IMDb-BEWERTUNG
7,6/10
1948
IHRE BEWERTUNG
Füge eine Handlung in deiner Sprache hinzuThe life and work of the enigmatic folk rock singer-songwriter.The life and work of the enigmatic folk rock singer-songwriter.The life and work of the enigmatic folk rock singer-songwriter.
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This tough-to-see little picture played at the Mods & Rockers 2007 festival. It is a wonderful and loving look at Harry Nilsson, using many famous faces who sit for interviews, rarely seen TV performances and behind-the-scenes footage of Nilsson at work. There's even a few shots from "Son Of Dracula". This movie is the final and fitting tribute to one of the finest voices, the most clever songwriter and the funniest man in popular music. It's a crime that this man's name is not as well known as some of the songs he wrote and/or performed. His friends tell incredibly funny stories about this talented hulk with a subconscious wish for self-destruction. As a bonus, you even get Eric Idle performing the song with wrote for Nilsson's final album during the closing credits. It's funny, it's sad. It's not in general release. If this picture plays anywhere near where you live, see it!
I was lucky enough to have seen this film at it's Seattle Film Fest screening, and was blown away by how great it was. This is without a doubt one of the best music documentaries I've ever seen, (and I've seen a lot!) This is a loving look back at the life and times, music and relationships of one of music's true legends. Harry Nilsson deserves to be up there with the likes of Gershwin, Cole Porter, and all the other great song writers of 20th century standards. He was considered a peer by all four members of the Beatles, who all called him a 5th Beatle, and one the same wavelength as themselves.
Harry refused to tour, so many today don't remember him, and those born after his heyday, are unaware of who he was. This is tragic. Everyone should have the opportunity to be exposed to this wonderful talent. This film is a step in the right direction, to finally give the man his due. Unfortunately, the film has yet to have wide distribution, or even a DVD so for the time being, good luck in getting to see it.
If you are someone with the power to put together a DVD distribution deal, PLEASE contact the film makers. This film needs to be available. Hey VH-1, how about screening it on air, then maybe putting it out on DVD? Harry Nilsson deserves nothing less.
Harry refused to tour, so many today don't remember him, and those born after his heyday, are unaware of who he was. This is tragic. Everyone should have the opportunity to be exposed to this wonderful talent. This film is a step in the right direction, to finally give the man his due. Unfortunately, the film has yet to have wide distribution, or even a DVD so for the time being, good luck in getting to see it.
If you are someone with the power to put together a DVD distribution deal, PLEASE contact the film makers. This film needs to be available. Hey VH-1, how about screening it on air, then maybe putting it out on DVD? Harry Nilsson deserves nothing less.
For those of us alive at the time, it was impossible to not have heard of Harry Nilsson and to have been appreciative of a song or two. "Without You" has always been one of my favorites, but beyond that I was in the dark. This movie shines light on the body of work that somehow I missed with so much incredible music being made at the same time.
It is a whimsical but honest look at one of the all-time great raconteurs, a fellow traveler with a coterie of out-sized personalities who largely burned brightly but briefly. Watching how his unlimited talents were gradually eroded away with self-indulgence is a tragicomic spectacle, leaving behind a wake of stories of a life lived at extremes.
Watch it. It will be time well spent.
It is a whimsical but honest look at one of the all-time great raconteurs, a fellow traveler with a coterie of out-sized personalities who largely burned brightly but briefly. Watching how his unlimited talents were gradually eroded away with self-indulgence is a tragicomic spectacle, leaving behind a wake of stories of a life lived at extremes.
Watch it. It will be time well spent.
Biodoc on the enigmatic singer/songwriter who, according to friends' accounts, spent the last 15 years of his relatively short life seemingly on a mission of self-destruction. He died at 52, overweight and dissipated, of heart disease, after a protracted rampage of virtually non-stop overindulgence in alcohol, cigarettes, marijuana and cocaine, raucous partying, and flagrant misuse of his vocal instrument (he confided to a friend that he shouted out his lyrics at one performance with such force that spattered blood was left on the microphone).
All of this despite the fact that he was: (1) widely considered to have perhaps the most gifted pop singing ability of his generation; (2) successful, after years of effort, in terms of industry acclaim - a Grammy, an Oscar, a decent recording contract with a top label, and at least two stellar albums - 'Nilsson Schmilsson' (originals), and 'A Little Touch of Schmilsson in the Night' (standards); and (3) very happily married (for the third time), with a lovely young family that he seemed to adore.
The film's strengths begin with the completeness of its account of Nilsson's life, including fine use of archival film footage and many stills of Nilsson; the editors do an especially good job of bringing movement to the stills. We learn of his close ties to John Lennon and, later, Ringo Starr (Lennon often said that Nilsson was his favorite American musician).
