Unsere Ozeane

It's important to note there are TWO versions of this film. Jacques Perrin's original runs 104 minutes and is narrated by Perrin in French. Disney bought the film, cut 20 minutes (much of it critical of human activity endangering the oceans and animal habitats), junked Perrin's spare narration, which lets you wonder at the sights on view, and substituted a gabby but emotionally chilly commentary by Pierce Brosnan.

Perrin's original version is not available in the US, per contract with Disney. The original is available in Europe on DVD and Blu-Ray (but unplayable on most US machines) but it seems to lack English subtitles. So you're pretty much stuck with Disney edition.

The original, however, is to my mind better and much more in line with Perrin's "Winged Migration" than the Disney version. The best that can be said for the US edition is that plays down the "humanizing" of animal life that was an annoy hallmark of Disney's True-Life Adventures of the 1950s.

I was looking forward to seeing this, since I've always been a fan of quality nature films, however, I found myself very disappointed with this film. If you have ever seen the truly beautiful, artistic, and utterly poetic nature film "Deep Blue", which came out from the English a few years ago, you are going to see far too many ironic similarities in this Disney production. Yes, they are both ocean films, and there are bound to be similarities, of course, but you will notice that Disney seemed to follow far too closely in their footsteps, even down to whom they chose to narrate (Pierce Brosnan)!! There are several actors one can choose to do a compelling narration - you do not have to choose the very same one. I'm not sure I understand why a company like Disney, who once were the masters of imagination, uniqueness, & fantasy, fail so miserably over these past 2 decades. Also, this film had approximately 1/4 of what "Deep Blue" had. If you want to watch a truly remarkable ocean film, see "Deep Blue", and pass over this one.

Absolutely stunning. Simply the most beautiful underwater imagery I've ever seen. It's hard to remain not too affected when talking about ecology. Here, the off screen speech is quite subtle, not too naive and not boring, because sparingly used, which leaves long lapse of dreamy sequences, without a word. Technically, it's easily one of the best documentary ever made. The camera work and photography are incredible, the montage is very effective, alternating slow and fast paced sequences. The score is not too obtrusive. There is a very striking scene, which reminds me the nautical funerals of Laetitia in "Les Aventuriers" by Robert Enrico, if you see what I'm referring to, you will easily notice it, and I assure this scene will stick to your mind for days... Visually stunning, subtle, very recommended.

There is a sequence in Oceans that blows my mind. A stone crab emerges from the seabed and crawls along. Another follows. And then a few more follow. The camera then trails these creatures as they make their way to somewhere in the middle of nowhere. The stone crabs are joined by more of their own. Suddenly, in an establishing shot that continues to baffle me, the camera reveals what seems like hundreds of thousands of stone crabs in "a great big orgy". The sandy seabed that stretches for miles and miles could not have been more alive.

That is only one of a number of spectacular scenes on show. Another highly memorable sequence shows deft skill in quick cutting as hundreds of predatory birds dive headfirst into the water at startling speeds as the camera captures their assault on small fishes through above water and underwater shots. The latter is quite incredible, and eerily reminiscent of bullets ripping through the water in the Normandy beach scene of Spielberg's Saving Private Ryan (1998).

Jacques Perrin, whose previous film credits famously include acting as the adult Toto in Tornatore's Cinema Paradiso (1988), director of the excellent Oscar-nominated documentary Winged Migration (2001), and producer of Z (1969) and The Chorus (2004), now has Oceans in his resume, a documentary that explores in amazing detail what happens under the sea, bright day or still night, stormy or fine weather. The result is like nature washing over you as you drown in its unrivalled beauty. There is no gasping for air but the taking in of the vitality of life.

Oceans surprisingly works well as "a thriller". In certain sequences, Perrin opts for suspense, such as the one involving baby turtles as they evade hungry birds, making their way into the sea from the shore in their own version of Normandy. Many of them are eaten while the lucky ones try to survive in the big blue ocean. Even though collectively the turtles represent a faceless mass, we fear for each one of them because Perrin focuses on one or two of them at any one time, heightening the sense of vulnerability.

It is not surprising, however, to see Oceans preaching the ecological message. "Save the planet! Save the animals!" become the general plea for viewers to do their part in protecting their only home in this vast universe. But the plea is not as strong and specifically targeted as what is felt in The Cove (2009), the Oscar-winning documentary that secretly chronicles the slaying of hundreds of dolphins by Japanese fishermen in a hidden lagoon, and has now been controversially and unfairly labeled as "anti-Japanese".

Oceans is lightly-narrated. This is a good move as the stunning underwater cinematography is left to do all the talking, or in this context, to speak in silence to the viewer. Perrin films in cinema verite style; his camera is unbiased, objective, and unobtrusive. His use of original music by Bruno Coulais (The Chorus) is also spot on. Very often, the marrying of melody and motion (that of sea creatures) is a joy to experience, alternating between the subtle and the grandeur.

It's weird to say this but Oceans may leave your forearms bruised. Now, you may wonder why. Well, every once in a while, you might just pinch yourself to see if those beautiful imageries are really real or created with a green screen. Of course, no CG effect could ever replicate nature's beauty. Oceans shows why and that's quite something to think about.

SCORE: 8/10 (www.filmnomenon.blogspot.com) All rights reserved!

Making its world premiere at last year's Tokyo International Film Festival, Oceans is the latest enviro-documentary to hit the big screens, highlighting that while outer space is touted as the final frontier to be conquered by man, the waters around our land mass hold just as much fascination with the countless of species available in the depths of the ocean. Oceans, by directors Jacques Perrin and Jacques Cluzaud, provide us that glimpse 20,000 leagues under the sea.

For those, like me, who are absolutely clueless about the sea creatures other than what can be put on the dining table, you'll be left quite flabbergasted as you observe the various species being featured on screen, without any prompt or subtitle to label just exactly what creature they are. Of course for those who are schooled by Finding Nemo, you're likely to be able to name some of what's featured, just as the noisy young boy sitting beside me was able to, being somewhat of a help.

Aside from the usual gorgeous cinematography featuring schools of dolphins in motion, and plenty of synchronized swimming, with creatures big and small ranging from the giant whales to the newly hatched turtles struggling to make it to the waters before being picked up mercilessly by their predators, this is one documentary that allows you to go up close to these creatures since cameras were planted into the depths of all the oceans of the world.

It doesn't come across as preachy, because it doesn't wear its ecological badge in such an obvious manner at all in its sparse narrative. Instead, it does so very subtly, reminding us that there are others with whom we share this Earth with, and if we continue to plunder and pollute the land and treat the sea as sewage (so is that gaping hole capped by BP already?), then these are the creatures that we will lose in the near future, causing a major upset in the balance of Nature, and who can predict how Nature's wrath will be incurred back on us.

Nature documentaries are no longer made for the small screen, but have some mighty budget to be able to bring quality to the making of such films, serving to entertain and to capture beauty so rarely seen.