Lizenz zum Heiraten

"License to Wed" might as well have been called "Meet the Minister," since all the film does is to recycle the nightmare-before-marriage scenario from "Meet the Parents" - albeit with one crucial deviation. Needless to say, lightning rarely strikes twice when it comes to Hollywood happenings and "License to Wed" is no "Meet the Parents." Not by a long shot.

Ben Murphy and Sadie Jones are a young Chicago couple who agree to undergo an intense pre-marital "training course" conducted by an obnoxious local reverend in exchange for being allowed to hold their nuptials at the church Sadie's dearly departed grandfather helped to build. To pass the course, the couple must agree to be abstinent until the wedding night, take care of two fully operational and anatomically correct mechanical infants, and undergo various forms of trauma that even Sigmund Freud himself would have trouble undoing after years of reparative analysis.

As a "Meet the Parents" wannabe, "License to Wed" stumbles right out of the starting gate in that one can imagine suffering the slings and arrows of outrageous humiliation and abuse in order to win the favor of a prospective spouse's PARENTS, but to go through all that just to placate her MINISTER? I don't think so. In no time flat, the laughter turns to frustration as we find ourselves wondering why Ben doesn't just tell the dear old Reverend to go take a hike - or worse - and then seek out some religious establishment with less stringent requirements for walking down the aisle.

And let's face it, there's something more than a trifle off-putting and creepy about an unwed man-of-the-cloth running around with a young boy as his personal protégé and sidekick, planting listening devices in young couple's bedrooms. Even for an alleged comic fantasy such as this one, that may be just a bridge farther than most people will be willing to go in the queasiness department.

John Krasinski and Mandy Moore make an appealing enough couple, and it isn't really their fault that they've been handed a screenplay - written by no fewer than three writers, a sure sign of trouble - filled with cornball humor, heavy-handed slapstick and unappetizing secondary characters. In the role of Reverend Frank, Robin Williams, all cutesy mannerisms and third-rate mugging, hits a new low in teeth-grinding unctuousness, although one likes to believe that, if director Ken Kwapis could have gotten the actor to dial back his performance even a little, this might have been at least a tolerable movie. As it is, though, "License to Wed" is a painful experience that you will have no trouble leaving stranded at the altar.

License to Wed is exactly what I expected it to be when watching the previews. An overall average movie, nothing mind blowing, but also not impossible to watch.

The movie is a little cliché at points and most of it you have seen before in whatever romantic comedy you decide to think of, but there are a few additions to this movie that made it enjoyable for me.

As a huge fan of the TV show "The Office", I went to the theater the other night hoping that the movie would keep me as entertained as the small screen gem does. If this is what you are hoping for, sorry, its a bit of a let down. However, the simple appearance of a couple of "Office" stars is enjoyable.

The only real beef that I have with the movie overall is Robin Williams' sexed up priest character. I can understand what they were trying to do (humor from sex dialogue), but the conversations seemed uncomfortable to me. A priest becoming sexual isn't that far fetched in this day and age, but really, when your movie makes it look like a priest is hitting on a woman in his marriage counseling class in front of her soon to be husband, just rubs me the wrong way.

License to Wed is neither terrible nor wonderful. My recommendation would be to watch it if you really don't care what you watch and just need a popcorn movie to relax. No huge laughs but no huge let downs either.

This film is about a couple taking a pre-marriage course run by a minister to see if they are ready to me married.

It's a romantic comedy, and hence it follows a predictable formula of good-bad-good. The jokes are good, and it got me laughing a few times. The two leads, Ben & Sadie are attractive and likable. Reverend Frank, on the other hand, tries too hard to be funny and irritating. He is unbelievable and unconvincing. If the movie strips away this pre-marriage course plot, and just let the couple discover for themselves that whether they are right for each other, it would have been even more enjoyable.

License to Wed is no masterpiece in any shape or form, but I didn't think it is a bad movie. If I had to sum it up in one word, I would say uneven. Because it is. The story is very predictable and has some dull and unbelievable parts to it, I personally could have done without the part with the "creepy" babies and the script is weak in places. Then there is the pacing, some of the movie does move briskly, but there are moments where it is dull as well, while the direction lacks solidity.

That said, it is nicely filmed, the scenery in Jamaica was especially ravishing, and the soundtrack was good. While the film itself is uneven, there are some funny moments such as the introduction to Robin Williams's character and when Ben blows the trumpet into the bug that had been placed into the room. In terms of performances, Robin Williams gives the best one and provides the film's funniest moments. Mandy Moore and John Krassinski aren't as convincing but they are pretty cute.

Overall, it was an okay comedy, it had its dull moments but see it for Williams. 6/10 Bethany Cox

I thought it was an OK comedy. It made me chuckle at times. Sadie and Ben plan to get married, but first must pass Rev Frank's marriage course. The Rev spies on them and sets up silly tests, like carrying around plastic babies that really cry and poop. I thought that was pretty good. All these tests cause the couple to rethink the marriage an let them see are they really right for each other.

I thought Robin Williams was OK. This was his stereotypical character. His apprentice sidekick kid was just creepy. Everyone else in the film was just average.

FINAL VERDICT: If you like these sort of comedies, then check it out.