fell into what it really was… another zombie movie. The symbolism of cell phones turning people into zombies wasn't lost on me and the movie did have a message in that sense, but it essentially became just another generic zombie movie. Overall, not terrible and this is worth seeing, but I just feel it could have been so much more than another in the line of zombie movies. I give this a B-.
    5Quinoa1984

    forgettable, but not necessarily terrible

    Considering I went into Cell with abysmally low expectations, it turned out to be not too bad. Not that this necessarily means that it's all good, but there are some good things I can say about this. I'm pretty sure, from what I've heard about the book (at best it's liked but not loved, sort of a middle-tier King work, not one of his triumphs but not a failure either, something fun he could knock off in a month or two as one of those 'hey this is happening in the real world, I'll use it for one of my spooktacular stories' things) that this actually makes for an accurate assessment. It's a standard-issue zombie-ish story of people being infected and going bugf*** insane, only this time King (who also gets a screen writing credit) adds a kind of bird-pulse-hive-mind thing that only gets explained enough to move the plot along.

    Maybe in the book it was explained more or better; here, it seems like some weird and borderline lame (or just lame) device to keep us sort of on our toes, like, 'oh, hey, this time they're *not* vomiting blood on one another or eating brains, and any gunshot can kill them, not just the head, gotcha, thanks.' But more lame than that is the generic story thing of 'well, my son and ex are somewhere, and I'm gonna go find them' when, naturally, it's not going to be pretty or something he likes when he finds out (that he being Cusack, who is doing the best he can with fairly weak-tea material). Meanwhile, Samuel L Jackson does his best Ken Foree (intentional or not) from Dawn of the Dead, and is a reason to see the movie - even in the midst of some mediocre writing or plotting, or moments that can make one groan, he's there to work and it's not something to be embarrassed about on his resume.

    As for the action, it's... fair. I guess I may be tired of seeing action shot with the shutter off (that's when the camera has this function that makes it go, oh, nevermind, you know it when you see it), and I think Tod Williams is a competent director of action but not one who can make things as thrilling as it should be. By the time you see one character go to a door slowly - not in this, I mean in any other movie you've ever seen in your lives - you've seen them all, and this has a lot of that. And while at one time I felt apprehensive about Eli Roth being the director, as he was attached for a period of time after the book first came out (his movies tend to be Dumb with a capital, sometimes double, D), now I'd be curious as to what he might have changed or made more visceral or f***ed up.

    Cell goes through the motions, has some decent atmosphere, and a couple of those strange touches that I'm sure come from that primordial cavern that is King's sub(or regular)consciousness - such as the whole aspect of how these beings screech and them come together (which is a fascinating sight to me), or Stacy Keach having the whole football stadium of infected asleep listening to the... is that the yodeling from that Christopher Lee mashup from LOTR online(?) But there's not enough of it to make it stand out; while I haven't seen enough of it to make a full comparison, my gut tells me this is, to the lay-person, Walking Dead lite, with some good actors doing their best and only rising to meet the absolute minimum required.

    ... okay, maybe the ending is a little terrible, but my rating still stands.
    1joshuakyte-60400

    Worst Adaptation Ever

    First... I did not know anything about this awesome, and I can't say that enough, awesome book becoming a movie. I have had to read this book at least 10 times over the last few years and some of my most favorite life quotes came from this book. So when I saw this as a movie and John as the main role I knew it was going to be amazing. I mean if I could cast the main character myself it would be John.

    BUT... Well, if the director had made a movie out of the book, it would have been amazing. If the movie had any of the most notable and required pieces of the plot it would have been amazing. If the director had even read anything to do with the book, even the dust jacket, it would have been amazing. But he didn't, he didn't, he didn't.

    SO... The movie sucked. I don't like to use that type of "language" when reviewing anything, but there is no other choices here. Everything about the movie was wrong and I gave it a lot of room, a lot of space to make errors and not flow the same. Because ultimately you want to be surprised by the movie. You ultimately want the director to make it his own just a little bit, put his spin on something and have it shine even more. And I did, I watched the movie to the very end. Checked behind the credits and everything. And now I wish I would have gone on for the rest of my life without knowing this movie existed.

    IF... Now one might think by my review that had you not read the book, you might have liked it but sadly that is not true. This is not only the worst adaptation of a book ever, but it is also just poorly put together, scripted, acted, and there is no redeemable quality anywhere.

    Such as... The sound effects were horrible, the video tried to be dark and creepy, but it was just bland. There was very little action or scare factor other than some BOO moments from the "zombies type people." If you didn't see something coming from a mile away it is because it made no sense. The ending was a little baffling on how horrible it was. I mean I am actually trying to think of one thing. Just one that I can say and would take this movie from a 1 star to at least a 1.5 star. But I can't. I can't think of a single thing that I can look back on and say that was cool/nice/awesome/not terrible.

    Lastly... So I will leave you with this. I am actually praying that I reach you before you watched this movie. I am hoping one of your not nice friends didn't play a prank on you and made you pay for this movie. It is my desire that this review has reached you before you have wasted one single heartbeat within the vicinity of this horrible, horrible film mistake. And I thank you for reading my review and I am sorry to those that I did not reach in time.

    Joshua Kyte

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    Handlung

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    • Wissenswertes
      Among many differences from the source material, in the book, the zombie-like infected continue to have their brains re-written every night and evolve further psychic abilities, including telekinesis, which allows them to fly. This is explained as the infection having unlocked the human brain's latent supernatural potential. This idea is only vaguely alluded to in the film when the survivors of the boys school explain that the human brain is like a computer and that this could be the next stage in human evolution.
    • Patzer
      On Tom McCourt's advice, Clay puts a cellphone in the fridge to cool the battery down to make the charge last longer yet he fails to do the obvious and turn it off. Also the theory of 'making a phone battery last longer by freezing it' is dubious at most, but the characters may not know any better.
    • Zitate

      Tom McCourt: Clay, I'm really sorry about your family.

      Clay Riddell: Don't be sorry because there is nothing to be sorry about yet.

    • Crazy Credits
      After the closing credits have finished, the catalyst signal from the movie plays for approximately 5-10 seconds, with no image, as if attempting to convert the audience.
    • Verbindungen
      Featured in FoundFlix: Stephen King's CELL (2016) Ending Explained (2016)
    • Soundtracks
      I am glad, I am very glad, because i'm finally returning back home
      aka "Trololo song"

      Music by Arkadiy Ostrovskiy

      Performed by Eduard Khil

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    Details

    Ändern
    • Erscheinungsdatum
      • 10. Juni 2016 (Vereinigte Staaten)
    • Herkunftsland
      • Vereinigte Staaten
    • Sprache
      • Englisch
    • Auch bekannt als
      • Conexión mortal
    • Drehorte
      • Atlanta, Georgia, USA
    • Produktionsfirmen
      • The Genre Co.
      • Benaroya Pictures
      • 120dB Films
    • Weitere beteiligte Unternehmen bei IMDbPro anzeigen

    Box Office

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    • Weltweiter Bruttoertrag
      • 1.323.012 $
    Weitere Informationen zur Box Office finden Sie auf IMDbPro.

    Technische Daten

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    • Laufzeit
      1 Stunde 38 Minuten
    • Farbe
      • Color
    • Sound-Mix
      • Dolby Digital
    • Seitenverhältnis
      • 2.39:1

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