Even more impressive are the talking heads, often a documentary's weakest aspect. Here we get people like Perry Botkin, Jr., Ray Cooper, Mickey Dolenz, Terry Gilliam, Mark Hudson, Eric Idle, Rick Jarrard, Randy Newman, Van Dyke Parks, Jimmy Webb and Robin Williams, all telling amazing stories about Nilsson many uproariously funny, others deeply pathetic - and everyone conveying their deep affection for him. Equally informative and moving are interview segments with Nilsson's wives Annie and Una, his son Zach, and cousin Doug Hoefer. Best set of heads I can recall in a biodoc.
The most glaring deficiency of the film is that it crowds out Nilsson's music. Even the performance of his greatest hit, "Without You," is cut short after about 8 bars. Arrrrgh!! There is no excuse for this, not given that the movie runs a full two hours as it is. Lose a few head shots and we could have heard at least that song through, and perhaps one or two more, like "One," or his Oscar winning cover of "Everybody's Talking.'" The filmmakers are simply too intent on plumbing Nilsson's psychological mystique and not attentive enough to his music. My grades: 7.5/10 (low B+) (Seen at the NWFC's Reel Music series, 01/07/07)
All of this despite the fact that he was: (1) widely considered to have perhaps the most gifted pop singing ability of his generation; (2) successful, after years of effort, in terms of industry acclaim - a Grammy, an Oscar, a decent recording contract with a top label, and at least two stellar albums - 'Nilsson Schmilsson' (originals), and 'A Little Touch of Schmilsson in the Night' (standards); and (3) very happily married (for the third time), with a lovely young family that he seemed to adore.
The film's strengths begin with the completeness of its account of Nilsson's life, including fine use of archival film footage and many stills of Nilsson; the editors do an especially good job of bringing movement to the stills. We learn of his close ties to John Lennon and, later, Ringo Starr (Lennon often said that Nilsson was his favorite American musician).
Even more impressive are the talking heads, often a documentary's weakest aspect. Here we get people like Perry Botkin, Jr., Ray Cooper, Mickey Dolenz, Terry Gilliam, Mark Hudson, Eric Idle, Rick Jarrard, Randy Newman, Van Dyke Parks, Jimmy Webb and Robin Williams, all telling amazing stories about Nilsson many uproariously funny, others deeply pathetic - and everyone conveying their deep affection for him. Equally informative and moving are interview segments with Nilsson's wives Annie and Una, his son Zach, and cousin Doug Hoefer. Best set of heads I can recall in a biodoc.
The most glaring deficiency of the film is that it crowds out Nilsson's music. Even the performance of his greatest hit, "Without You," is cut short after about 8 bars. Arrrrgh!! There is no excuse for this, not given that the movie runs a full two hours as it is. Lose a few head shots and we could have heard at least that song through, and perhaps one or two more, like "One," or his Oscar winning cover of "Everybody's Talking.'" The filmmakers are simply too intent on plumbing Nilsson's psychological mystique and not attentive enough to his music. My grades: 7.5/10 (low B+) (Seen at the NWFC's Reel Music series, 01/07/07)
I saw this superb documentary at the Santa Barbara Int'l Film Festival. It is extremely absorbing and very well crafted, drawing you into the life and career of Harry Nilsson, one of the most overlooked musical talents of the 1960's and 70's. While I was familiar with his better known compositions ("One is the Loneliest Number", "Without You"), I learned about this man's brilliant writing and beautiful singing. If you love music, you'll find plenty to draw you in to his world, which unfortunately spiraled out of control as his success increased and his past haunted him. However sad, he nonetheless was completely devoted to his family and you will find yourself so glad to have met this man. The profile is effectively told through Nilsson's own words and those of his friends and colleagues (a virtual Who's Who of Rock)who loved and respected him. Don't miss this!
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- VerbindungenFeatured in Imagine: Harry Nilsson: The Missing Beatle (2011)
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Details
- Erscheinungsdatum
- Herkunftsland
- Offizieller Standort
- Sprache
- Auch bekannt als
- Imagine: Harry Nilsson - The Missing Beatle
- Drehorte
- Agoura Hills, Kalifornien, USA(Nilsson's home)
- Produktionsfirmen
- Weitere beteiligte Unternehmen bei IMDbPro anzeigen
Box Office
- Bruttoertrag in den USA und Kanada
- 30.975 $
- Eröffnungswochenende in den USA und in Kanada
- 6.078 $
- 12. Sept. 2010
- Weltweiter Bruttoertrag
- 30.975 $
- Laufzeit
- 1 Std. 56 Min.(116 min)
- Farbe
- Seitenverhältnis
- 1.33 : 1
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