IMDb-BEWERTUNG
5,6/10
11.511
IHRE BEWERTUNG
Drei Soldaten haben nach ihrer Rückkehr von einer langen Tournee im Irak Mühe, sich wieder an das Leben zu Hause zu gewöhnen.Drei Soldaten haben nach ihrer Rückkehr von einer langen Tournee im Irak Mühe, sich wieder an das Leben zu Hause zu gewöhnen.Drei Soldaten haben nach ihrer Rückkehr von einer langen Tournee im Irak Mühe, sich wieder an das Leben zu Hause zu gewöhnen.
- Auszeichnungen
- 4 Nominierungen insgesamt
50 Cent
- Jamal Aiken
- (as Curtis Jackson)
Jeffrey Nordling
- Cary
- (as Jeff Nordling)
Empfohlene Bewertungen
This film is about how soldiers who served in Iraq face life back in their hometown.
The striking thing is that this film focuses on the emotional impact on the returning soldiers, and the people around them. The dialogs are raw, truthful and at times politically provocative. The portrayal of post traumatic stress disorder is subtle but palpable, and Jessica Biel's performance of a tough woman to hide her pains of losing her hand is astonishingly well acted.
I do not see this as an anti-war vehicle. Rather, it serves as a reminder of how wars affect the soldiers, and then make us think hard whether such a war was necessary in the first place. I am the most impressed by the filmmakers decision on making this movie, as the predominant climate in America is against them.
The striking thing is that this film focuses on the emotional impact on the returning soldiers, and the people around them. The dialogs are raw, truthful and at times politically provocative. The portrayal of post traumatic stress disorder is subtle but palpable, and Jessica Biel's performance of a tough woman to hide her pains of losing her hand is astonishingly well acted.
I do not see this as an anti-war vehicle. Rather, it serves as a reminder of how wars affect the soldiers, and then make us think hard whether such a war was necessary in the first place. I am the most impressed by the filmmakers decision on making this movie, as the predominant climate in America is against them.
Four soldiers return from the Middle East to discover that they can't make the adjustment to fat, peaceful civilian life as easily as they thought they would.
One of my favorite George Carlin routines -- in an intellectually-funny-and-true way -- is how we take strong, simple words, and substitute long, soft phrases that mean very little. The example he used was how the World War One phrase "shell shock", which is simple, graphic, and clear, became the longer and softer "combat fatigue" in the Second World War, and finally "Post-Traumatic Stress Disorder", which is so bloodless and vague it can be used to apply to what happens after any unhappy event. And so we lose the ability to identify and deal with shell shock. When the aftermath of days of constant war is described in the same way as a bruise on the arm, you can treat neither the readjustment to peace, nor a bruise.
That's what this movie is about. Four veterans are left to struggle on their own mid loving family who have no idea what's going on: Samuel J. Jackson, Jessica Biel, Brian Presley, and Curtis Jackson. They all give good performances.
One of my favorite George Carlin routines -- in an intellectually-funny-and-true way -- is how we take strong, simple words, and substitute long, soft phrases that mean very little. The example he used was how the World War One phrase "shell shock", which is simple, graphic, and clear, became the longer and softer "combat fatigue" in the Second World War, and finally "Post-Traumatic Stress Disorder", which is so bloodless and vague it can be used to apply to what happens after any unhappy event. And so we lose the ability to identify and deal with shell shock. When the aftermath of days of constant war is described in the same way as a bruise on the arm, you can treat neither the readjustment to peace, nor a bruise.
That's what this movie is about. Four veterans are left to struggle on their own mid loving family who have no idea what's going on: Samuel J. Jackson, Jessica Biel, Brian Presley, and Curtis Jackson. They all give good performances.
I can see why some people kinda hate this movie. It's a drama that could've been made for TV. It shows American soldiers returning back home and not their victims life and/or point of view. But the movie doesn't try to make a political statement about the war, it does however try (and achieve to a certain extent imho) to show us the tragic (after)life of a soldier. Yes Flags of our Fathers (C. Eastwood) is a better/superior picture in that respect, but that doesn't mean that Home of the Brave isn't at least good! While there is no full attack on/against the war (excuse the pun), certain moments do criticize the events. What really made this movie watchable for me, were the actors. The main actors did a good job conveying their trauma, fear and rage. While that might not be enough for many people, I did like what I saw. I liked the movie and the discussions here show that it affects people (even if it is in a bad way) and they keep talking about it. Although some conversations go to far, this only adds to the attraction/appealing of the movie ... whether you like it or not!
Director Irwin Winkler's look at post-war life for several Iraq war veterans, is neither totally convincing nor entertaining. Despite having some powerful scenes, which raised some good points from a psychological and political perspective, the film failed to paint a realistic picture, which allowed the audience to truly position itself in the shoes of the characters. As I watched the film I did not entirely believe Samuel L. Jackson or Jessica Biel's character, and both were unconvincing, especially Samuel L. Jackson who had some very good moments, but due to a lacking script, went over-the-top at times. (Brian Presley) was not bad, but having 50 cent in this film was a casting catastrophe. They should have made better choices in the casting, but then again, there was a lot of other flaws in making this film, which I admit, is a tough type of film to make, but this just felt rushed and not enough precision an effort put into producing, writing and creating an original and realistic film about post-ware life.
