IMDb-BEWERTUNG
5,3/10
41.514
IHRE BEWERTUNG
Ein Pfarrer unterzieht ein verlobtes Paar einem zermürbenden Ehevorbereitungskurs, um herauszufinden, ob sie dazu bestimmt sind, in seiner Kirche zu heiraten.Ein Pfarrer unterzieht ein verlobtes Paar einem zermürbenden Ehevorbereitungskurs, um herauszufinden, ob sie dazu bestimmt sind, in seiner Kirche zu heiraten.Ein Pfarrer unterzieht ein verlobtes Paar einem zermürbenden Ehevorbereitungskurs, um herauszufinden, ob sie dazu bestimmt sind, in seiner Kirche zu heiraten.
- Auszeichnungen
- 1 Nominierung insgesamt
Valentin Almendarez
- Jewelry Store Customer
- (as Val Almendarez)
Empfohlene Bewertungen
I thought it was an OK comedy. It made me chuckle at times. Sadie and Ben plan to get married, but first must pass Rev Frank's marriage course. The Rev spies on them and sets up silly tests, like carrying around plastic babies that really cry and poop. I thought that was pretty good. All these tests cause the couple to rethink the marriage an let them see are they really right for each other.
I thought Robin Williams was OK. This was his stereotypical character. His apprentice sidekick kid was just creepy. Everyone else in the film was just average.
FINAL VERDICT: If you like these sort of comedies, then check it out.
I thought Robin Williams was OK. This was his stereotypical character. His apprentice sidekick kid was just creepy. Everyone else in the film was just average.
FINAL VERDICT: If you like these sort of comedies, then check it out.
License to Wed is no masterpiece in any shape or form, but I didn't think it is a bad movie. If I had to sum it up in one word, I would say uneven. Because it is. The story is very predictable and has some dull and unbelievable parts to it, I personally could have done without the part with the "creepy" babies and the script is weak in places. Then there is the pacing, some of the movie does move briskly, but there are moments where it is dull as well, while the direction lacks solidity.
That said, it is nicely filmed, the scenery in Jamaica was especially ravishing, and the soundtrack was good. While the film itself is uneven, there are some funny moments such as the introduction to Robin Williams's character and when Ben blows the trumpet into the bug that had been placed into the room. In terms of performances, Robin Williams gives the best one and provides the film's funniest moments. Mandy Moore and John Krassinski aren't as convincing but they are pretty cute.
Overall, it was an okay comedy, it had its dull moments but see it for Williams. 6/10 Bethany Cox
That said, it is nicely filmed, the scenery in Jamaica was especially ravishing, and the soundtrack was good. While the film itself is uneven, there are some funny moments such as the introduction to Robin Williams's character and when Ben blows the trumpet into the bug that had been placed into the room. In terms of performances, Robin Williams gives the best one and provides the film's funniest moments. Mandy Moore and John Krassinski aren't as convincing but they are pretty cute.
Overall, it was an okay comedy, it had its dull moments but see it for Williams. 6/10 Bethany Cox
"License to Wed" might as well have been called "Meet the Minister," since all the film does is to recycle the nightmare-before-marriage scenario from "Meet the Parents" - albeit with one crucial deviation. Needless to say, lightning rarely strikes twice when it comes to Hollywood happenings and "License to Wed" is no "Meet the Parents." Not by a long shot.
Ben Murphy and Sadie Jones are a young Chicago couple who agree to undergo an intense pre-marital "training course" conducted by an obnoxious local reverend in exchange for being allowed to hold their nuptials at the church Sadie's dearly departed grandfather helped to build. To pass the course, the couple must agree to be abstinent until the wedding night, take care of two fully operational and anatomically correct mechanical infants, and undergo various forms of trauma that even Sigmund Freud himself would have trouble undoing after years of reparative analysis.
As a "Meet the Parents" wannabe, "License to Wed" stumbles right out of the starting gate in that one can imagine suffering the slings and arrows of outrageous humiliation and abuse in order to win the favor of a prospective spouse's PARENTS, but to go through all that just to placate her MINISTER? I don't think so. In no time flat, the laughter turns to frustration as we find ourselves wondering why Ben doesn't just tell the dear old Reverend to go take a hike - or worse - and then seek out some religious establishment with less stringent requirements for walking down the aisle.
And let's face it, there's something more than a trifle off-putting and creepy about an unwed man-of-the-cloth running around with a young boy as his personal protégé and sidekick, planting listening devices in young couple's bedrooms. Even for an alleged comic fantasy such as this one, that may be just a bridge farther than most people will be willing to go in the queasiness department.
