Starting Out in the Evening

i saw this film at the austin film festival and didn't know what to expect, but i really appreciated the character study of Leonard Schiller (as masterfully played by Frank Langella) and his contrast with Lauren Ambrose's character as a young graduate student doing her master's thesis on the aging writer who is no longer appreciated and has resigned his life to a kind of monastic, slow work on a novel that he may never finish. Lili Taylor plays Langella's daughter trying to direct the course of her life as she turns 40 and re-enters a relationship with an ex, played with great thoughtfulness by Adrian Lester (who I last remember as the narrator character from Primary Colors). i wish there were more movies like this, that show people struggling to make their lives happen on their own meaningful terms, as we live our lives, thankfully without explosions and car chases for the most part. life is an education in how to live it and this film has something to say about that.

At the risk of sounding cliché', this movie is not for everyone. It moves a bit slowly in the beginning, and assumes a few things about its audience. But the overall feel of the movie, and the message that it communicates is very endearing.

Frank Langella is amazing as always, and perfectly captures what it's like to be a writer. His character is a true gentleman. He drinks tea, stands when a lady enters or leaves the room, and speaks honestly but with a polite tact when it's called for. It was really a nice thing to see.

Lili Taylor was hard to get a feel for. I just couldn't connect with her character. Probably because she was turning 40 and trying to have a kid. But her relationship with Adrian Lester was very genuine. They had a great chemistry that really played on the heart-strings.

Lauren Ambrose was a little quirky. The chemistry between her and Frank seemed too forced to me, and not because of the age difference. The only way I can describe it is by invoking the imagery of the unstoppable force meeting the immovable object.

But as I said, overall, the film is beautiful. The characters are richly developed, the music is beautiful, and the story really pulls you in as it unfolds. I wasn't quite sure how to feel about it, initially. But the more I watched, my love for the film gained momentum and really started to grow.

I would recommend this movie for readers, writers, and anyone who enjoys a good drama.

Unlike many movies, I found myself continually wanting to know what happens next. I was not watching a movie, so much as seeing the writing process examined, explored, and enacted on the screen. The director doesn't mind taking his time to allow events to develop and unfold, and he takes us along with him. Music is used sparingly and effectively - he has faith in his actors and his material. The attention to detail was wonderful - Leonard Schiller wearing shirts and ties many many years old, using spoons and tea cups from another era, sitting on a couch from the 40's, reading by lamps with pleated shades, walls and cupboards painted many times over, using a typewriter (hearing the clack clack of the keys was music), contrasted by Heather's tic tic on her laptop, her messy bed in the background, typing by a stylish modern lamp. Lauren Ambrose was the perfect counterpoint to Frank Langella, and the subplot with Lili Taylor as Ariel Schiller and Adrian Lester was touching and effective. At all times, the actors were perfect. They should all win Oscars, but they won't. Please don't be fooled by the paltry box office take of $600,000 - this movie is worthy of box office 100 times what it took in.

Anyone with a love of writing, good acting, and wonderful direction should see this movie. Even having Schilling's body begin to fail him rings true, and is not played for pathos.

All in all, one of the most enjoyable movie experiences of 2007.

Some writers receive early praise in their careers. Some even more talented ones never get their due because their work is not commercially satisfactory. In fact, it could be said that fame eludes a lot of brilliant authors who, as in the case of Leonard Schiller, must resort to a life of teaching in the great universities of the country. Schiller has only produced four novels, which sadly, seem to be out of print and unappreciated by even serious readers.

It is at this juncture of Leonard's life that a change occurs. When the eager young Heather, who wants to base her thesis on his books, comes to visit to ask if it could be possible to enlist him to help her with her paper. Leonard Schiller feels flattered and repulsed at the same time. He is a private man who has shunned notoriety and wants to stay that way, but ends up in going along with the young woman.

Leonard, a widower, has a daughter, Ariel, a woman in her early forties who believes her biological clock is running out of time if she is to have a baby. She had wanted to have a child with Casey, who doesn't cherish the thought of fatherhood and had broken with her. When he reappears, they renew their relationship with mixed results because Casey can't commit. This disparity is pointed out to Ariel by her father, who feels she is not getting her due.

Heather, we see moving closer and closer to Leonard. It appears inevitable they are headed for an involvement, one that he feels is more than what he wanted to get, especially with a woman way too young for him. The intensity of the feeling she provokes in him, surprises Schiller, who is in ill health, but he gives way to his fears jumping into an affair which will prove will not benefit either one of them.

"Starting Early in the Evening" is a small triumph for the team behind it, notably for director Andrew Wagner who gives the light touch the story requires. The film which is based on a Brian Morton book, which we haven't read, translates beautifully for the screen.

Frank Langella is simply marvelous playing Leonard Schiller. He is worth the price of admission. Obviously, the actor knows well how the character he is playing reacts to all the new sensations he discovers at a late age when the young woman comes into his life. Mr. Langella has never been better and more effective as he is in here. His take on this forgotten scholar is right on target.

Lauren Ambrose, whose work we have admired before, makes quite a case with her Heather. She is an eager young woman who probably has no intention of falling in love with the older man, yet, in her admiration for the author, she leaps into a serious situation that might not mean anything to her, yet, it has given Leonard a new taste in life.

Lily Taylor's Ariel is a complicated character. As the daughter, she is protective, yet, she ends up accepting a woman, much younger than her to be her father's lover. At the same time, her own life is in turmoil because of the motherhood she feels is denied to her. The brilliant Adrian Lester and Jessica Hecht add to the enjoyment of the film.

The film has a foreign film feeling to it. Andrew Wagner shows a sure hand in the final product and one can only wish him to continue along this way because he shows that he has talent and an eye for bringing out those hidden emotions in this interesting film.

Movies about literary people too often sound like books rather than movies. The way characters talk doesn't jive with the way people actually sound in real life. Dialogue sounds scripted, phrases and speeches are too well put together.

This is a trap "Starting Out in the Evening" doesn't avoid, but it's easy to overlook that minor flaw, as the rest of the film is intelligent and thoughtful. The main reason to watch is Frank Langella, playing Leonard Schiller, an aging novelist who the world has forgotten and who is tempted to hope that his name might be revived by an idolatrous grad student who wants to do her thesis on his work. The grad student (Lauren Ambrose) is pushy and rather unlikable, but it makes sense that Leonard would take to her, as only someone as pushy as she could break through his reclusive facade. The relationship these two embark upon is complicated to say the least, and both actors navigate the tricky terrain well.

A subplot involves Leonard's daughter (played by Lili Taylor, who it was a pleasure to see again) and her rekindled relationship with a man of whom Leonard does not approve (Adrian Lester).

"Starting Out in the Evening" is one of those ultra-sombre movies that takes place in the dead of winter, when everything is cold and dead, and in which the predominant color scheme is brown and gray. But the cast brings enough vitality to the film, and the screenplay is unpredictable enough, that the end product is engaging rather than depressing.

Grade: A-