I thought the cinematography, editing and music did very little to help matters a just didn't engage me throughout the film. The opening sequence which takes place in Iraq is almost a joke, as at times It felt like it was in East LA, now I don't know where they filmed it, but that's not a good way to start off a film. Overall this film had potential but was a misfire in my book, and had it not been for a few good scenes, moral arguments and okay acting (at times), it would get an even lower score from me. 5/10
I thought the cinematography, editing and music did very little to help matters a just didn't engage me throughout the film. The opening sequence which takes place in Iraq is almost a joke, as at times It felt like it was in East LA, now I don't know where they filmed it, but that's not a good way to start off a film. Overall this film had potential but was a misfire in my book, and had it not been for a few good scenes, moral arguments and okay acting (at times), it would get an even lower score from me. 5/10
The War Inside, November 6, 2007 By Grady Harp (Los Angeles, CA United States) - See all my reviews (TOP 10 REVIEWER) (REAL NAME) HOME OF THE BRAVE is one of those films that is difficult to critique: the message of how war permanently alters the minds and bodies of soldiers and their families is a meaningful one and one about which we need to be reminded. Irwin Winkler has made some good films (DeLovely, Life as a House, Guilty by Suspicion), but in this film he seems to be working against the script by Mark Friedman which has a tendency to oversimplify emotions and thus loses its impact.
The film begins in Iraq where each of the main characters is at least tangentially connected. Dr. Will Marsh (Samuel L. Jackson) is in a truck driven by Vanessa (Jessica Biel) and accompanied by soldiers Tommy (Brian Presley) and Jamal (50 Cent AKA Curtis Jackson) when a roadside bomb explodes, maiming the hand of Vanessa, killing Tommy's best friend, making Jamal witness unnecessary civilian deaths, and placing Will in an impotent position as a doctor. Flash forward to Spokane, Washington where each of these four wounded people try to piece their lives together in a world that loathes the Iraq war (not at all unlike the treatment of soldiers returning from the unpopular Vietnam debacle), trying to make sense of it all.
The problem with the good idea for a movie lies in the too traditional plot lines. The actors (especially Presley and Biel) give it their all, but credibility enters and the smoke rises and we are left with a misplaced patriotism. The message is strong: the delivery of it is shaky. Grady Harp
The film begins in Iraq where each of the main characters is at least tangentially connected. Dr. Will Marsh (Samuel L. Jackson) is in a truck driven by Vanessa (Jessica Biel) and accompanied by soldiers Tommy (Brian Presley) and Jamal (50 Cent AKA Curtis Jackson) when a roadside bomb explodes, maiming the hand of Vanessa, killing Tommy's best friend, making Jamal witness unnecessary civilian deaths, and placing Will in an impotent position as a doctor. Flash forward to Spokane, Washington where each of these four wounded people try to piece their lives together in a world that loathes the Iraq war (not at all unlike the treatment of soldiers returning from the unpopular Vietnam debacle), trying to make sense of it all.
The problem with the good idea for a movie lies in the too traditional plot lines. The actors (especially Presley and Biel) give it their all, but credibility enters and the smoke rises and we are left with a misplaced patriotism. The message is strong: the delivery of it is shaky. Grady Harp
Wusstest du schon
- WissenswertesSamuel L. Jackson and Christina Ricci appeared in Black Snake Moan (2006).
- PatzerWhen one soldier is told to fire the AT-4 at a gunman on the roof, he is holding it backwards when he is firing it. The rocket comes out of the smaller end of the tube, not the larger.
- Zitate
Will Marsh: Buck Fush? Buck you, you son of a bitch.
- SoundtracksTry Not to Remember
Written and Performed by Sheryl Crow
Produced by Stephen Endelman
Warner-Tamerlane Publishing Corp. (BMI)/Old Crow Music (BMI)
(All rights adnimistered by Warner-Tamerlane Publishing Corp.)
Courtesy of A&M Records
Top-Auswahl
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Details
- Erscheinungsdatum
- Herkunftsländer
- Offizielle Standorte
- Sprachen
- Auch bekannt als
- Regreso al infierno
- Drehorte
- Produktionsfirmen
- Weitere beteiligte Unternehmen bei IMDbPro anzeigen
Box Office
- Budget
- 12.000.000 $ (geschätzt)
- Bruttoertrag in den USA und Kanada
- 51.708 $
- Eröffnungswochenende in den USA und in Kanada
- 6.000 $
- 17. Dez. 2006
- Weltweiter Bruttoertrag
- 499.620 $
- Laufzeit
- 1 Std. 46 Min.(106 min)
- Farbe
- Sound-Mix
- Seitenverhältnis
- 2.35 : 1
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