John Krasinski and Mandy Moore make an appealing enough couple, and it isn't really their fault that they've been handed a screenplay - written by no fewer than three writers, a sure sign of trouble - filled with cornball humor, heavy-handed slapstick and unappetizing secondary characters. In the role of Reverend Frank, Robin Williams, all cutesy mannerisms and third-rate mugging, hits a new low in teeth-grinding unctuousness, although one likes to believe that, if director Ken Kwapis could have gotten the actor to dial back his performance even a little, this might have been at least a tolerable movie. As it is, though, "License to Wed" is a painful experience that you will have no trouble leaving stranded at the altar.
Ben Murphy and Sadie Jones are a young Chicago couple who agree to undergo an intense pre-marital "training course" conducted by an obnoxious local reverend in exchange for being allowed to hold their nuptials at the church Sadie's dearly departed grandfather helped to build. To pass the course, the couple must agree to be abstinent until the wedding night, take care of two fully operational and anatomically correct mechanical infants, and undergo various forms of trauma that even Sigmund Freud himself would have trouble undoing after years of reparative analysis.
As a "Meet the Parents" wannabe, "License to Wed" stumbles right out of the starting gate in that one can imagine suffering the slings and arrows of outrageous humiliation and abuse in order to win the favor of a prospective spouse's PARENTS, but to go through all that just to placate her MINISTER? I don't think so. In no time flat, the laughter turns to frustration as we find ourselves wondering why Ben doesn't just tell the dear old Reverend to go take a hike - or worse - and then seek out some religious establishment with less stringent requirements for walking down the aisle.
And let's face it, there's something more than a trifle off-putting and creepy about an unwed man-of-the-cloth running around with a young boy as his personal protégé and sidekick, planting listening devices in young couple's bedrooms. Even for an alleged comic fantasy such as this one, that may be just a bridge farther than most people will be willing to go in the queasiness department.
John Krasinski and Mandy Moore make an appealing enough couple, and it isn't really their fault that they've been handed a screenplay - written by no fewer than three writers, a sure sign of trouble - filled with cornball humor, heavy-handed slapstick and unappetizing secondary characters. In the role of Reverend Frank, Robin Williams, all cutesy mannerisms and third-rate mugging, hits a new low in teeth-grinding unctuousness, although one likes to believe that, if director Ken Kwapis could have gotten the actor to dial back his performance even a little, this might have been at least a tolerable movie. As it is, though, "License to Wed" is a painful experience that you will have no trouble leaving stranded at the altar.
Is it too much to expect even mild entertainment from a Robin Williams film. What happened to the comic genius behind 'Good Morning Vietnam'? The man who turned in a reliable dramatic performance in 'Good Will Hunting' is simply lackluster here. Mandy Moore and John Krasinski are a likable couple subjected to some humiliating 'jokes' by priest Williams. The film doesn't even give us enough time to get to know the young couple. This could have been a cute romantic comedy, but the barrage of juvenile material and creepy jokes make it unsuitable for just about all audiences. Avoid.
Overall 2/10
Overall 2/10
Catholic priest Robin Williams (!?) makes couple Mandy Moore and John Krasinski go through a crash course for those about to be married. If they fail the course then he can block the duet from getting hitched. And they say Hollywood is fresh out of innovative ideas. Totally unwanted and dreadful would-be comedy that uses up all its energy and possible assets early on with stupid situation after stupid situation. Even the performers seem like they know they are in a horrid movie that seems so much longer than it really is. As usual with films of the type, we have sitcom scenarios that are hard enough to make interesting over a half hour time slot let alone a cinematic feature which is three times as long. Break out the holy water and exorcise this celluloid. 2 stars out of 5.
Wusstest du schon
- WissenswertesBen Murphy's parents are played by John Krasinski (Ben)'s real-life parents.
- PatzerWhen Lindsey is with her sister Sadie in the flower shop and is pulling the petals from a sunflower, it's clear that the sunflower changes between shots.
- Zitate
Ben Murphy: Jesus! You scared me.
Choir Boy: Jesus didn't scare you. I did.
- Crazy CreditsCredits have bloopers and simplistic drawings with vows.
- VerbindungenFeatured in HBO First Look: 'License to Wed': Behind the Vows (2007)
Top-Auswahl
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Details
- Erscheinungsdatum
- Herkunftsländer
- Offizieller Standort
- Sprache
- Auch bekannt als
- Licencia para casarse
- Drehorte
- Produktionsfirmen
- Weitere beteiligte Unternehmen bei IMDbPro anzeigen
Box Office
- Budget
- 35.000.000 $ (geschätzt)
- Bruttoertrag in den USA und Kanada
- 43.799.818 $
- Eröffnungswochenende in den USA und in Kanada
- 10.422.258 $
- 8. Juli 2007
- Weltweiter Bruttoertrag
- 70.181.325 $
- Laufzeit
- 1 Std. 31 Min.(91 min)
- Sound-Mix
- Seitenverhältnis
- 2.35 : 1
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